Rating: 
Summary: utter GARBAGE
Review: This movie was nothing but a bunch of sex and violence, and not the good kind either, it was just this total mess. This girl gets raped by a bunch of country bumpkins, and the rape scene lasts for like 20 mintutes. Its disgusting. I hated the way the girl was portrayed as a completely naive and helpless victim. And the all four of the rapists were total dumbasses. Anyone who thinks this movie is great, and gives it 5 stars makes you have to wonder about the reviewer. what a bunch of low lifes! i think this movie was just made for pervs to wack off too. and the whole thing about revenge just falls flat. point is dont waste an hour and a half of your life on this movie. expect maybe disgust.
Rating: 
Summary: Great ¿Hack ¿Em Up¿ Film with Feminist Agenda
Review: As a slasher movie, it stands the test of time. However, the movie and the story both need work. Since reality programming is now all the rage and people expect a sensibility of reality in their movies, I'll approach my review from the standpoint of the social aura that defines society as of 2003. In other words, I'll cover how the society and this movie feed off one another. It may not be fair to hold a piece from 1978 to the fires of 2003, but I'm going to do it anyway.I would first make the woman less helpless. She's smart and sophisticated, like most city women, but she doesn't seem strong enough to live in the city. I would give her a bit more strength and common sense. Playing her as a helpless little girly-girl and a pure victim throughout most of the movie should offend most feminists. However, the "helpless woman" is a powerful ideal that allows women in our modern society to play both sides of the fence in social and legal arenas. Women love to be strong, yet helpless. Empowered, yet underprivileged. Equal, yet they must receive special considerations. Sadly, this enigma is a social phenomenon that allows this movie to work well. Only a woman can be a helpless killer. To maintain this unique social power, feminists will turn a blind eye to all fiction and non-fiction characters that portray women in this light. The best way to avoid exposure of the feminist agenda in this script is to distract the moviegoer by pointing a finger directly at what one can visually see: The Rape Scenes. These scenes are powerful on a disturbing level. But who is it that is committing the rapes? There are four "men" in this group. However, only two of the characters were effectively developed. The Alpha Male (the leader) and Matthew (the retarded man) were developed in such a way that you cared about them a little. However, they were depicted as back-wood country boys (ref: really stupid) who only think with the little head between their legs. This is about as accurate a depiction of men as the character of the woman. Are women really this helpless and naïve? Are men really this stupid and hormone-driven? These characters are simplistic at best and offensive at worst. To make the pack of men stronger, I would get rid of one of the miscellaneous friends and develop the third one more. Make the men a little bit smarter; bring the overall challenge to a higher level. People are more complex than what we see on this screen. I would also get rid of a few scenes. The "Forgive Me" scene in the church was gratuitous at best. Does this woman need an excuse to kill? Does she require forgiveness? She has a good reason to want them dead. Reporting them to the police wouldn't result in a good slasher movie, though, unless the guys killed the one-man police force and brought more peril to the situation (a-la "Misery"). Even if the guys didn't rape her, she could use PMS as a legal defense and no jury would convict her. Another scene that needs to be cut is the "Missing Husband" scene, where the Alpha Male's fat, bull-dykish, grumpy wife bounces around the yard outside the gas station, wondering where her loser husband has gone. She is not concerned that something bad may have happened to him. Her presence only serves to solidify the feminist agenda of this script. If my observations do not convince you that feminist tone exists in the film, how about the original title. "Day of the Woman" says it all. This agenda is so overwhelming that everybody misses the FOURTH rape. What I'm talking about is the rape of Matthew. He just wanted to fit in with the guys and got sucked into their idiocy and mayhem. It was most disturbing when the leader was showing him how to kill with a knife, sending him in the house to do the dirty work. In a feminist light, this shows the true cowardice of the men. However, it could be argued that, if the Alpha Male had carried out the stabbing, Matthew would have blabbed it out at the diner (which he blabs on himself later). Matthew was a pawn in their game. Finally, I would move the scenes around. Having cut one of the male friends out of the picture, I would kill the least popular one first (maybe the guy wearing the suspenders). Then I'd take Matthew out, and finally blow my cinematic load with the bathroom scene. As the movie stands now, I think that the bathroom scene is the climax of the movie. After this scene, I didn't care about the other two. Having them team up on her was the only (partially) saving grace. When I got my driver's license in 1980 at the age of 16, the first thing I did was drive to the big city from my little Indiana country town, go to the midnight movie, and see "I Spit On Your Grave." I couldn't wait for the slashing to begin. Even with my teen hormones awhirl, the rape scenes were still disturbing to me. This gives me hope that all people are not victims of their hormones, especially men who commit the heinous act of rape and women who kill their spouses and children under the guise of PMS. Those who say that this movie glorifies raping women are missing the bigger picture. Nobody has tackled the notion that there could be an insidious message that it's socially acceptable to kill a man or sever his member because he's "being a man" (insert feminist definition here). This proves one thing; that this film allows a person to take away from it exactly what they bring into the theatre. The Mysogynist and Mysandrist alike (and normal folks), can revel in the shallow filthiness of this movie. I loved it!
