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Dario Argento's World of Horror

Dario Argento's World of Horror

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Rating: 4 stars
Summary: Dario Argento's World of Horror (1986) d: Soavi, Michele
Review: A documentary focusing on Italian writer-producer-director Dario Argento (the Italian Hitchcock), who first started making detective style films mixed with horror known as Giallos in the early 60's. This film was directed by former Argento assistant Michele Soavi who later went on to film such great movies as Dellamorte Dellamore (1994) / aka: Cemetery Man (1996). When first released in the mid eighties on the VidMark label, this documentary became an instant collectable, as it contained may sights otherwise unavailable to the American VHS tape consumer, including the underwear scene from Bird With the Crystal Plumage (1970); Jane's bloody death from Tenebrae (1982), and the complete unedited clip of the first murder scene in Suspiria (1977). The documentary is also complemented with behind-the-scenes footage, such as cute Jennifer Connelly sitting chin-deep in a pool of mock-maggots [Creepers / Phenomena (1985)], yet the documentary doesn't always let the viewer know what the clip is from what film. The film also details Argento's innovative use of unusual cameras and cranes, his scoring sessions with Goblin and Keith Emerson, and of course Argento's own (subtitled) impressions of his work. The DVD is presented in the full screen (1.33:1) format, and has no xtras included. Luigi Cozzi, another student of Argento, directed a follow-up documentary, Dario Argento: Master of Horror (1991), under his 'Lewis Coates' pseudonym. Cozzi brought things up-to-date with clips from newer films such as: Terror at the Opera (1998), The Church (1988), Two Evil Eyes (1990), and The Sect (1990).

Rating: 5 stars
Summary: An amazing Docu-
Review: An innovative look at Argento, his films, techniques and equipment. Directed by his understudy, Michelle Soavi, the same man who brought us The Church and Cemetery Man, one cannot be dissapointed. The DVD clarity brings clips from such films as Tenebre and Bird with the Crystal Plumage into incredible eye candy. The documentary interviews Argento and Stilvetti, the transfer is great. It's a fun watch especially for Argento fans, wether just starting out or groupies. Also vey fun for fans who aren't into documentaries. Check it out~

Rating: 5 stars
Summary: Welcome To Dario Argento's World Of Horror
Review: For those who follow Dario Argento's movies one wonders where his ideas for inspiration comes from. This documentary, directed by Michele Soavi, shines a new light on Argento's approach to filmmaking. Just about every facet is covered; he explains in great detail what frightened him when he was a child, his choice of music, his crew (with crew members themselves explaining their roles and equipment they used), his dreams (and nightmares), why the close up of every murderer's hand are always his, and the main reason why he wants to make movies (I won't give it away), all interspersed with scenes from his movies (and behind the scenes from his movies). After watching this, one can't help but be in awe of the man and his films. The extras on this DVD are skimpy (only Argento's filmography, not even an acknowledgement to Michele Soavi) but the feature more than makes up for it. Three cheers for Michele Soavi for making this documentary and a big thank you to Dario Argento for your blood, sweat, and tears that goes into each and every film you do.

Rating: 4 stars
Summary: Well done documentary on a great director
Review: This is basically a documentary about Dario Argento and the making of his films, but it is great. Not boring like a lot of documentary's, and (actually, you people got it wrong, Argento didn't direct this) Argento protogee Michele Soavi showed his genuine talent even this early on. It contains mostly information on "stylized shots" like the long shot in Tenebre where the camera explored the exterior and interior of a house without cutting, and also examines some of the better murder scenes Argento has made. It's also pretty damn scary, cause you get to find out what actually goes on inside of Argento's head.


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