Rating: 
Summary: German Expressionist Silent Horror Films 101
Review: "Masterworks of the German Horror Cinema" is like a film course in German expressionism in a box. Simple put, here are THE three most important silent films in the genre: F. W. Murnau's 1922 "Nosferatu, eine Symphonie des Grauens," Paul Weneger and Carl Boese's 1920 "Der Golem, wie er in die Welt kam," and Robert Wiene's 1919 "Das Kabinett des Doktor Caligari." This was the first time I got to see "The Golem," having heard about it for years, and I was surprised to discover that it holds up well against the other pair of films. This DVD includes extensive liner notes, photo still galliers, lobby cards, original poster art and more. All of these films run 90 minutes or less, so with the supplmental materials you have everything you need for a great film class. Or you can just watch them at home and even if you do not have an academic interest in these films you will not be able to avoid recognizing how many of your favorite horror films have elements which can be traced back directly to this trio of films.
Rating:
Summary: German Expressionist Silent Horror Films 101
Review: "Masterworks of the German Horror Cinema" is like a film course in German expressionism in a box. Simple put, here are THE three most important silent films in the genre: F. W. Murnau's 1922 "Nosferatu, eine Symphonie des Grauens," Paul Weneger and Carl Boese's 1920 "Der Golem, wie er in die Welt kam," and Robert Wiene's 1919 "Das Kabinett des Doktor Caligari." This was the first time I got to see "The Golem," having heard about it for years, and I was surprised to discover that it holds up well against the other pair of films. This DVD includes extensive liner notes, photo still galliers, lobby cards, original poster art and more. All of these films run 90 minutes or less, so with the supplmental materials you have everything you need for a great film class. Or you can just watch them at home and even if you do not have an academic interest in these films you will not be able to avoid recognizing how many of your favorite horror films have elements which can be traced back directly to this trio of films.
Rating:
Summary: German Expressionist Silent Horror Films 101
Review: "Masterworks of the German Horror Cinema" is like a film course in German expressionism in a box. Simple put, here are THE three most important silent films in the genre: F. W. Murnau's 1922 "Nosferatu, eine Symphonie des Grauens," Paul Weneger and Carl Boese's 1920 "Der Golem, wie er in die Welt kam," and Robert Wiene's 1919 "Das Kabinett des Doktor Caligari." This was the first time I got to see "The Golem," having heard about it for years, and I was surprised to discover that it holds up well against the other pair of films. This DVD includes extensive liner notes, photo still galliers, lobby cards, original poster art and more. All of these films run 90 minutes or less, so with the supplmental materials you have everything you need for a great film class. Or you can just watch them at home and even if you do not have an academic interest in these films you will not be able to avoid recognizing how many of your favorite horror films have elements which can be traced back directly to this trio of films.
Rating: 
Summary: B/W TRIPLE THREAT
Review: AFTER SEEING (AND ENJOYING) SHADOW OF THE VAMPIRE, I THOUGHT ABOUT GETTING A COPY OF NOSFERATU (1922) (64 MIN) ON DVD. WHILE CHECKING OUT SEVERAL DIFFERENT VERSIONS TO SEE WHICH OFFERED MORE OPTIONS, I RAN ACROSS THIS EDITION THAT ALSO INCLUDES DER GOLEM (1920) (68 MIN) AND THE CABINET OF DR. CALIGARI (1921) (51 MIN). I'VE READ ABOUT AND SEEN PICTURES FROM ALL 3 OF THESE FILMS BUT HAD NEVER ACTUALLY VIEWED THEM. WHAT A TREAT IT WAS TO SEE THEM CONTAINED IN ONE PACKAGE ON 2 DVDs. NEEDLESS TO SAY, I BOUGHT IT AND ENJOYED THEM OVER THE NEXT 3 EVENINGS. THE APPROXIMATE TIMES I HAVE LISTED ABOVE FOR EACH OF THE FILMS ARE CLOSER TO CORRECT THEN THE ONES LISTED IN THE EDITION DETAILS... A VERY MINOR ERROR THAT SHOULD NOT DETER YOU FROM PICKING UP THIS CLASSIC BLACK AND WHITE TRIPLE THREAT FROM AN ERA GONE BY.