Rating:
Summary: Message Film That Will Shock
Review: "I Spit On Your Grave" has a rather remarkable history for an exploitation film. I vividly remember a little video store close to where I lived ten years ago or so placed this film in their adult section, apparently concerned that the disturbing images within were so dangerous that only those interested in the latest Ron Jeremy release could appreciate them. Director Meir Zarchi, a definite one shot wonder if there ever was one, continues to squeeze every drop of coin out of his film as possible. How many different versions of this movie is this guy going to release? A "Millennium Edition"? Are you kidding me? I have spent some time viewing several of the more extreme entries in the exploitation genre, and I can confidently state that "I Spit On Your Grave" is one of the more milder contributions to that exalted field. If you want to watch something truly mind boggling, track down a copy of Ruggiero Deodato's "Cannibal Holocaust." The fact that Zarchi's film got a widespread DVD release while Deodato's little gem remains mired in virtual obscurity constitutes one of the great crimes in the B movie arena. Still, "I Spit On Your Grave" does have a message for those willing to sit down and watch it. In what must have shocked New York filmgoers who screened this exploitation piece in one of the grindhouse theaters in the 1970s, "I Spit On Your Grave" concerns the brutalizing of a young girl from the Big Apple named Jennifer Hill during a sojourn she makes into rural upstate New York in order to write a novel while slumming around in a riverfront cabin. Jenny, played by a very pretty Camille Keaton, almost immediately runs into four local losers when she stops at a gas station near her rented house. These four goons, after learning that one of their gang has never spent time with a woman, arrive at the brilliant idea of launching a full frontal assault on Jennifer. They don't immediately overwhelm her, of course, but rather build up to it by slowly terrorizing her. They cruise by her digs on a noisy motorboat, distracting her from her writing with their hoots and hollers. Our gang of rural cretins finally makes their move when they discover Jennifer out on the river in a little row boat. Using their big, bad powerboat, the gang hijacks the unfortunate lass's vessel and tows her to shore. What follows are several distressing scenes of rape and violence, sequences that drag on for what seems like hours as the gang has their fun, lets Jenny go, and then reappears for more nightmarish activities. After this lengthy degradation finally, mercifully comes to a close, the criminals force one of their crew to go dispatch Hill with a knife. Regrettably, for these tough guys who seek to erase the evidence of their monstrous endeavors, the man they pick to do the deed suffers from a mental disability and cannot muster enough nerve to go through with the ultimate crime. Big mistake. Jennifer recovers from her injuries and begins to plot her revenge against her tormentors. Making good use of that old adage about a "woman scorned," Jenny uses her feminine wiles to lure and ultimately murder the four men who committed such nauseating violations. What you would think would provide plenty of gory thrills turns out to be a rather tepid series of revenge killings. One of the men dies when Jenny hangs him from a tree, another in a bathtub when Hill applies a knife to a most cringe worthy area, and the final two in the river. The movie ends with Jenny roaring down the river in a motorboat, seemingly sated by her well laid plans. Several things do actually work in "I Spit On Your Grave." The willowy, pretty Camille Keaton lounging around her house at the beginning of the film in her bikini is nice (but definitely not later, when the horror begins), but doesn't inspire me to admire in any way the activities of the men in the film, one of whom eventually tells his victim that she was "asking for