Alice Adams

Rating:
Summary: For the First Time Katharine Hepburn Plays Against Type
Review: "Alice Adams" is directed by George Stevens from Booth Tarkington's 1921 Pulitzer Prize winner novel. Katharine Hepburn plays the title character, a lovesick young girl who vainly attempts to attain the same level as her socially superior acquaintances and to impress the young man, played by Fred MacMurray, she meets at a dance. There is also a rather hackneyed sub-plot involving her father's business ventures that distracts from the human drama.

Of course all of Alice's attempts to better her place in the world meet with a continuous string of disasters. Alice is embarrased to be escorted by her brother to the dance, prattles on about her family's nonexistent wealth, and will not let MacMurray into her house until she is finally and fatefully obliged to invite him to dinner. The comic highpoint of the film is the dinner party, where the family has hired a maid (Hattie McDaniel) to help with what becomes a total disaster.

Hepburn carries the emotional heart of the movie, and her strength as a maturing actress is captured in two scenes where she carries the moment with tears rather than words. After the dinner scene she runs to her bedroom and breaks down weeping at the window, finally crushed by all that has happens. When her father (Fred Stone), who has no clue the dinner has been a disaster, comments on how nice her date was, a tear roles down Hepburn's cheek. These two scenes created Hepburn's reputation as the screen's greatest "on cue" weeper.

Hepburn received her second Oscar nomination for this film. Her performance is vastly superior to when she won for "Morning Glory" (but more in keeping with her Jo March in "Little Women" that same year) primarily because this is the first successful film in which she acts against type (as opposed to her unsuccessful effort as a hillbillie gal in "Spitfire"). The Hepburn persona that becomes solidified in "The Philadelphia Story" and "Woman of the Year" is pretty much the opposite of Alice Adams. Instead of the goddess brought off her pedastal, here we have the girl from the wrong side of the tracks trying to get ahead in the world. This is one of the better opportunities to see Hepburn NOT play Hepburn (the other great example is "Long Day's Journey Into Night").

Of course, Hollywood tacked on a happy ending to the film version, and while it is not as jarring as what they did to "The Magnificent Ambersons," it does not make for a smooth conclusion. More importantly, it undoes the poignancy of Hepburn's farewell to MacMurray when she tells him: "You know, I have a strange feeling. I feel as though I'm only going to see you for five minutes more in my whole life."

Overall, Hepburn's performance overcomes the limitations of the script. The role was never going to become a Hepburn staple, but she plays it surprisingly well here. "Alice Adams" holds up better than most of her early RKO films.

Rating:
Summary: THE SHINE OF A VERY YOUNG KATHARINE HEPBURN FILLS THE SCREEN
Review: "Alice Adams" is one of those movies that rarely are made in Hollywood in these days, because the whole movie is carried by the performances and the direction. "Alice Adams" is a very honest and simple movie, its only pretension is to entertain the viewers, and this movie does that.

In "Alice Adams" we can see a very young and charming Katharine Hepburn, she plays the role of Alice, she injected to the character freshness, sympathy and an aura of tenderness and innocence that rarely are seen in these days.

"Alice Adams" is a very amusing movie, specially if you are fan of the great Katharine Hepburn.

Rating:
Summary: For the First Time Katharine Hepburn Plays Against Type
Review: "Alice Adams" is directed by George Stevens from Booth Tarkington's 1921 Pulitzer Prize winner novel. Katharine Hepburn plays the title character, a lovesick young girl who vainly attempts to attain the same level as her socially superior acquaintances and to impress the young man, played by Fred MacMurray, she meets at a dance. There is also a rather hackneyed sub-plot involving her father's business ventures that distracts from the human drama.

Of course all of Alice's attempts to better her place in the world meet with a continuous string of disasters. Alice is embarrased to be escorted by her brother to the dance, prattles on about her family's nonexistent wealth, and will not let MacMurray into her house until she is finally and fatefully obliged to invite him to dinner. The comic highpoint of the film is the dinner party, where the family has hired a maid (Hattie McDaniel) to help with what becomes a total disaster.

