Rating: 
Summary: Soushiki: not a comedy by any means
Review: At first I was worried when I purchased this film, because my fellow amazon reviews gave it such a low rating, however, I was pleasantly surprised that it was the DVD not the movie itself, that received such low scores. This is a wonderful film, although, for the life of me, I can not figure out why this film is refered to as a "comedy." It is true there are some funny moments when the main character and his wife are learning their lines to address mourning guests and at moments such as when the phone rings during a prayer. What this film's strongest point is, however,a glimpse of Japan while the bubble economy was at it's peak. Even someone just giving a cursory glance at this film ill realize how important money is to the family. It is the chief conversational topic throughout the movie. How much do we have to pay for the coffin? How much are the obento lunchboxes, etc. The power of money can really be seen when the monk arrives in a very stylish car and is given a gift of french tile to make a table for his garden. Funerals are extraordinarily expensive in Japan, so many Japanese do not look at Buddhist monks as a sign of benevolence, but as money lovers. However, although money is a major subject, as is the preocupation of acting a certain way during the funral, the key point of this movie is that although the world might be completely obsessed with money, in death one can bring members of the faily closer together, and in death there is also rebirh, as can be evidenced at the end of this film.
Rating: 
Summary: Knowledge of Japanese Culture Helpful
Review: Clearly, some people who have watched this funny movie simply do not and will not get it. It is definitely a culture-bound phenomenon. If you don't understand Japanese culture and Buddhist traditions, it may be obscure and boring. But this movie is satire at some of its most biting--right in the butt of Japanese tradition and religion. It satirizes so many of the institutions that are "sacred cows" that to even begin to list them means you're likely not to get it in the first place. Things such as knowing by looking at the sagarifuji crest the sect of Buddhism to which the priests belong, and all that implies. (Contrary to what one other reviewer wrote, as Buddhists we don't provide food or offerings for the afterlife.) Part of the hilarity of the movie is about the ritual impurity imparted by death, part about the role of Buddhism in modern Japan, and a lot about Tradition. An auspicious start to Juzo Izumi's too-brief career.
Rating: 
Summary: not bad , quite surprising for non-Japanese ...
Review: hi every1 . I've seen this video within the studies of my varsity . It's nice and introduce the Japanese style of life and most of all their way of dealing with funerals.To be short I will only say that the most overwhelming thing in the movie was that the mourning family had to use a VIDEO CASSETTE with instructions about how to act in a funeral and what TO SAY !!!!!! enjoy
Rating: 
Summary: Great movie...bad DVD!
Review: I'll start with the movie and save the worst for last. Funny, touching, and some wonderful acting. Nobuko Miyamoto and Tsutomo Yamazaki give great performances as do the cast of characters who parade past the chilled corpse. The camera is wonderfully active and vibrant. So if the movie is so good what can be bad you ask? Well it would seem most DVDs by Fox/Lorber. The Funeral is presented in a full screen/pan and scan format. It is a shame that Fox/Lorber is not releasing classic movies like the Funeral, My Life as a Dog, and others in at least letterbox and Dolby Digital. Fox/Lorber did not even work on cleaning up some bad edits and scratches on their copy. This pan & scan does not pay attention to making sure all speaking actors are in frame. The audio is just 2 channel with very poor tracking. What would make Fox/Lorber think that anyone would want a DVD version that is inferior to an old VHS copy poorly used at the local rental store? On top of the poor audio and video there is the fact that the subtitles are useless at many points. The subtitles are in a faded white which are hard to see most of the movie and impossible whenever there is a light background (ie. the ENTIRE black and white episode!). The subtitles actually get cut off of the right side of the screen at some points leaving a question as to what was meant. Amazingly those aren't enough mistakes for Fox/Lorber since they have only subtitled 2/3 of the conversations and huge gaps get left out at the beginning and ends of some scenes. All in all I give the movie 5 stars but the Fox/Lorber edition on DVD is a -3. So I averaged the two together and came up with a 1. I hate to think someone might think that such a great movie gets such a horrible grade, but I would hate for anyone to suffer such through such poor versions if they didn't necessarily have to. If you must have this movie on DVD then at least it's out there. But then again maybe if Fox/Lorber left the good movies alone someone like Criterion would pick them up? Personally I'll be avoiding the Fox/Lorber label on my DVDs from now on until I hear they are going to start doing some quality DVDs. Even with such wonderful classic movies.
