Men in War

Rating:
Summary: A Stark, Unflinching War Drama
Review: "Men in War" makes one wish Anthony Mann had directed more war films. This is an excellent, character-driven story. It is a prime example of the mature, unflinching kind of war film that began to appear after the Korean conflict. Undeservedly neglected, this picture ranks with Lewis Milestone's "Pork Chop Hill" and Robert Aldrich's "Attack". And it is the progenitor of "Platoon" and "The Thin Red Line". with their complex characters and situations.

Every actor seems to give his best, with exceptional moments from Robert Ryan, Aldo Ray and Robert Keith, as a shell-shocked Colonel. And it is always good to see the admirable Pine, Morrow, Persoff and Edwards. The film has a stark, yet pleasing black & white look which is appropriate for the bare bones conflicts the story sets forth. Moreover, "Men in War" features a very fine score by Elmer Bernstein, utilizing an authentic Korean folk song.

Rating:
Summary: Men in War - Cult War Classic and Psycho-Drama
Review: "Men in War" may just be the best pschological study of combat ever made and should be considered a cult classic (and probably is) even if it is a cult of one. Anyone who claims this is a "Standard war film set in Korea" might also claim "The God Father" was a standard gangster movie or "The Wizard of OZ" was a standard children's flick. "Men in War" is a concise, classic study of combat that just happens to be set in the Korean War. Anthony Mann's direction impacts every aspect of humanity subjected to sustained combat. Amid the horror we see from the all-but-doomed patrol kindness, depravity, valor, self-interest, despair, hope, and, finally, relief without joy. In short we see how desperation exponentializes human emotion. The unusual camera angles give it a Film Noir "look" that highlights the conflicts and tragedies played out by the forlorn platoon. Robert Ryan and Aldo Ray are the perfect dueling co-protagonists who show that our toughest fights are not always with the ones defined as the enemy. The movie is all very real, all real personal, and all very difficult to watch sometimes because of the graphic truths, not the least of which is the insight into the final thoughts of several doomed souls. There is no going back with this film. Once you watch it you are hooked. It would be best for some esteemed critics to actually watch it once before reviewing it.

Rating:
Summary: A Stark, Unflinching War Drama
Review: "Men in War" makes one wish Anthony Mann had directed more war films. This is an excellent, character-driven story. It is a prime example of the mature, unflinching kind of war film that began to appear after the Korean conflict. Undeservedly neglected, this picture ranks with Lewis Milestone's "Pork Chop Hill" and Robert Aldrich's "Attack". And it is the progenitor of "Platoon" and "The Thin Red Line". with their complex characters and situations.

Every actor seems to give his best, with exceptional moments from Robert Ryan, Aldo Ray and Robert Keith, as a shell-shocked Colonel. And it is always good to see the admirable Pine, Morrow, Persoff and Edwards. The film has a stark, yet pleasing black & white look which is appropriate for the bare bones conflicts the story sets forth. Moreover, "Men in War" features a very fine score by Elmer Bernstein, utilizing an authentic Korean folk song.

Rating:
Summary: Men in War - Cult War Classic and Psycho-Drama
Review: "Men in War" may just be the best pschological study of combat ever made and should be considered a cult classic (and probably is) even if it is a cult of one. Anyone who claims this is a "Standard war film set in Korea" might also claim "The God Father" was a standard gangster movie or "The Wizard of OZ" was a standard children's flick. "Men in War" is a concise, classic study of combat that just happens to be set in the Korean War. Anthony Mann's direction impacts every aspect of humanity subjected to sustained combat. Amid the horror we see from the all-but-doomed patrol kindness, depravity, valor, self-interest, despair, hope, and, finally, relief without joy. In short we see how desperation exponentializes human emotion. The unusual camera angles give it a Film Noir "look" that highlights the conflicts and tragedies played out by the forlorn platoon. Robert Ryan and Aldo Ray are the perfect dueling co-protagonists who show that our toughest fights are not always with the ones defined as the enemy. The movie is all very real, all real personal, and all very difficult to watch sometimes because of the graphic truths, not the least of which is the insight into the final thoughts of several doomed souls. There is no going back with this film. Once you watch it you are hooked. It would be best for some esteemed critics to actually watch it once before reviewing it.

Rating:
Summary: Best War film of the '50s?
Review: Anthony Mann's "Men in War," along with Sam Fuller's "Steel Helmet," is the most realistic, tough-as-nails war film made in the '50s.

This is ANTYTHING BUT your standard Hollywood treatment. "Men in War," along with Mann's famous Westerns is a demonstration model of the 'vulgar subtlety' with which Mann subverts Hollywood convention to craft a masterpiece.

And what can you say about Robert Ryan? Easily one of the greatest actors of all time, and one of the coolest. Ryan OWNS this film like he owned Ophuls' Noir film "Caught," (even outshining James Mason in that one) and Aldo Ray steps up to Ryan's challenge with a truly phenomenal performance. HIGHLY RECOMMENDED

Rating:
Summary: Best War film of the '50s?
Review: Anthony Mann's "Men in War," along with Sam Fuller's "Steel Helmet," is the most realistic, tough-as-nails war film made in the '50s.

This is ANTYTHING BUT your standard Hollywood treatment. "Men in War," along with Mann's famous Westerns is a demonstration model of the 'vulgar subtlety' with which Mann subverts Hollywood convention to craft a masterpiece.

And what can you say about Robert Ryan? Easily one of the greatest actors of all time, and one of the coolest. Ryan OWNS this film like he owned Ophuls' Noir film "Caught," (even outshining James Mason in that one) and Aldo Ray steps up to Ryan's challenge with a truly phenomenal performance. HIGHLY RECOMMENDED