A Short Film About Killing

Rating:
Summary: eerie, powerful and moving
Review: The late Polish film-maker Krzysztof Kieslowski, who began his career as a documentarian, has, with the Decalogue, produced what is surely one of the defining moments in late twentieth century cinema. Kieslowski's project, out of whose fifth episode this film grew, was nothing less than a wholescale re-interpretation of the Ten Commandments, applied to modern life.

In A Short Film About Killing, Kieslowski shows us a murder and its aftermath. Jacek, a young man, dreams of escaping the Warovian housing projects and dreary, late-Communist life to visit the mountains with his girlfriend. At the same time, a young lawyer graduates from law school, is called ot the Polish bar, nad has his first child. In what is surely one of the most horrific killings on screen, Jacek brutally strangles and beats a cab driver to death. Kieslowski's film goes on to examine the consequences of the murder on not only Jacek but his young lawyer.

Kieslowski's film achieves its brilliance in its delicate balance of condemnation with compassion. Even as we see the justice of Jacek's execution, the subtly riveting scenes where we hear of the major trauma of his childhood undermine any easy sense of moral certainty we have developed. The final execution is nearly impossible to watch, as Kieslowski has, by then, made his point-- that there is an ineffable beauty in life, and that, as Plato suggested in the Republic, justice is somethign that improves us, not which destroys.

Warsaw, ably filmed by the brilliant Slawomir Idziak (the cinematographer of GATTACA), is soaked in green and yellow colours, pestilential, and sometimes oddly beautiful. Kieslowski's pacing is superb. The film paints and whispers when it needs to, then it simply and quietly rips the viewer's heart out.

Ultimately, the film's suggestion is deceptively simple: killing, be it for individual gain, or by the State as sanctioned punishment, is murder.