it" because she wore revealing clothing. I can appreciate what Zarchi tried to do with his nasty little shocker: present a picture of rape that is both as realistic as possible and as disturbing as possible. The director does achieve the desired effect, I think, by showing how such a despicable crime degrades everyone involved in it. What didn't work was the mediocre script, especially when Jennifer Hill goes on her vengeful rampage. The fact that these guys willingly went along with a woman they terrorized just two weeks previously seemed amazingly contrived. I am willing to believe these men are stupid, but not THAT stupid. If a woman who suffered such a horrific incident as Jenny did decided to strike back, I think it would probably resemble something like serial killer Eileen Wuornos's rampage rather than "I Spit On Your Grave." Women simply don't go on killing sprees against their attackers, and even nowadays often don't report rape to the police. The DVD I watched contained a trailer for the film and a widescreen transfer of the nicely restored picture. "I Spit On Your Grave" is definitely a film with a message and worth watching once, but I recommend renting instead of buying it. If you like viewing Zarchi's film on a regular basis, you probably have some problems that need addressing soon, preferably at a place where nice men in white jackets can introduce you to the wonderful world of Thorazine.
Rating:
Summary: At last Meir Zarchi explains himself
Review: Well, now all the folks who wish writer/director Meir Zarchi would explain his controversial, infamous, and disturbing rape and revenge film can get their wish for the price of this Millennium edition DVD, which includes a feature-length commentary by Zarchi. In this commentary, Zarchi confirms what this film's defenders (including me) have been claiming all along -- that his intention was definitely not to promote rape to his male viewers, but rather to expose the true ugliness of the crime. He talks at length about the real-life encounter with a rape victim that inspired the film, and about the people he worked with in making it. He also discusses the technical aspects in enough detail to prove this is not the shoddy, haphazard production some folks want to claim it is. I also learned a few interesting facts about the film business in general. For example, when you submit a movie to the MPAA, they'll tell you it has to be cut to get an R rating, but they won't tell you WHAT to cut. Besides answering your questions about the film, Zarchi's commentary also provides a clue as to what sort of person he is. Overall, he comes across as intelligent, articulate, and even compassionate. However, he also comes across as a bit egotistical, which is why the second feature-length commentary by Joe Bob Briggs is useful for its more balanced perspective. Although Briggs defends the movie, pointing out specific scenes that exemplify its anti-rape viewpoint, he's objective enough to point out flaws where he sees them. For example, why on earth did Johnny send the mentally-challenged Matthew back to the house to kill Jennifer, when Matthew was almost certain to bungle the job? Briggs also addresses two ethical questions that have always bothered me. The first is whether Matthew deserves to die, and the second is whether Johnny's wife and children deserve to have their husband/father respectively taken away from them. This DVD also includes various trailers, TV spots, and posters, including some promoting the movie under its original title, DAY OF THE WOMAN. There are also posted from a wide assortment of countries, in a wide assortment of languages. I wish the extras had also included the original version of the opening, with the title DAY OF THE WOMAN in the credits, but maybe there are no prints in existence. So, if you want to own this movie on DVD, this is the edition to buy. If you own an earlier edition, you might consider selling it to raise part of the price of this one.