Rating: 
Summary: Closing in on Caligari
Review: After the superb job Elite did on their "Night of the Living Dead" disc a while back, I was rather deflated when this compendium of German Expressionist horror arrived. On one hand, it's nice to have three films as seminal as "The Cabinet of Dr. Caligari," "Nosferatu," and "The Golem" brought together in one package, and it's a beautiful-looking set from the outside.Problem is, when you explore the discs themselves, you discover they are not drawn, as the package proclaims, from the "finest" film elements available (though perhaps this simply means the finest available to Elite). "Caligari," for instance, is taken from a very shabby print, previously available in a budget VHS edition, with the same non-synchronized score as on that version. I was hoping for a "Caligari" that improved on the Kino-on-Video print already on disc, a version compromised by a translucent "bar" that runs across the top of the screen through many of the sequences. In fact, I was really wishing for a digitizing of the print brought out a few years ago by Republic Pictures video, a beautiful black-and-white copy that was further enhanced by an excellent music score. Here's hoping the latter print makes it to DVD one of these days; meanwhile, those wishing for a good copy of "Caligari" had better seek out the RP version as a tape rental. "The Golem," which has the distinction of being the first rendering of this film on DVD, was an equal letdown. Not only was there no attempt to restore the print (the package boasts of the "restored" Astaroth sequence, but there's nothing here that was not already available on the VHS edition released by Video Yesteryear in 1985), but there is NO music score at all. Is there an excuse for this? After all, if it was a matter of budget, they could simply have omitted one of the other two films (especially since they are already available on DVD), and presented this package as a twofer. Admittedly, it's nice to have "The Golem" on DVD in any form, but this begs the question of the lack of music. As the critic Walter Kerr once noted, music in a silent film is "half" its life. Which brings us to "Nosferatu," and it is here that we get the best offering of the set. We're given a very nice black-and-white print, not as complete as the tinted version on the Kino/Image DVD, but excellent nonetheless for a film of this age, and well worth having. Also, Elite went out of its way to commission a new score for the film, something that should have been done for all three films. The music, moreover, is synchronized, and while I didn't especially care for some of the post-modern jazz elements (which seemed out of sympathy with the dark Gothic mood of the film itself), it at least showed care of presentation, and respect for the film's integrity. I must confess that the relative lack of "extras" in this set (nothing more than some historical notes and a brief collection of prints and stills) didn't particularly bother me. Additional bonuses would have been nice, but the real problem lay in the prints ("Nosferatu" excepted), and the shortcomings in the musical area. Miroslaw Lipinski, who's done important work in the genre translating stories of the Polish fantasist Stefan Grabinski, contributes valuable liner notes to the films in an accompanying leaflet; these make a good primer for those approaching these films for the first time. But, overall, such efforts only emphasize how superior this set might have been under the right auspices. It's best to see "Masterworks," then, as an interesting but flawed representation of German horror Expressionism. Let's hope that better editions of all three films appear on future DVDs (including, for instance, a copy of "Nosferatu" that contains the brilliant score from the Kartes Video edition released in the early 80s).
Rating:
Summary: Nosferatu rules!
Review: I didn't have time to watch Caligari and the Golem, because I wanted to watch "Nosferatu!" The film is excellent, and the flaw at the end scene is hillarious! I won't tell you because it gives away the vampire's death sequence. Well, the honor of acting in this film has to go to Max Shrek, who probably was a vampire. At least I think so. Anyway, the makeup is simply the most powerful ever created for the cinema, next to Frankenstein's monster. The plot is simple: Just the same as all the books. But with the absence of Van Helsing, the story falls a little flat. To heck with that. Ignore the others on this great 2 disc set and only watch Nosferatu! That and, did you know that this film got involved in a lawsuit, and that all copies of the film were ordered destroyed?
Rating:
Summary: Nosferatu rules!
Review: I didn't have time to watch Caligari and the Golem, because I wanted to watch "Nosferatu!" The film is excellent, and the flaw at the end scene is hillarious! I won't tell you because it gives away the vampire's death sequence. Well, the honor of acting in this film has to go to Max Shrek, who probably was a vampire. At least I think so. Anyway, the makeup is simply the most powerful ever created for the cinema, next to Frankenstein's monster. The plot is simple: Just the same as all the books. But with the absence of Van Helsing, the story falls a little flat. To heck with that. Ignore the others on this great 2 disc set and only watch Nosferatu! That and, did you know that this film got involved in a lawsuit, and that all copies of the film were ordered destroyed?
Rating: 
Summary: How bad do you want Der Golem?
Review: I won't rehash what most people already know; two of these films are considered classics while the other is a well-respected but lesser known silent work. This three-pack was a big disappointment overall from a technical standpoint. The Cabinet of Dr. Caligari is basically unwatchable because the high contrast obliterates the details and bad framing destroys the picture composition. Also, the title cards have been replaced, and this version doesn't have any of the tinting. Nosferatu fares a little better. The contrast is high but not unwatchable. More annoying here is transfer speed of 24 frames per minute, which makes the characters appear to be moving at super-human speed; this works okay for comedy but terrible for horror. There are several versions of both the above films out on DVD and VHS; I hear good things about the Image Editions but haven't seen them. What isn't available anywhere else is Der Golem; the tale of the stone figure brought to life to protect a Jewish community. It stars Paul Wagner. The film has got a heavy contrast but with nothing to compare it to, I can't say if this is the fault of the source material or the transfer. This was the only film that doesn't have a musical score, which definately detracts from the film. The movie itself is good but not up to the level of Caligari or Nosferatu. Whether to buy this set or not ultimately rests with how bad you want this film.
Rating:
Summary: How bad do you want Der Golem?
Review: I won't rehash what most people already know; two of these films are considered classics while the other is a well-respected but lesser known silent work. This three-pack was a big disappointment overall from a technical standpoint. The Cabinet of Dr. Caligari is basically unwatchable because the high contrast obliterates the details and bad framing destroys the picture composition. Also, the title cards have been replaced, and this version doesn't have any of the tinting. Nosferatu fares a little better. The contrast is high but not unwatchable. More annoying here is transfer speed of 24 frames per minute, which makes the characters appear to be moving at super-human speed; this works okay for comedy but terrible for horror. There are several versions of both the above films out on DVD and VHS; I hear good things about the Image Editions but haven't seen them. What isn't available anywhere else is Der Golem; the tale of the stone figure brought to life to protect a Jewish community. It stars Paul Wagner. The film has got a heavy contrast but with nothing to compare it to, I can't say if this is the fault of the source material or the transfer. This was the only film that doesn't have a musical score, which definately detracts from the film. The movie itself is good but not up to the level of Caligari or Nosferatu. Whether to buy this set or not ultimately rests with how bad you want this film.
Rating: 
Summary: Masterworks of the German Horror Cinema
Review: The box set made by IMAGE (not ELITE) does not have all of the technical problems that Paul Kesler wrote of in his review.
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