Rating: 
Summary: Inventing a perfect little film
Review: A tremendous film! Liv Tyler is outstanding! Jocquain is terrific!!! This is a really good story... unusual, well-done. There is a lot going on behind the main plot. A son's inability to accept the hand that life has dealt him. His desire for revenge against a man who has not wronged him. Three daughters' alternate attempts at dealing with an overbearing father and the pressure of wealth and social position. And, a mother's relationship with her sons. Just a damn fine film.
Rating: 
Summary: a lovely little soap opera...
Review: Although I tend to be hard on dopey movies like this one, occasionally one will sneak past all my critiques and make me kind of weepy-squishy-smiley inside. That's what happened with this movie."Inventing the Abbots" is formulaic, predictable, melodramatic, and not even remotely clever, but I still found myself rooting for the two main characters to get together in the end, and all the emotional stuff got to me. If you're looking for something clever or original, skip this movie, but if you're in the mood for a light romantic-drama, "Inventing the Abbots" hits all the right notes. Also, to its credit, the movie stars Billy Crudup, Jennifer Connelly, Liv Tyler, etc. That's a pretty good cast... so even though the plot is contrived and the dialogue is generally uninspired, there are some nice moments that really do work. A sweet movie, overall, if your standards aren't too high.
Rating:
Summary: A rare love story with plot twists
Review: Based on a rather depressing short story, this is the only movie I've seen which I can honestly say is better than the book it's based on. It still surprises me that the critics weren't more impressed with it than they were. Although Inventing the Abbotts is centered on two well-treaded themes - love across a class divide and bad blood between families - it takes enough of a new approach to avoid cliches. For one thing, the animosity between the rich Abbotts and the working-class Holts is selective, with varying degrees of friendship and respect between certain members of each family showing through alongside the bitterness between others. The exact cause of that bitterness, centered on a long-ago business deal between the two families' fathers, is a combination of mystery and misinformation to the main character, Doug (Joaquim Phoenix). The resolution of that mystery plays out alongside Doug's changing relationship with the Abbotts' youngest daughter, Pamela (Liv Tyler) throughout the film, thus preventing the forbidden-love motif from becoming overbearing. But the movie does remain a love story at heart, and Phoenix and Tyler are remarkably well-suited to the task. (They apparently were a real-life item for some time after filming - and the sincerity shows.) Complicating the picture are Doug's bitter, jealous elder brother Jaycee (Billy Crudup), who sows discord among both families throughout the film; Pamela's troubled relationship with her sisters and parents; and the hazards of growing up in general. In keeping with the avoidance of stereotypes and cliches, character development is strong almost across the board. The Holts' relative poverty is neither romanticized nor used exploitatively; and if the Abbotts prove that money can't buy happiness, neither are they made out to be shallow or heartless. The 1950s setting is painstakingly executed as well, featuring a Smithsonian-worthy collection of period appliances, furniture and other everyday items (not to mention an authentic Greyhound bus). The lack of any racial diversity or an overtly political message about that era's injustices might be of some concern to the sensitivities of the politically correct, but the film does in fact address some such concerns (particuarlry the oppression of women) in a subtle but effective fashion. For my money, this is perhaps the most underrated movie of the 1990s. Buy it while it's available!
