Abigail's Party

Rating:
Summary: Black comedy at its very best...
Review: Like "The Office" 25 years later, "Abigail's Party" is such perfectly targeted, close to the truth humour that it makes you laugh out loud and cringe with embarrassment at the same time. In a setting that represents everyone's nightmare of mid 70's middle class life it sucks you into its brilliantly drawn world and then leaves you as some sort of unwelcome voyeur in the cocktail party from hell. Like most of the people there, you want to get out but you can't, and as things go from bad to worse you end up totally transfixed by the sheer awfulness of the situation you find yourself in.

With characters whose lives are so desperately frustrating that real aggression lies only just below the surface, this is black comedy at its very best precisely because it's much too close to reality for comfort. You can't help but laugh but you know that you're laughing at these people and their tragically depressing lives, and by the "sting in the tail" ending you really wish you hadn't. Brilliantly written, directed and acted "Abigail's Party" is far more than a humorous period piece and, quite rightly, stands up there as one of the very best British TV plays of the past thirty years.


Rating:
Summary: Timeless comedy in a 1970s setting
Review: This wonderfully comic play can be viewed at many levels:

- A clash of classes (Beverley and the neighbouring couple are working class; her husband Lawrence aspires to be middle class; and Abigail's Mum is upper middle.)

- A conflict of skills (Beverley as the stay-at-home, childless wife doesn't work, doesn't cook and orders poor Lawrence to do virtually everything, whereas her apparently inept neighbour comes into her own as nurse at the climax of the play.)

- As an allegory on the white man's departure from Africa. At the time of the play's creation, Britain was negotiating its exit from Zimbabwe (then Rhodesia). Abigail's posh Mum doesn't know whether to leave the partygoers to it -- possibly causing havoc -- or to interfere herself, or to ask Lawrence to go round and report back.

Whichever way you look at it, it's tremendous fun throughout, with a flawless performance by Alison Steadman as Beverley. There are some fantastic lines, most of them uttered by Janine Duvitski (who went on to star in ONE FOOT IN THE GRAVE), such as "I've got very beautiful lips" (you have to see Steadman's reaction), and "We're so alike" (ditto).

Strangely the weakest performance is by Tim Stern as Lawrence, who never totally convinces as the stressed-out, over-sensitive estate agent who thinks he's cultured because he owns a set of Shakespeare's works which he never expects to read.

The accompanying featurette is all too short, but it's pretty clear that this play simply wouldn't have existed without Alison Steadman's demonic creation. Mike Leigh may have been the writer/ director, but Beverley was based on an Essex woman and a cosmetics demonstrator whom Steadman met prior to the improvisations.

The DVD picture quality is a good as you could possibly expect from a BBC 1970s studio production. The 1970s decor comes up wonderfully!