Kids Return

Rating:
Summary: DVD quality isn't.......
Review: As far as the review of the movie, I must concur with all positive writtings about it. HOWEVER, I must stress that the movie wasn't remastered or anything, hence the DVD quality is actually below satisfactory level. What a shame, coz' the movie IS kick-a**!!

Rating:
Summary: A great movie, probably more so for Kitano fans
Review: I took this movie on the shelf one day even though I had never heard of it, only to discover how great it was.I've never been that big a fan of Takeshi Kitano, but I have to say that Kid's Return is a great movie and in my opinion his best. It's very funny, especially in the beginning and has a great score. It seems like most movies involving boxing never fail.

Rating:
Summary: Once again Kitano does it right!
Review: Kid's return is Takeshi Kitano's fifth movie. Born in Tokyo in 1947, Takeshi's movies are filled with childhood memories. Kids return is once again a masterpiece. Two friends go back to their school and talk about the past, when they first met. In the beginning, they are enemies but as the time goes by, they end up as best friends, and become bullies. Boxing is the element that has linked them but only one of them follows a boxing carrier while the other turns out to be a Yakuza. A very fine movie full of intense moments. If you are a Kitano fan, get it into your collection. I can promise that you won't regret it!

Rating:
Summary: ...
Review: More than any other movie I've seen, Kids Return does the all-too-impossible-but-very-simple job of portraying the inevitable drift through the societal meat grinder young adults generally face (friendships fading into the past, troubles with love, school and finidng a career, and... the moments when all those small 'insignificant' things you neglected or avoided and otherwise didn't do suddenly turn into a 50' tall tsunami hitting you point blank). Natch, I can't say if it was Kitano's intent to do so, but it's a significant part of what I noticed, understood, and enjoyed.

Stylistically, this is the best Kitano movie I've seen. Although I'm constantly tempted to call into question his taste in music, the persistant, if somewhat cheesy scores' driving qualities seem to enchant his movies (If only someone would slide him some recordings of Phillip Glass, Steve Reich, or even Marjan Mozetich). The visual elements are also terrific as ususal (and maybe more so). The most siginificant improvement Kids Return makes over every other Kitano movie I've seen is in the narrative/presentation... it's done in a manner that has a sort of blurred focus... never concentrating on its main characters for long before switiching over to another character, which is really what allows it to convey that 'societal meat grinder' mentioned earlier. This vaguely reminded me of Nashville, but unlike Altman's multi-character orgies, Kids Return seems to have a more intimate focus on its characters and their general situation.

At any rate, Kids Return, along with Kikujiro and A Scene at the Sea, is a good introduction to Takeshi Kitano's movies for those non-action fans who were turned off by his more famous ones like Hana-Bi and Brother (as opposed to the action junkies who were appaled that they wern't 99% car chase and raid on enemy headquarters).

Rating:
Summary: ...
Review: More than any other movie I've seen, Kids Return does the all-too-impossible-but-very-simple job of portraying the inevitable drift through the societal meat grinder young adults generally face (friendships fading into the past, troubles with love, school and finidng a career, and... the moments when all those small 'insignificant' things you neglected or avoided and otherwise didn't do suddenly turn into a 50' tall tsunami hitting you point blank). Natch, I can't say if it was Kitano's intent to do so, but it's a significant part of what I noticed, understood, and enjoyed.

Stylistically, this is the best Kitano movie I've seen. Although I'm constantly tempted to call into question his taste in music, the persistant, if somewhat cheesy scores' driving qualities seem to enchant his movies (If only someone would slide him some recordings of Phillip Glass, Steve Reich, or even Marjan Mozetich). The visual elements are also terrific as ususal (and maybe more so). The most siginificant improvement Kids Return makes over every other Kitano movie I've seen is in the narrative/presentation... it's done in a manner that has a sort of blurred focus... never concentrating on its main characters for long before switiching over to another character, which is really what allows it to convey that 'societal meat grinder' mentioned earlier. This vaguely reminded me of Nashville, but unlike Altman's multi-character orgies, Kids Return seems to have a more intimate focus on its characters and their general situation.

At any rate, Kids Return, along with Kikujiro and A Scene at the Sea, is a good introduction to Takeshi Kitano's movies for those non-action fans who were turned off by his more famous ones like Hana-Bi and Brother (as opposed to the action junkies who were appaled that they wern't 99% car chase and raid on enemy headquarters).

Rating:
Summary: Back to the School Yard
Review: _Kids Return_ marks the 5th film directed by Kitano Takeshi that I have had the pleasure to watch. Unlike the pure sentimentality of _Kikujiro_, the brutality and arthouse elegance of _Fireworks_ the near silent _Scene at the Sea_, and the over the top madness of _Getting Any?_, _Kids Return_ is a simpler story that depicts the lives of two high schoolers Masaru and Shinji.

Masaru, Ken Kaneko, _Himitsu_, is a brash young man with chin length hair who enjoys bullying other students for pocket money. He also enjoys playing a number of jokes on his teachers. Sick of his delinquent ways his teachers give up actually teaching him anything and patiently wait till the day he will graduate. Things seem to be going pretty well for Masaru until one day an amatuer boxer beats him up avenging one of the schoolers Masaru had robbed earlier. Masaru soon drops out of school and joins a boxing gym

Shinji, Masanobu Ando, _Tribute to a Sad Genius_, _Battle Royale_, almost seems to be the polar opposite of Masaru. Whereas Masaru roughs up a number of individuals to get their money, Shinji just goes along with his friend silently. After Masaru quits school and joins the gym, Shinji quickly follows suit.

However, it is soon evident that Shinji has more athletic ability than his friend, and after Masaru quits after losing a sparring match to Shinji, Shinji's star continues to rise in the amateur boxing world. Masaru, looking for a place to belong, joins the yakuza and tries to find his niche in organized crime.

However, things do not work out quite like he two friends would hope.