Rating:
Summary: Cathartic and Hillarious if...
Review: In order to really appreciate this film, you really have had to been through the experience... for that reason, there are a lot of people who will watch it and not get it.... - - I first saw the film before I really knew very much about Japanese culture... Some elements of the humor were universal... and I still could appreciate the Itami Juzo's dry surrealism... but after seeing the film I came to live in Japan on and off for 9 years and went through the experience, watching the film went beyond "interesting and sometimes funny"... one one had it was incredibly cathartic... on the other hands, uncomfortably hillarious... Its one of those films that if you'd just been through the experience and you watched it, it would definitely serve as a cathartic dose of laughter... - - Too many scenes, unfortunately, parody experiences and rituals (sometimes seemingly senseless, others incomprehensibly complex) that you'd really have to experience to appreciate... If you haven't been through them, those scenes might be a bit boring... for this reason my advice is this : read up on the subject first... and also, watch the film with an understanding that Japanese funerals are very different than Western funerals... The strange scenes in this film in many way present Japanese funerals as they are, and in other ways parody them... All in all, having been lucky to have gone 9 years without any close personal losses in Japan, but recnetly having lost an important member of our family, I can't tell you how thankful I am that Juzo Itami made this film !
Rating:
Summary: Cathartic and Hillarious if...
Review: In order to really appreciate this film, you really have had to been through the experience... for that reason, there are a lot of people who will watch it and not get it.... - - I first saw the film before I really knew very much about Japanese culture... Some elements of the humor were universal... and I still could appreciate the Itami Juzo's dry surrealism... but after seeing the film I came to live in Japan on and off for 9 years and went through the experience, watching the film went beyond "interesting and sometimes funny"... one one had it was incredibly cathartic... on the other hands, uncomfortably hillarious... Its one of those films that if you'd just been through the experience and you watched it, it would definitely serve as a cathartic dose of laughter... - - Too many scenes, unfortunately, parody experiences and rituals (sometimes seemingly senseless, others incomprehensibly complex) that you'd really have to experience to appreciate... If you haven't been through them, those scenes might be a bit boring... for this reason my advice is this : read up on the subject first... and also, watch the film with an understanding that Japanese funerals are very different than Western funerals... The strange scenes in this film in many way present Japanese funerals as they are, and in other ways parody them... All in all, having been lucky to have gone 9 years without any close personal losses in Japan, but recnetly having lost an important member of our family, I can't tell you how thankful I am that Juzo Itami made this film !
Rating:
Summary: Deadly Bomb!!
Review: The video cover says "The Funeral" is a "deadly comedy", I call it more like a "deadly bomb" or how about "just plain dead!" This 1987 Fox Lorber Japanese subtitle movie was also called "One of the best films of 1987" It also says on the cover that there are hilarious situations, huh??? hilarious?? May I interject that it is about the unfunniest, deadliest strange movie I have seen! English subtitles are difficult to read. The movie is color but there are some light background moments. Keeping characters straight is a challenge. The concept of the movie is a Japanese family whose grandfather has died, it starts off with a heart wrenching (no pun intended) heart attack! The family is to prepare a Buddhist ceremony which takes 3 full days. Since the Buddhist traditions remain unknown to the young, it involves an expert Buddhist priest to inform them who speaks when, where you stand, sit, what you eat, who carries what, etc. etc. This is where it is supposed to get "hilarious" but doesn't quite reach that plateau. The Buddhist funeral involves quite a bit, such as preparing the body for afterlife, providing food for the journey, mourning, photographer, etc, etc. In the midst of the 3-day Buddhist funeral, there is a mistress and family member who go out to the yard/acreage with trees and have sex. The mistress demands sex, there is nudity (a surprise to me). Not appropriate for youngsters. It's a strange movie, totally unfunny! For the English speaking viewers. TWO HOURS AND FOUR MINUTES TOO LONG!.....MzRizz
Rating:
Summary: A wry commentary on the loss of meaning in traditions