Rating: 
Summary: Ignore Review by Peter
Review: This is a five star film with brutal honesty and is the product of the director's real life encounter with a rape victim. Other open minded reviewers have done this film justice, I just wanted to point out a few things about the small minded review put foward by PETER below: 1. The scenes are extended to make the audience feel as though they have gone through an ordeal and to fully express the pain and horror of the crime! But you seem to think a PG rated sequence lasting 10 seconds be more honest?! 2. This movie deserves royal DVD treatment more so than any of todays mainstream garbage as it clearly makes more of an impact than any major studio's tame market friendly drivel which is put out as modern horror. Many companies such as Anchor Bay, Blue Underground, Shriek Show ect have made it their buiness to put uncut lavishly produced DVD's of films like this out as there is a gap in the current market that can only be filled by classic genre films. Don't belive me? They have remade Texas Cahinsaw Massacre! 3. I'd like to know how you can critize the intelligence of other reviewers when in another review you gave a CD by boyband FIVE 4 stars?! There is a lot of sybolism in this film and if it went over your head then no one else is to blame but yourself! You show your true intelligence by quoting a previous review which is clearly written by another small minded reviewer who hates the film and is satirical mocking the films fans as an example of a 5 star reviewer?! Try reading that review again and this time you might get that they are against it too! Unfamiliar with the concept of satire are you, Peter? 4. As an international customer I found your xenophobia (get out the dictionary Peter) quite distasteful to say the least. If you don't like foreign film directors then stick with Titanic and Pearl Habour and write reviews on how brilliant and important those films are and leave the genre films to true genre fans!!! I just hope that I've helped any one else who is reading these reviews and is deciding on whether or not to give this contraversial film a chance. Ignore condesending reviews like Peter's and see for yourself. This film is definitely not for everyone and I am sure that there will be intelligence people who won't like it due to it's confronting nature. It's best that you take a look for yourself, make up your own mind and please do not let the ideals of a very vocal and dim witted group who have continued to persecute this film from it's initial release to this day lead you to dismiss the other level to this film beyond it's harshness.
Rating:
Summary: Pointless garbage!
Review: I really have to question the intelligence of anyone who would rate this movie five stars. But i think i got my answer when i read one of the five-star reviews: "There were sum really kewl scenes in it, like when the lady was naked and screaming".Yeah, that guy probably watched the movie instead of studying for his grade eight finals. I'm a HUGE fan of horror movies and have seen tons of them. But this one is totally pointless and tedious. If you took out the rape scene you would end up taking out about 40 minutes of the movie. The rape scene is extended way too long in this movie and it's unnecessary to have it dragged out this much. We get the point!! She gets raped and now she wants revenge. The other scenes after the rape and leading up to her revenge are boring and stupid. I hate how people are analyzing this movie as if they were writing some kind of thesis for film school or psychology class. And the fact that this is in widescreen and given more dvd features than most Warner Bros. and Paramount Pictures dvds is a sin of the biggest kind. I mean do we really care if this crap is in widescreen or not?? There is nothing enjoyable about this film and no redeeming value to this whatsoever. This is exploitational garbage of the worst kind. It's not even a B film. It's a grade Z film. Anyone who feels the burning need to own this dvd and to watch an extended rape scene needs serious life reflection time. There are about 200 other horror movies out there that are more important than wasting your time on this stupid turd.Figures that a foreign director who's not even from North American would come up with an idea for a film like this. Every American actor associated with this movie should be ashamed. I hope their careers all went down the toilet after doing this. If you still want to see this movie, i'd recommend keeping fresh battieries in your remote so you can fast-forward through most of it.
Rating:
Summary: This movie was great!
Review: This movie was great! There was sum kewl scenes in it, like when the lady was naked and screaming. I don't know why they called it "rape", that girl was clearly enjoying it. She was asking for it anyway, acting all high class, like, "Oooh, I'm a scary-talented writer." Whatever. Quit screaming you dumb lady! But after her body was all covered with blood and dirt, it was totally unsexy. No wonder the dweeb guy couldn't release.
After that, the lasy kills the guys for no reason. She's like a total psycho! She reminds me of my mom.
Rating:
Summary: Bathroom lock on the outside?