Rating: 
Summary: Things just get dragged out way too slowly in this one
Review: Every once in a while there is a rude reminder that where I live is, relatively speaking, in the backwaters of the country. In 1997 I must have seen the trailer for "Inventing the Abbotts" a half-dozen times, but the film never came here, so I never had to actually decide if I would pay money to see it in a movie theater or not, although clearly I took my time in getting around to finally watching it. Of course, now the cast of "Inventing the Abbotts" is much more recognizable than it was back then, with Jennifer Connolly being an Oscar winner, Joaquin Phoenix an Oscar nominee, Billy Crudup having traded Penny Lane for a case of beer, and Liv Tyler becoming mortal to marry the King of Gondor. But it is not that difficult to think back to when they were relatively known faces. The greatest strength of this film is the original score by Michael Kamen, which consistently gave scenes and moments of this film a power that was beyond what the script and the actors were providing. The story is about the Abbotts, a rich family in the 1950s living in a small Illinois town with three daughters, and the Holts brothers, Doug (Phoenix" and J.C. (Crudup). The former is the narrator of the tale, while the later is "addicted" to the Abbotts, attempting to blot out a grievance against the family by seducing the daughters. Doug is more fascinated with J.C.'s story than with his own, but it is Doug that is of more interest to us, especially with his affection for young Pamela Abbott (Tyler), which is momentarily forgotten for a while by his lust for Eleanor (Connelly). Basically this is a film that gives every indication that Doug and Pamela should end up together and be allowed to live as happily every after as their tortured families and histories might allow, but J.C. and his obsession keeps getting in the way. Meanwhile some of the secrets hidden by each family are doled out bit by bit, completing the picture of the animosity that exists between the Abbotts and the Holts. Lloyd Abbott (Will Patton) knows all about marrying into a rich family, and he is not going to allow that to happen with his daughters, but he is just one of several roadblocks that stands between any of these characters and some home of happiness. One thing for sure is that "Inventing the Abbotts" is set in a slower time. The pacing of the film is slow, the dialogue is spoken in slow and measured terms, the narration is redundant repetitive, and you become convinced we are never going to get to where the film should end because it will slowly grind to a complete halt. If it were not for our affection towards Pamela, Kathy Baker's performance as the boy's mom, and Kamen's score, I might have given up on this film, especially when Eleanor was shipped away by her father as soon as she had given the story some energy. But by that time we learn that J.C. has committed the greatest possible sin against his brother, I was at least ticked off enough to stay around for the end. The fault for this lies with director Pat O'Connor, especially since he showed in his previous effort, "Circle of Friends," that he can breath live into a story. However, he failed to do that here.
Rating:
Summary: Things just get dragged out way too slowly in this one
Review: Every once in a while there is a rude reminder that where I live is, relatively speaking, in the backwaters of the country. In 1997 I must have seen the trailer for "Inventing the Abbotts" a half-dozen times, but the film never came here, so I never had to actually decide if I would pay money to see it in a movie theater or not, although clearly I took my time in getting around to finally watching it. Of course, now the cast of "Inventing the Abbotts" is much more recognizable than it was back then, with Jennifer Connolly being an Oscar winner, Joaquin Phoenix an Oscar nominee, Billy Crudup having traded Penny Lane for a case of beer, and Liv Tyler becoming mortal to marry the King of Gondor. But it is not that difficult to think back to when they were relatively known faces. The greatest strength of this film is the original score by Michael Kamen, which consistently gave scenes and moments of this film a power that was beyond what the script and the actors were providing. The story is about the Abbotts, a rich family in the 1950s living in a small Illinois town with three daughters, and the Holts brothers, Doug (Phoenix" and J.C. (Crudup). The former is the narrator of the tale, while the later is "addicted" to the Abbotts, attempting to blot out a grievance against the family by seducing the daughters. Doug is more fascinated with J.C.'s story than with his own, but it is Doug that is of more interest to us, especially with his affection for young Pamela Abbott (Tyler), which is momentarily forgotten for a while by his lust for Eleanor (Connelly). Basically this is a film that gives every indication that Doug and Pamela should end up together and be allowed to live as happily every after as their tortured families and histories might allow, but J.C. and his obsession keeps getting in the way. Meanwhile some of the secrets hidden by each family are doled out bit by bit, completing the picture of the animosity that exists between the Abbotts and the Holts. Lloyd Abbott (Will Patton) knows all about marrying into a rich family, and he is not going to allow that to happen with his daughters, but he is just one of several roadblocks that stands between any of these characters and some home of happiness. One thing for sure is that "Inventing the Abbotts" is set in a slower time. The pacing of the film is slow, the dialogue is spoken in slow and measured terms, the narration is redundant repetitive, and you become convinced we are never going to get to where the film should end because it will slowly grind to a complete halt. If it were not for our affection towards Pamela, Kathy Baker's performance as the boy's mom, and Kamen's score, I might have given up on this film, especially when Eleanor was shipped away by her father as soon as she had given the story some energy. But by that time we learn that J.C. has committed the greatest possible sin against his brother, I was at least ticked off enough to stay around for the end. The fault for this lies with director Pat O'Connor, especially since he showed in his previous effort, "Circle of Friends," that he can breath live into a story. However, he failed to do that here.
