Rating: 
Summary: I'm a Bit Puzzled
Review: When a movie's first 10 minutes stirs my curiosity about what it's trying to say or how it will end, I continue watching. This movie did both. I may be one of the few who haven't seen Fellini's famous 8 1/2, so I looked for a description of that movie. Can this one be a takeoff on it? This movie did seem to wander. I liked that this one delivered a blow to the nudity double standard. I will view it again.
Rating: 
Summary: Very challenging film
Review: When I consider the state of sex in American films today, "American Pie 2" comes to mind. The sex here is treated in the usual leering, juvenille manner. All of the people are young, and it's the women who are expected to disrobe, and hint at lesbian encounters. The scene where the two coeds demand that the two men kiss each other before doing each other treats anything from this norm as aberrant behavior. As long as the subject is treated in this cookie-cutter manner, our country will show sex, and not actually explore it as the strong human emotion it is. The strong point of "8 1/2 Women" is that is challenges our thoughts of what sexuality can be in ways that are ignored in this country. The movie hits the ground running as we encounter the two main characters, a middle-aged man and his twenty-something son shortly after the older man's wife dies. We not only see full-frontal male nudity, a rarity in this country. But what is also somewhat shocking is not that they are interested in man-on-man encounters, but encounters between father and son. Sons wanting to sleep with their mothers have been explored before, but dad and son is something to think about. After this eye-opening scenario, the movie continues to challenge. Faced with seemingly unlimited wealth, the two decide to build a sexual playground to try and appease what must be a major league middle-age crisis by the father. They encounter and recruit a handful of women to come live with them and play out their fantasies. This is also where the film has it's strong points. The closest I can remember to this film is "Sirens", the Australian film that featured an artist surrounded by nubile females, among them Elle McPherson. But even that film was probably too hot for America to touch, and even this film filled it with very good looking women of the same cut. "8 1/2 Women" brings in all kinds of women from beautiful to hideous, dominent to submissive. Once again, it shows that while Playboy magazine shows an attractive cut of women, it is not the only source for sex in the world. I'm not saying I agree with all the choices, and they are diverse enough where most people also would not go for all of them. But that's the good point of the movie. By busting through cinematic stereotypes of how we think about sex, it shows that it is a subject that can be pursued by anyone, not just the "beautiful people" class.
Rating:
Summary: Very challenging film
Review: When I consider the state of sex in American films today, "American Pie 2" comes to mind. The sex here is treated in the usual leering, juvenille manner. All of the people are young, and it's the women who are expected to disrobe, and hint at lesbian encounters. The scene where the two coeds demand that the two men kiss each other before doing each other treats anything from this norm as aberrant behavior. As long as the subject is treated in this cookie-cutter manner, our country will show sex, and not actually explore it as the strong human emotion it is. The strong point of "8 1/2 Women" is that is challenges our thoughts of what sexuality can be in ways that are ignored in this country. The movie hits the ground running as we encounter the two main characters, a middle-aged man and his twenty-something son shortly after the older man's wife dies. We not only see full-frontal male nudity, a rarity in this country. But what is also somewhat shocking is not that they are interested in man-on-man encounters, but encounters between father and son. Sons wanting to sleep with their mothers have been explored before, but dad and son is something to think about. After this eye-opening scenario, the movie continues to challenge. Faced with seemingly unlimited wealth, the two decide to build a sexual playground to try and appease what must be a major league middle-age crisis by the father. They encounter and recruit a handful of women to come live with them and play out their fantasies. This is also where the film has it's strong points. The closest I can remember to this film is "Sirens", the Australian film that featured an artist surrounded by nubile females, among them Elle McPherson. But even that film was probably too hot for America to touch, and even this film filled it with very good looking women of the same cut. "8 1/2 Women" brings in all kinds of women from beautiful to hideous, dominent to submissive. Once again, it shows that while Playboy magazine shows an attractive cut of women, it is not the only source for sex in the world. I'm not saying I agree with all the choices, and they are diverse enough where most people also would not go for all of them. But that's the good point of the movie. By busting through cinematic stereotypes of how we think about sex, it shows that it is a subject that can be pursued by anyone, not just the "beautiful people" class.
Rating:
Summary: Minds wide open, please
Review: With this film Greenaway is not quite up to the high standard set by his previous effort (The Pillow Book), but neither is he deserving of some of the ferocious reviews that this work has received in the US. Too many US film reviewers seem to be unable to distinguish between 'connotation' and 'denotation'. Therefore they are repulsed or confused by Greenaway, who intends nothing to be exactly as it seems at first glance. All Greenaway films are densely laden with metaphor and bursting with imagery, and must be approached accordingly, not with the same mind-set that one would approach a typical Hollywood film, for example. Perhaps also helpful is a quote from Greenaway himself: "If you want to tell stories, be a writer, not a filmmaker."
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