Hepburn carries the emotional heart of the movie, and her strength as a maturing actress is captured in two scenes where she carries the moment with tears rather than words. After the dinner scene she runs to her bedroom and breaks down weeping at the window, finally crushed by all that has happens. When her father (Fred Stone), who has no clue the dinner has been a disaster, comments on how nice her date was, a tear roles down Hepburn's cheek. These two scenes created Hepburn's reputation as the screen's greatest "on cue" weeper.

Hepburn received her second Oscar nomination for this film. Her performance is vastly superior to when she won for "Morning Glory" (but more in keeping with her Jo March in "Little Women" that same year) primarily because this is the first successful film in which she acts against type (as opposed to her unsuccessful effort as a hillbillie gal in "Spitfire"). The Hepburn persona that becomes solidified in "The Philadelphia Story" and "Woman of the Year" is pretty much the opposite of Alice Adams. Instead of the goddess brought off her pedastal, here we have the girl from the wrong side of the tracks trying to get ahead in the world. This is one of the better opportunities to see Hepburn NOT play Hepburn (the other great example is "Long Day's Journey Into Night").

Of course, Hollywood tacked on a happy ending to the film version, and while it is not as jarring as what they did to "The Magnificent Ambersons," it does not make for a smooth conclusion. More importantly, it undoes the poignancy of Hepburn's farewell to MacMurray when she tells him: "You know, I have a strange feeling. I feel as though I'm only going to see you for five minutes more in my whole life."

Overall, Hepburn's performance overcomes the limitations of the script. The role was never going to become a Hepburn staple, but she plays it surprisingly well here. "Alice Adams" holds up better than most of her early RKO films.

Rating:
Summary: For the First Time Katharine Hepburn Plays Against Type
Review: "Alice Adams" is directed by George Stevens from Booth Tarkington's 1921 Pulitzer Prize winner novel. Katharine Hepburn plays the title character, a lovesick young girl who vainly attempts to attain the same level as her socially superior acquaintances and to impress the young man, played by Fred MacMurray, she meets at a dance. There is also a rather hackneyed sub-plot involving her father's business ventures that distracts from the human drama.

Of course all of Alice's attempts to better her place in the world meet with a continuous string of disasters. Alice is embarrased to be escorted by her brother to the dance, prattles on about her family's nonexistent wealth, and will not let MacMurray into her house until she is finally and fatefully obliged to invite him to dinner. The comic highpoint of the film is the dinner party, where the family has hired a maid (Hattie McDaniel) to help with what becomes a total disaster.

Hepburn carries the emotional heart of the movie, and her strength as a maturing actress is captured in two scenes where she carries the moment with tears rather than words. After the dinner scene she runs to her bedroom and breaks down weeping at the window, finally crushed by all that has happens. When her father (Fred Stone), who has no clue the dinner has been a disaster, comments on how nice her date was, a tear roles down Hepburn's cheek. These two scenes created Hepburn's reputation as the screen's greatest "on cue" weeper.

Hepburn received her second Oscar nomination for this film. Her performance is vastly superior to when she won for "Morning Glory" (but more in keeping with her Jo March in "Little Women" that same year) primarily because this is the first successful film in which she acts against type (as opposed to her unsuccessful effort as a hillbillie gal in "Spitfire"). The Hepburn persona that becomes solidified in "The Philadelphia Story" and "Woman of the Year" is pretty much the opposite of Alice Adams. Instead of the goddess brought off her pedastal, here we have the girl from the wrong side of the tracks trying to get ahead in the world. This is one of the better opportunities to see Hepburn NOT play Hepburn (the other great example is "Long Day's Journey Into Night").

Of course, Hollywood tacked on a happy ending to the film version, and while it is not as jarring as what they did to "The Magnificent Ambersons," it does not make for a smooth conclusion. More importantly, it undoes the poignancy of Hepburn's farewell to MacMurray when she tells him: "You know, I have a strange feeling. I feel as though I'm only going to see you for five minutes more in my whole life."

Overall, Hepburn's performance overcomes the limitations of the script. The role was never going to become a Hepburn staple, but she plays it surprisingly well here. "Alice Adams" holds up better than most of her early RKO films.

Rating:
Summary: THE SHINE OF A VERY YOUNG KATHARINE HEPBURN FILLS THE SCREEN
Review: "Alice Adams" is one of those movies that rarely are made in Hollywood in these days, because the whole movie is carried by the performances and the direction. "Alice Adams" is a very honest and simple movie, its only pretension is to entertain the viewers, and this movie does that.