Rating:
Summary: Things just get dragged out way too slowly in this one
Review: Every once in a while there is a rude reminder that where I live is, relatively speaking, in the backwaters of the country. In 1997 I must have seen the trailer for "Inventing the Abbotts" a half-dozen times, but the film never came here, so I never had to actually decide if I would pay money to see it in a movie theater or not, although clearly I took my time in getting around to finally watching it. Of course, now the cast of "Inventing the Abbotts" is much more recognizable than it was back then, with Jennifer Connolly being an Oscar winner, Joaquin Phoenix an Oscar nominee, Billy Crudup having traded Penny Lane for a case of beer, and Liv Tyler becoming mortal to marry the King of Gondor. But it is not that difficult to think back to when they were relatively known faces. The greatest strength of this film is the original score by Michael Kamen, which consistently gave scenes and moments of this film a power that was beyond what the script and the actors were providing. The story is about the Abbotts, a rich family in the 1950s living in a small Illinois town with three daughters, and the Holts brothers, Doug (Phoenix" and J.C. (Crudup). The former is the narrator of the tale, while the later is "addicted" to the Abbotts, attempting to blot out a grievance against the family by seducing the daughters. Doug is more fascinated with J.C.'s story than with his own, but it is Doug that is of more interest to us, especially with his affection for young Pamela Abbott (Tyler), which is momentarily forgotten for a while by his lust for Eleanor (Connelly). Basically this is a film that gives every indication that Doug and Pamela should end up together and be allowed to live as happily every after as their tortured families and histories might allow, but J.C. and his obsession keeps getting in the way. Meanwhile some of the secrets hidden by each family are doled out bit by bit, completing the picture of the animosity that exists between the Abbotts and the Holts. Lloyd Abbott (Will Patton) knows all about marrying into a rich family, and he is not going to allow that to happen with his daughters, but he is just one of several roadblocks that stands between any of these characters and some home of happiness. One thing for sure is that "Inventing the Abbotts" is set in a slower time. The pacing of the film is slow, the dialogue is spoken in slow and measured terms, the narration is redundant repetitive, and you become convinced we are never going to get to where the film should end because it will slowly grind to a complete halt. If it were not for our affection towards Pamela, Kathy Baker's performance as the boy's mom, and Kamen's score, I might have given up on this film, especially when Eleanor was shipped away by her father as soon as she had given the story some energy. But by that time we learn that J.C. has committed the greatest possible sin against his brother, I was at least ticked off enough to stay around for the end. The fault for this lies with director Pat O'Connor, especially since he showed in his previous effort, "Circle of Friends," that he can breath live into a story. However, he failed to do that here.
Rating:
Summary: A rare acting school for young actors
Review: Few movies I've seen provide, 7 years after its making, a retrospective of great actors and actresses in the make. Just watch the movie and then fish for recent works with each of those young talents. From Crudup to Joaquin to Tyler to Going to Jenniffer Connelly - what we see in Inventing the Abbotts is an amazing set of performers reaching to stardoom. I believe the film should be classified as mandatory in acting schools. For the rest, I believe this script is as close to reality as it can get. A small town, a wealthy family, a classic rich/poor idiosyncratic drama, false assumptions which could ruin lives, hard working single parents, young daughters struggling with the coming of age, ... all quite well integrated into a movie which is delightful to see and to call your attention for preemptive judgement. Joanna Going, Liv Tyler and Jenniffer Connelly are absolutely remarkable and beautiful. Yet the prize goes to Joaquin, for his amazing performance.
Rating:
Summary: It was not bad.
Review: I liked it. Very emotional. I love Joaquin and I do think Jennifer is a great actress. Very great look at life in that era.
Rating:
Summary: The Invention of a Great Movie
Review: I love this movie with passion. It has everything that a movie could possibly need it has romance, fighting, disease, death, and everything in between. Even though it is something like a soap opera it is still a beautiful story in my mind I mean when you have all those elements it is just a great movie. The story is that two families from different sides of the tracks romance each other. Doug (Joaquin Phoenix) and Pam (Liv Tyler) romance each other through the entire movie but they keep breaking up so we never know whether or not they will end up together in the end. Now Jacey (Billy Crudup) Doug's brother romances Elinor (Jennifer Connelly) and Alice (Joanna Going) and we never know if he will ever grow up. If I give away anymore information other than that it will completley ruin the movie for you so I recommend this to all people out there who are over the age of 14. Hope you enjoy it as much as I did!!!
Rating:
Summary: BEAUTIFUL FILM
Review: I only really saw this movie was because Billy Crudup is in it....But i was very Pleased with the movie,its a beautiful film i loved it very much not just cause Billy Is in it, he is really amazing actor also one of God's Gift to Woman!!! You will love it i promise you that!!!!
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