Rating: 
Summary: Great movie it would be nice to have more extras though
Review: "Mona Lisa" remains one of Neil Jordan's best movies. Bob Hoskins plays George a small time thug who took went to prison to protect his boss Mortwell (Michael Caine). To reward George for his sacrifice he gives him a job chaffeuring around Simone (Cathy Tyson)a high priced call girl that Mortwell wants to keep track of. Despite her initial chilly reception, George falls in love with her. Ultimately she asks him to make a major sacrifice so she can be free of Mortwell and his world. It's a price that leads to tragedy and violence.
A brilliant film noir, Hoskins earned an Oscar nomination for his performance and really he deserved it. His portrayal of George is complex. While he's a criminal, he's also surprisingly naive and innocent in his own way and the code of conduct he follows in his life reflects much more solid values than that of a petty crook. Michael Caine shines in a pivotal but small role as Mortwell. Caine has never given a performance as nasty and chillingly evil as he does here. Cathy Tyson ("The Serpent and the Rainbow", "Priest") also deserves kudos for her performance as Simone. Although the surface of her character is chilly she hints at the depths of emotion raging beneath the surface of this sophisticated and sad woman.
The Criterion edition of this looks exceptionally good with nice color reproduction and a crisp, sharp picture. It appears that the same master that was used for the 1996 laserdisc was used here, though, and it probably should have been remastered from a new digital transfer. While presented in its original widescreen format this isn't an anamorphic transfer that I can tell which is, again, another reason to update this and create a high definition DVD.
Neil Jordan and Bob Hoskins commentary track provide a surprising amount of interesting detail about the making of the movie. Usually commentary tracks with an actor and director devolves into a lovefest with little actually uncovered but that's not the case here. We learn about the difficulty that Jordan had initially interesting backers in the project and how pivotal the casting of Michael Caine was to making this project viable.
I still would have liked to have more in the way of extras for this classic film. Like the recent re-release of "The Crying Game", there has to be some alternate scenes that survived or outtakes that might have been of interest to fans. Additionally, why not do a retrospective documentary or a glimpse back at Jordan's career as a featurette? Hopefully Criterion (or whomever picks up the license on this film for DVD release in the US) will remaster this and add the extras that this classic film calls for.
Rating:
Summary: A Perfect Film!
Review: A very entertaining film worth all the stars in the world! Perfect casting, direction, and dialouge make this a winner in my mind. Everyone here is at their best. Damn Paul Newman in 1986 for winning the Best Actor Oscar instead of Bob Hoskins!
Rating:
Summary: The redemption is just a beautiful idea !
Review: And as well as the charity neither you nor the another one are fullfilled .
Bob Hoskins gave the tour de force performance of his astonishing career with this portrait .
He plays the role of honest and self convinced being human who honestly believes his underground world can be improved . Due this idyllic behaviour he will sent to prison but he forms to Michael Caine as a future Gangster and will intend for all the possible ways to persuade a honourable prostitute to change her profession , but obviously it will be in vane .
This intelligent film somehow revealed the portentous talent of this brilliant and exceptionally gifted film maker Neil Jourdan who would astonish the world with My left foot just two years after .
This work carefully analysed is a very smart twisted gaze of the Mob so well featured in the thirties , forties and fifties for James Cagney and Humphrey Bogart .
It is good to remember the irony is a landmark feature of the English and Irish lands .it is not a mere casualty William Shakespeare , Bernard Shaw , Oscar Wilde, Jonathan Swift , Chesterton and George Orwell have been born in those latitudes
Cathy Tisson as the pros is superb . And Michael Caine performance augured him a great year due that same year he earned the Academy Award with Hannah and her sisters .
One of the ten best British films in that decade !
Rating:
Summary: WHAT DOES IT TAKE TO MAKE A GOOD FILM?
Review: Can you make a good film? Maybe. Can I make a good film? Maybe. Can any of us make a good film? Maybe. What does it take to make a good film? Well, if you have a good screen play, great actors, knowledge of film making, a bit of luck and some talent, you may succeed. This film had it all and that is why it came out just fine. Of cause there were a few shortcommings but they were so little that I did not care about them. I liked the film in general and everything about it so much that I thought that the shortcommings just gave it a little extra flavor. Good show and I reccomend it to everyone.
Rating:
Summary: A must see movie!
Review: Far better than The Crying Game, which got Neal Jordan more publicity. This is a poignant, somewhat bleak, and enjoyable movie. It will make you a fan of both Bob Hoskins and Cathy Tyson, both of whom are admirably good.