Review: Apart from that, a work of genius. I love it. A see once movie really, as it does not and cannot have the same impact twice. Very Andrea Dworkin, even the humour. Looked Scandinavian and reminded me of Bergman (Virgin Spring?) Has a memorable Boudica like climax only missing the Ride of the Valkyries on the soundtrack. Just great stuff. A writer at the time related the polarized reactions in the theatre. "Kill the b***h!" Reposted on the distaff side with "right on, sister!" Unfortunately, certain parties didn't want things out in the open and the film suffered censure. There's a book to be written on the moral questions raised by the retarded guy alone, but I'll focus on a couple of things. The pivotal moment when Jennifer lowers her gun when she has her tormentor at her mercy. Does he have a point? Yes and no. At that moment it's like she reaches an understanding with nature and Keaton's enigmatic performance nails it. Is Jennifer's transformation too sudden or was she like that from the start? Another unexpected aspect is the ridiculing of her writing. In an odd way this really gets to you more than the rape. In a stroke of genius that makes the film, Jennifer seems to become 'Mary', a fictional character or characters in her own writing, descending upon the men like some incubus and getting poetic revenge for that particular sleight. In fact, I can't make up my mind if the film is merely (?) didactic, or a poetic lament. What it has to say about sexual politics is true. Director's commentary: Unsurprisingly, Zarchi appeared to be European, and eccentric to boot. "Listen to the bird, she is saying: Peace on earth....peace on earth." He constantly quotes critics but is frustratingly parsimonious with his own impressions. He distastefully describes a real life rape while the fictional one is playing out but if this tragedy motivated him to make the picture then he should elaborate. We are left hanging as to his real motives. When he quoted 'hell hath no fury', he drew unflattering comparisons with Criswell in 'Plan 9'. There is an enigmatic moment when Jennifer types after the rape. Not a peep from the director on this. Zarchi's observations of male attitudes in the film are perceptive. The guy with the axe almost hiding in fear of Jennifer at the climax. The constant references to their mothers and calling on them in crisis. Many men will recognise themselves in these attitudes and excuses so I'm not surprised to see such fervent condemnation of 'Grave', but from the director, we get less than the dicky bird he is so fond of quoting. He appears to side with the poetic aspect, but he left me feeling puzzled and uncomfortable. Briggs: Appears puzzled by the plot. Why didn't the men go in the house with matthew? Not difficult, if they want Matthew to be the fall guy, then they can't be in the same room when he's committing murder. Briggs considers the wife by the pumps scene superfluous. Surely this is one of the most telling moments in the film? I don't agree with his assertion that men shouting mysogynistic comments during theatrical performances of 'Grave' don't really mean it. It just proves to me the film was accurate in it's observations. Get it out in the open, I say. Perhaps Biggs sees the film as a lampoon, four burly men never really standing a chance against a smart cosmopolitan women from New York. Either way, I found his commentary to be largely superfluous.
Rating: 
Summary: pretty disturbing, not what i expected
Review: #33 this movie was definitley not what i thought it was gonna be. i thought this movie would show a little of the rape and a lot of the men getting killed brutally which is what i wanted but thats not it at all. at least half of the movie is the girl getting raped and beaten which is very uncomfortable to watch. id say shes butt naked for over half the movie and they show all. i was dissappointed that the killings werent as violent as i thought they were gonna be but the 1 where the guy gets his penis cut off was pretty bloody. there arent many movies like this so u should check it out just because of that. its not that good but worth a look.
Rating:
Summary: Almost as good as Last House On The Left
Review: This is another revenge film, like Last House On The Left, filled with such great stuff as ......, hanging, and butchery. It's a fun film to watch, as long as you're not squeemish, easily offended, or highly religious. I watch my vhs quite often. It's a little bit slower than Last House, which in my opinion is a little bit better. It gets a little slow in the parts with dialogue from the male characters (i.e. the fishing scene, the scene in the restaurant). Other than that, it's a pretty magnificent movie. Great direction by mr. Meir Zarchi. Pretty good acting by Camille Keaton. All around good movie, though not one for the family.
| 
