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Summary: Race, gender, and the role of motherhood
Review: Antonia's line is an amazing film about four generations of strong, independent women. While most movies about single mothers stereotype them in both positive and negative ways, Antonia's Line is different. Antonia moves back to the dutch countryside after being away for twenty years. She has to face many difficulties in the town, yet through it all she is a pillar of strength. She knows what she wants, and she acts upon it, regardless of what people think of her. She passes on these same views to her daughter. Antonia's line seems to critique the normal stereotypes by portraying Antonia as a foil to them. Her honesty, and disregard for public opinion sets her apart. The film also works to intersect Antonia's race, culture, gender and class in an amazing web that shapes her character. The influence of Antonia's race is clear in the way that she acts around the people of the town. She explains to her daughter who each person is, and why they act the way that they do. She knows how to handle even the most obnoxious of the town memebers. She is every bit a women, yet she exhaults in her femininity rather than hiding behind it. She makes her opinions and ideas well known. She is not afraid of the judgement that may accompany her views. She entertains suitors, while maintaining an honest attitude about exactly what she wants. She is able to accept her family for who they are without exception. Antonia's Line is a wonderful story with fully developed characters. Antonia and her family portray the true essence of femininity better than any other characters I have seen. Do not let the subtitles stop you. This film is a must see.
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Summary: what is the perfect mother anyways???
Review: Antonia's Line directed by Marleen Gorris depicts the women characters as strong women who do not care about what might be lacking in their lives. Each of the characters is their own person and no one could make them feel any less. This film helps to illustrate to young women that they can reject the silly myth of motherhood and as long as they are their own person, they do not need to be thinking of themselves as what is wrong with them.Antonia's Line, directed by Marleen Gorris, does not accept the stereotypes of ideal mother. As we all know, mothers are always maternal, wanting to be pregnant, heterosexual and have the need to take care of their children. Yeah right! Antonia's Line does an excellent job of criticizing this stereotype by depicting different types of mother-daughter pairings. Letta was the only woman that would support this stereotype while the other mothers diverge. For example Antonia played by Willeke van Ammelrooy, criticizes the idea that mothers should be married because she refuses to give Farmer Baas her hand. She also works on the farm. Danielle diverges from the simple fact that she is a lesbian. Therese criticizes the idea that all mothers are naturally maternal and always want to have children.
This film also does not completely objectify women to the same effect that most films end up doing. Antonia and the other women really do not `appear' for the men in their lives. The characters are strong women and they just worry about the many generations of women in their family. Antonia and the other women due to their strong characters, I feel, do not have the need to see themselves through the eyes of their male viewers. Antonia cares a great deal for the well being of her family that she has no need to fix herself up and she does not need a husband around to make her `whole.' She finds nothing wrong with the way that she is living her life or the way she looks. Another thing that this film does that helps to not objectify the women characters is that the audience is not clued into every aspect and thought of these characters lives. This makes them their own person and not a mere cinematic object that bases their views on the idea of men. This film is a great movie in making one aware of such women's issues.
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Summary: grrrls and cinema review
Review: Antonia's Line focuses on five generations of Dutch women, who dare to challenge the stereotypes of motherhood. It explores the relationship between mothers and daughters to redefine motherhood in a way that opposes idealized, sacrificing mother-image. Presenting mothers from the same genealogical line but with different approaches to their motherly duties allows the viewer to reconsider her/his conceptions of what being a mother means. The film also confronts the stereotypical father figure and questions the necessity of a `man in the house'.
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Summary: Oh so plastic
Review: ANTONIA'S LINE continues as fresh today as when it was released and awarded Oscars in 1995. This very fine little Dutch film mocks the old adage of 'You can't go back home again' by introducing Antonia and her daughter returning to a village she had abandoned and setting up changes among the odd assortment of townsfolk that initiate a heritage of both wonderful and tragic events, each of which is a parable about family and community. The women rule here, even to the point of deciding to conceive by barter, by compulsion, and by taking arms against the macho power symbols of rape. All manner of variations of normal (spiritually possessed, moon howlers, disillusioned priests, mentally retarded, social outcasts) come under the influence of Antonia's strongly worldwise persona. The results are like a fairy tale for adults, both in content and in the wonderful visual effects. The cast is extraordinary as is the pacing of hte direction. The message of this film endures - it pleads to be viewed regularly.
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