Review: There are times when death has been appropriate and hilarious material for a comedy. The juxtaposition of the seriousness of a funeral with wacky hijinks and hootenannies makes for funny stuff. But don't expect to find any of that in Itami's social commentary, "The Funeral" ("O-soshiki.") This film has been done a great injustice by marketers, who in the hopes of possibly capturing a quick sale labeled it "...A Deadly Comedy." You certainly don't find it in the comedy section of a Japanese video store! The scene on the cover, where a man tries to hike up his trousers while a watching woman mocks him, is one of the saddest in the movie. It is, in fact, an incredibly insightful exposition of the meaninglessness of tradition and ritual in modern Japan. A family, so far removed from the society that first created these traditions, tries to struggle though an "appropriate" funeral for the deceased father. They rent videos on appropriate greetings and responses, they hire experts to tell them what direction the coffin should face, and how many sticks of incense to light. The ritual has far more importance too the family than the actual loss of the father, as does presenting a proper face. The elderly, as the vanguard of the traditions, are the only ones who care. In fact, the dead man's daughters are shocked and impressed when one of their father's friends shows actual sorrow at the loss. "That's the way to do it," they say. Money is the symbolism for the loss of tradition, the idol that has replaced emotion at the altar. The Buddhist priest is made a gift of Italian tiles for his garden, and the climax of the film is when a case of money opens up to the wind, and the family grasps at it desperately. While rough in nature, and clearly a first film, Itami manages to artfully wrap these various elements together, without stating the message directly. In the Japanese style, much is implied and little is said. A particularly capturing moment, is a black and white home movie of the family laughing and having fun, while a sad lament plays in the background. The pace is slow and patient. The DVD is lacking, and the white subtitles can be almost unreadable. It is presented in pan-and-scan as well, with no change from the VHS version. Unfortunately, "The Funeral" seems to be a much-misunderstood film, and has not been given the release it deserves. The critique of Japanese culture is honest and authentic, and I highly recomend this film to anyone who wants to see real Japanese people living real Japanese lives.
Rating:
Summary: A wry commentary on the loss of meaning in traditions
Review: There are times when death has been appropriate and hilarious material for a comedy. The juxtaposition of the seriousness of a funeral with wacky hijinks and hootenannies makes for funny stuff. But don't expect to find any of that in Itami's social commentary, "The Funeral" ("O-soshiki.") This film has been done a great injustice by marketers, who in the hopes of possibly capturing a quick sale labeled it "...A Deadly Comedy." You certainly don't find it in the comedy section of a Japanese video store! The scene on the cover, where a man tries to hike up his trousers while a watching woman mocks him, is one of the saddest in the movie. It is, in fact, an incredibly insightful exposition of the meaninglessness of tradition and ritual in modern Japan. A family, so far removed from the society that first created these traditions, tries to struggle though an "appropriate" funeral for the deceased father. They rent videos on appropriate greetings and responses, they hire experts to tell them what direction the coffin should face, and how many sticks of incense to light. The ritual has far more importance too the family than the actual loss of the father, as does presenting a proper face. The elderly, as the vanguard of the traditions, are the only ones who care. In fact, the dead man's daughters are shocked and impressed when one of their father's friends shows actual sorrow at the loss. "That's the way to do it," they say. Money is the symbolism for the loss of tradition, the idol that has replaced emotion at the altar. The Buddhist priest is made a gift of Italian tiles for his garden, and the climax of the film is when a case of money opens up to the wind, and the family grasps at it desperately. While rough in nature, and clearly a first film, Itami manages to artfully wrap these various elements together, without stating the message directly. In the Japanese style, much is implied and little is said. A particularly capturing moment, is a black and white home movie of the family laughing and having fun, while a sad lament plays in the background. The pace is slow and patient. The DVD is lacking, and the white subtitles can be almost unreadable. It is presented in pan-and-scan as well, with no change from the VHS version. Unfortunately, "The Funeral" seems to be a much-misunderstood film, and has not been given the release it deserves. The critique of Japanese culture is honest and authentic, and I highly recomend this film to anyone who wants to see real Japanese people living real Japanese lives.
Rating:
Summary: Not what I expected.
Review: This film was nothing like I thought it would be. Having spent four years in Japan I wanted to see for myself what all the controversy was about surrounding 'The Funeral'. Well, I really liked this film, and found it had a lot to offer. From start to finish there is a lot going on at all levels of the emotional spectrum. I found it very touching, a little sad, a little funny, and very human. The quiet love and dignity of the widow and her daughter are the glue that hold the family and friends together. The widows humble expression of thanks to the guests after the funeral, thus releaving the son-in-law of the obligation, is nothing but poetic. I Recommend this film.
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