Rating:
Summary: LONDON, SOHO, GEORGE AND SIMONE
Review: Firstly I would say that if you have in your library John Mackenzie's THE LONG GOOD FRIDAY, also available in the Criterion collection, and Neil Jordan's MONA LISA, you already have a good specimen of what the British cinema was able to offer in the eighties. A fabulous actor, Bob Hoskins, is present in both movies; he won the best actor prize at the 1986 Cannes Festival for MONA LISA. Neil Jordan began his career as a writer and is, in my opinion, one of the most interesting film directors nowadays. It's always challenging for the common viewer to watch a movie directed by a former writer. One often wonders why the director has left his books for the cinema. Some of these ex-writers use the camera as if they were handling a pen and the result is dreadful. Or too intellectual. Fortunately, with MONA LISA, Neil Jordan has created a stunning visual world and George and Simone's night wanderings through the London underworld an unforgettable cinematographic journey. MONA LISA develops a lot of themes that will touch you in a way or in another. The different levels of the movie are so well mingled in the story that you will be able to watch MONA LISA several times and still discover little pearls hidden by the brilliant director. At the end of the movie, I just wanted to check the sound quality of the commentary track recorded in 1996 by Neil Jordan and Bob Hoskins and I found myself trapped into MONA LISA for an immediate second screening. Apart from the commentary, this Criterion DVD offers the theatrical trailer and a one page written Neil Jordan commentary. A DVD for your library.
Rating:
Summary: Grittily romantic, heartbreakingly realistic
Review: Fresh out of jail and trying to reconnect with his daughter, Hoskins is a working stiff/street thug who gets a job from crime boss Michael Caine chauffering a "high-class black tart" played by Cathy Tyson. The Hoskins character is remarkably naive, falls in love with the prostitute and tries to protect her, and disaster ensues. There's an unforgettable moment, when they're both in tears, hiding behind silly plastic eyeglasses in a garish carnival setting, and, trying to explain her odd situation that he's just beginning to understand, she says, "Haven't you ever needed someone?" and he squeezes out the reply: "All the time." It's a remarkably tender story in a chokingly ugly environment. Caine is gruesomely sleazy. I remember seeing this when it first came out, about the time of "Blue Velvet" and "Brazil"; what an amazing era that was! All three movies even had ironically sweet or upbeat theme songs from a few decades before. Director Neil Jordan later moved on to the weirder pastures of "The Crying Game," and then the glossy jobs "Interview with the Vampire" and now "The End of the Affair," but I still consider this his best -- not to mention Bob Hoskins's most incredible acting work.
Rating:
Summary: My favorite movie
Review: I believe Neil Jordan put together a work of perfection here. I deeply cared for the two main characters (played brilliantly by Hoskins and Tyson). The portrayal of the pain of isolation and the hopelessness of not being able to connect with their desires touched me at a level only great works can do. All the details of a film are done with perfection.(Don't forget the fine little performance of Robbie Coltrane who later became the main charater in "Cracker".) But given the individual stengths of the fascinating plot, the extraordinary performances and the effective filming and music, it is the whole, the gestalt of this work, that reaches the highest level of art.
Rating:
Summary: Beautifully disturbing film
Review: I first saw this film alone in a theater years ago when I had an afternoon off. I can still remember how its disturbing images haunted me for days after. It shows the dehumanizing, emotionally disconnected underworld of London prostitution. Bob Hoskins portrays a good-hearted loser, just released from prison. Usually loveable Michael Caine is simply hateful as a sleazy mobster who gives Hoskins a job chauffeuring an elegant call girl (Cathy Tyson). While driving her to her assignations, Hoskins naively falls in love with her. He wants to protect her and feels jealousy as he waits for her trysts to end. Predictably, his amateur love is unrequited - she's a professional who has lost the capacity to feel romantic love. However, she does have an obsession; to locate and save a drug-addicted young girl who is also being sexually exploited by Caine's character. Like a knight on a quest, Hoskins sets out to locate the girl. In his search he visits the creepy haunts of young women enslaved in drug-dependent prostitution. His quest is successful, but his love is not returned. In the end however, he is really the only winner; he has a heart and still knows how to love. Bob Hoskins gives an achingly beautiful performance.
Rating: 
Summary: I suppose I'm a philistine, but I did not like it
Review: I saw "Mona Lisa" because some critic I read said that it along with "The Long Good Friday" are very fine British crime films.
I saw and loved the "The Long Good Friday." The story was great and so was Bob Hoskins. So I plunked down the cash for "Mona Lisa." What a disappointment it was. The acting is good, but the storyline manages to be simultaneously flimsy and exceedingly unpleasant. I like watching movies that take me away from reality, not ones that rub my nose in sordid things like the Soho vice world. As for being a crime drama, you probably could learn more about the British underworld by surfing the Internet for a few minutes. Other things I would knock it for is not ever explaining why the heavies in the film are trying to kill the hooker and Hoskins. Finally, Michael Caine may play a bad guy, but I think that he appears in all of five scenes, and that is not nearly enough screen time for him to make his presence felt. If you love downbeat stories, rent this film from Blockbusters. Don't waste your money buying it like me (I'm giving mine away).
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