All Or Nothing

Rating:
Summary: Another unqualified masterpiece of the heart
Review: As an on-again, off-again bosomely-endowed backdoor-friendly regularly-churchgoing cheerleader with a headfull of exciting things to say, I was most pleased with this pseudo-English director's most recent half-baked meditation on postmodern inner city class conflicts and the so-called bipolar human condition. Mr. "take-it-or-leave-it" Leigh serves up a veritable Christopher Atkins diet of hi-cal bits and pieces that indie-turned-commercial-film lovers like myself love to feast on endlessly, and this soup du jour, "All or Nothing," does not tremendously disappoint, unlike virtually all of his other works in so-called progress. Indeed, I can say with nearly complete certainty that I did not fall asleep once during this beloved two hour psychodrama of the highest calibre. Thank you for this high-velocity,...totally preachy, long-overdue, somewhat-praiseworthy film.