Rating: 
Summary: The Classic Search Theme
Review: Yes, Costa-Gavras couldn't help putting his Leftist beliefs into this film, but to dismiss MISSING as mere propaganda for the Left is to miss the entire point of the movie. Beneath the thin political veneer is the classic theme of people searching for a loved one who is lost. There was John Wayne in THE SEARCHERS (nobody called that propaganda against Native Americans). Then there's Hitchcock's THE MAN WHO KNEW TOO MUCH where parents search for their kidnapped son. More recently, there was THE VANISHING (not the miserable American version--I mean the original French film).So it is in this movie. Jack Lemmon and Sissy Spacek play the father and wife, respectively, of a young American man who vanishes off the face of the Earth during Chile's most violent uprising. They are an unlikely pair: Lemmon's character, Ed Hormon is a proud conservative American, whereas his daughter-in-law, Beth (Spacek) is a vaguley leftist hippie. However, their search for the missing Charlie, and their love for him, bring them together in almost typical Hollywood fashion. But the relationship is more complex. What saves the film from that two-dimensional Hollywood ending is that they are also brought together by the horror and very real fear of the violent chaos all around them. Each interrogation of witnesses, each visit to the local militia, each stop-over at the stuffed-to-the-windows morgues seem to quench a little more the sparks of hope and belief in their fellow man in their eyes. I've always loved Jack Lemmon (God, I miss him!) in his brilliant comedies, but never cared for his serious roles (SAVE THE TIGER? Feh!). In MISSING, however, his performance is without flaw. Sissy Spacek delivers her reliable skills to this movie as well. See it. Rocco Dormarunno, author of THE FIVE POINTS.
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