In "Alice Adams" we can see a very young and charming Katharine Hepburn, she plays the role of Alice, she injected to the character freshness, sympathy and an aura of tenderness and innocence that rarely are seen in these days.

"Alice Adams" is a very amusing movie, specially if you are fan of the great Katharine Hepburn.

Rating:
Summary: Top ten list
Review: Dont miss it! Superbly cast and sensitively directed, this moving adaptation of the Booth Tarkington novel of the same name is splendid. It is unfortunate that the director and star were forced by studio heads to tack on the "happy ending" in the film. We don't quite know what happens to our heroine at the end of the book, which is in keeping with how she needfully undergoes change and realizes her character flaws. Surely, Miss Hepburn must have loved making this one. It is a human odyssey that is heart-breaking and honest. Hats off to Mr. Tarkington for a marvelous story. Do not miss it. It is early film-making at its best.

Rating:
Summary: One of Katherine Hepburn's Greatest Roles!
Review: For those of us who yearned to be part of the "in crowd" in high school but never were, "Alice Adams" is a vivid reminder of that experience (1930's style). As Alice, Katherine Hepburn is the perfect example of the nobody who desperately tries to enter into a world where she clearly doesn't belong. The popular guy played by a very young and handsome Fred MacMurray falls in love with her, but by then Alice is so caught up in her own web of lies about her non-existent wealth that she loses her sense of identity and can't be honest with herself let alone with MacMurray. The story is sweet and romantic but the main plot focuses on Alice Adams and her experience as a nobody trying to make it in. You don't need to read the book (by Booth Tarkington) to understand and sympathize with Alice Adams' character, but I highly recommend reading the book first if you really want to appreciate Katherine Hepburn's superb performance. The Alice Adams I envisioned while reading the book was flawlessly brought to life by the very talented Ms. Hepburn.

Rating:
Summary: Katherine Hepburn in one of her best roles!!!
Review: For those of us who yearned to be part of the "in crowd" in high school but never were, "Alice Adams" is a vivid reminder of that experience (1930's style). Katherine Hepburn is the perfect example of the nobody who desperately tries to enter into a world where she clearly doesn't belong. The popular guy played by a very young and handsome Fred MacMurray falls in love with her, but by then Alice is so caught up in her own web of lies about her non-existent wealth that she loses her sense of identity and can't be honest with herself let alone with MacMurray. The story is sweet and romantic, but the main plot surrounds Alice Adams and her experiences as a nobody trying to make it in. You don't need to read the book (by Booth Tarkington) to understand and sympathize with Alice Adams's character, but I highly recommend reading the book first if you really want to appreciate Katherine Hepburn's superb performance. The Alice Adams I envisioned while reading the book was flawlessly brought to life by the very talented Ms. Hepburn.

Rating:
Summary: One of Katherine Hepburn's Greatest Roles!
Review: For those of us who yearned to be part of the "in crowd" in high school but never were, "Alice Adams" is a vivid reminder of that experience (1930's style). As Alice, Katherine Hepburn is the perfect example of the nobody who desperately tries to enter into a world where she clearly doesn't belong. The popular guy played by a very young and handsome Fred MacMurray falls in love with her, but by then Alice is so caught up in her own web of lies about her non-existent wealth that she loses her sense of identity and can't be honest with herself let alone with MacMurray. The story is sweet and romantic but the main plot focuses on Alice Adams and her experience as a nobody trying to make it in. You don't need to read the book (by Booth Tarkington) to understand and sympathize with Alice Adams' character, but I highly recommend reading the book first if you really want to appreciate Katherine Hepburn's superb performance. The Alice Adams I envisioned while reading the book was flawlessly brought to life by the very talented Ms. Hepburn.

Rating:
Summary: One of my favorite movies!
Review: I count "Alice Adams" as one of my favorite movies. Katharine Hepburn steals the show as the title character, in this poor girl/rich boy plot. This is Hepburn's movie all the way, and the rest of the cast is just along for the ride. Hattie McDaniels' talents are wasted again in another role as a maid. This movie makes you feel good and won't disappoint.