Rating: Summary: I still love every part of this one from beginning to end Review: I am still amazed every time I sit down to watch this film. I have never been able to find a single minute in the movie that is not enthralling. Every aspect is just perfect. The B & W cinematography is excellent, the acting and characterizations are perfect (Poitier won an Oscar for his role as a skeptical but proud man), and the dialogue is witty and amusing. And of course anyone who has seen this film remembers the "Amen" scenes. If you haven't seen the film, just imagine a bunch of German nuns singing a "down-home" gospel song, lead by Sidney Poitier. Speaking of music, Jerry Goldsmith's score is one of the more memorable in film history. The style fits the style of the whole film like a glove.Enough said. I think you know my opinion on whether you should get this.
Rating: Summary: I still love every part of this one from beginning to end Review: I am still amazed every time I sit down to watch this film. I have never been able to find a single minute in the movie that is not enthralling. Every aspect is just perfect. The B & W cinematography is excellent, the acting and characterizations are perfect (Poitier won an Oscar for his role as a skeptical but proud man), and the dialogue is witty and amusing. And of course anyone who has seen this film remembers the "Amen" scenes. If you haven't seen the film, just imagine a bunch of German nuns singing a "down-home" gospel song, lead by Sidney Poitier. Speaking of music, Jerry Goldsmith's score is one of the more memorable in film history. The style fits the style of the whole film like a glove. Enough said. I think you know my opinion on whether you should get this.
Rating: Summary: This movie left me with a feeling of happiness. Review: I enjoyed this movie because it was a movie that was positive. It left me with a feeling of happiness and contentment. If anyone has a copy of Christmas Lillies of the Field with Billy Dee Williams I would be interested in obtaining a copy.
Rating: Summary: Lilies of the Field Review: I found Lilies of the Field to be one of the most powerful and inspiring movies I have ever experienced. It is a story about growth, sacrifice, faith, and the power of human beings to occasionally work a small miracle or two. A group of German nuns believe that a black, baptist drifter has been sent to build a chapel for their remote, Mexican-American community in Arizona. He disagrees, but can't seem to bring himself to move on; and so the fun begins. Yes, this is a serious story, but the movie is full of joy, good humor, and surprises. Although faith is an important part of the movie, it is not forced down your throat. Sidney Poitier is wonderful as the happy go lucky Homer Smith, and Lilia Skala is a delightfully tough Mother Superior. There are no car chases, guns, fights, romances, or scantily clad women This is just a great story that happens to be superbly performed. I recommend it most highly!
Rating: Summary: amen Review: I have a soft spot for "Lilies of the Field." One of my favorite teachers first introduced me to this movie. I'll try (and probably fail) to be objective in my review. First, and most obviously, Sidney Poitier is amazing as Homer Smith. Homer is a little larger than life. Yet Poitier brings him off as not only believable, he turns Homer into an everyman of sorts. Beyond Poitier things get a little shaky. Lilia Skala is impressive indeed as the mother superior. Her harsh seeming exterior conceals a tender heart. The dignity she uses to deal with Smith's first leaving and return is truly endearing. That said, the other nuns and many of the villagers come off a little too cardboard-cut-outish for my taste. There is also some pretty "sixties" acting (where you can visibly see the actor acting). Luckily, these flaws are easily overcome by the immense heart of this film. At its core, Lilies of the Field is about resurrection and unexpected fulfillment. Coming together under the guidance of an unseen hand ("he build the chapel"), disparate people find more to life than what had seemed to be there before. The scene with the Priest at the end still gets me after seeing it more than a few times. I give "Lilies of the Field" my heartfelt recommendation.
Rating: Summary: amen Review: I have a soft spot for "Lilies of the Field." One of my favorite teachers first introduced me to this movie. I'll try (and probably fail) to be objective in my review. First, and most obviously, Sidney Poitier is amazing as Homer Smith. Homer is a little larger than life. Yet Poitier brings him off as not only believable, he turns Homer into an everyman of sorts. Beyond Poitier things get a little shaky. Lilia Skala is impressive indeed as the mother superior. Her harsh seeming exterior conceals a tender heart. The dignity she uses to deal with Smith's first leaving and return is truly endearing. That said, the other nuns and many of the villagers come off a little too cardboard-cut-outish for my taste. There is also some pretty "sixties" acting (where you can visibly see the actor acting). Luckily, these flaws are easily overcome by the immense heart of this film. At its core, Lilies of the Field is about resurrection and unexpected fulfillment. Coming together under the guidance of an unseen hand ("he build the chapel"), disparate people find more to life than what had seemed to be there before. The scene with the Priest at the end still gets me after seeing it more than a few times. I give "Lilies of the Field" my heartfelt recommendation.
Rating: Summary: SPECTACULAR!! Review: I just watched this film for the first time and it was amazing. I did not rent it for the back cover paragraph, but for the cover. I loved Sydney Poitier in Guess Who's Coming to Dinner and so i decided to get Lillies of the Field. In the back of my head was the biblical allusion but that also paid very little heed in my decision. On a very relaxing Sunday afternoon when I was not much into the mood to concentrate on a movie, this film drew me in. At the begining I was putting, juggling golf balls, and sorting magazines but soon all activities lost all point as the awe inspiring story progressed onward. By the end, I was in tears and felt better about the world. That is the markings of a good film.
Rating: Summary: True delight! Review: I saw this film on television during easter many years ago and it made me very happy - a film to be remembered. Low key, yet realistic not becoming 'shallowly' sentimental and jargon free it has the air of the great British/Australian story teller Nevil Shute. How the good of one man can transform and give people a purpose in life. Not from enormous money donations but by being nice to them. In our time of mediamania it brings a belightful breath of fresh air, buy it, borrow it or steel it (if you have to) but watch it.
Rating: Summary: Independent films of the 60's Review: I watch this film repeatedly to feel good. It's simple, strong and to the point. Ralph Nelson, director, was lucky enough to get Poitier to bring vibrant life to the simple novel of William Barrett. Poitier won the Oscar, and most deserved (some may take issue that Albert Finney's Tom Jones should've). One thing that some people miss is the fact that the nuns had been through hell, and so has the Black man. Once they connect, and understand each others' hell (or redemption), life goes on and goodness happens. I take exception with previous reviewers who said the townsfolk were inadequate; Stanley Adams has always been a reliable actor (Summer & Smoke). The new respect for independent film makes me think that this is a better film than we realize. The best thing of all is that any actor, of any color, could play this role. Hispanics play an important part, though none of it is important. Working together, what a concept; even in 1963. I will always be impressed with this film.
Rating: Summary: Divine Persuasion Review: In 1962 Sidney Poitier won the Academy Award for Best Actor for director Ralph Nelson's LILIES OF THE FIELD. Poitier played the handyman stranger, Homer Smith, who helps build a chapel for German-speaking nuns in the American southwest. Poitier played a man of dignity and purpose that is pitted in a friendly but feisty test of wills between him and Mother Maria, leader of the nuns, played by Lilia Skala. This is a wonderful film that explores the idea that one should never underestimate the divine tools that we are given and that sharing those tools can be both rewarding and gratifying. Jerry Goldsmith composed a moving and uplifting score combining both idioms of Americana and Gospel. Sidney Poitier is perfect as Homer Smith. After feasting on a single fried egg from the nuns each morning Poitier's description of the breakfast he orders from Stanley Adams in the diner is a gastronomic mouthwatering delight. It's one of the best and most amusing scenes in the movie and demonstrates Poitier's versatile appeal.
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