Nothing But a Man

Rating:
Summary: Revelatory
Review: A film that deserves far more exposure than it has apparently received thus far. There is drama to be found in everyday lives. NBAM is set in a time and place when black survival was so tenuous that its pursuit necessarily involved drama. There is plenty of dramatic conflict in the main character's struggle to find a way to live with himself and those around him. Other conflicts include decisions about romance, parents, children, religion and work. The acting and direction are uniformly topnotch. Abby Lincoln radiantly and subtly portrays faith and dignity. Because so many films about racist and other tragedies use a hammer to drive home messages of injustice, NBAM refreshes. While the narrative is clear, viewers are credited with the ability to connect dots. These are qualities too rarely found in contemporary cinema, although they are richly apparent in the work of directors including Marcel Pagnol, Sagyajit Ray (Sp? - anyway, director of the World of Apu, etc.), John Huston, Jean Vigo, Werner Herzog (in a few of his films), Fassbinder... NBAM provides less of an escape than some of the work just referenced. But its realistic style and well-drawn characterizations made me hungry for at least a sequel. Sidebar: That the story takes place when music like "Heatwave" was popular just provides ironic contrast and a window, for non-black viewers, into the disparity between ebulliant soul hits and early-'60s African American living.

Rating:
Summary: Powerful Intelligent Drama About Being Black In America
Review: A riveting small little film that packs a punch. A drama about a black man in the South trying to survive and become self aware. It is sensitively filmed and all of the performances are great. It is a shame that it is not more widely known for it has a lesson in it for everyone. One critism though, it lacks humor, and in life survival can not occur without it.

Rating:
Summary: The Raging Bull of the 1960s; a really poetic, amazing film
Review: Here's an American neo-realist masterwork that captures the temper of black consciousness in the south just prior to the mass upheavals of the early '60s.

Long before Scorsese made "Mean Streets" and "Raging Bull," Michael Roemer had made this great film. No other film dramatizes so profoundly the plight of a man whose basic human pride will not be compromised under any circumstances.

Ivan Dixon as Duff gives one of the greatest performances in the history of cinema and Abbey Lincoln as Josie, the preacher's daughter he tries to settle down with, is just about perfect in control of nuance. These characters are extraordinary "ordinary" people, truly heroic; yet the tragedy that stalks them may or may not be hopeless at this time in history, due to an apparent shift in black consciousness, a general "fed-up-with-it-all" attitude that needs men like Duff to inspire itself.

The entire cast is uniformly excellent and there are too many brilliant scenes to mention here. The film seems cut directly from the fabric of real life in a semi-documentary Rossellini-like style. "Little Fugitive" and "Medium Cool" are the only other pre-70s American films I've seen that feel this real and authentic.

In terms of the subtlety with which racial politics and power relations are exposed through simple gestures and concrete acts rather than rhetoric and melodrama, Martin Ritt's "Sounder" and Paul Schrader's "Blue Collar" are the only films I've seen that come close. Charles Burnett's low-budget independent masterpiece "Killer of Sheep," also comes to mind.

There are a lot of lessons to be learned here, especially by directors like Spike Lee, who I'm sure has seen this movie, and who has made decent films in the past (Do the Right Thing, She's gotta have it), but now wastes his time making laughable, "really hardcore," "I want to transcend puny barriers with overloads of style" cartoons like "Summer of Sam." "Nothing but a Man" is light years away from the two-dimensional nonsense they call "realism" these days. Over and out