African American Comedy
Animation
Black Comedy
British
Classic Comedies
Comic Criminals
Cult Classics
Documentaries, Real & Fake
Farce
Frighteningly Funny
Gay & Lesbian
General
Kids & Family
Military & War
Musicals
Parody & Spoof
Romantic Comedies
Satire
School Days
Screwball Comedy
Series & Sequels
Slapstick
Sports
Stand-Up
Teen
Television
Urban
|
 |
Camille 2000 |
List Price: $24.99
Your Price: |
 |
|
|
|
| Product Info |
Reviews |
Features:
Description:
Radley Metzger's erotic take on Alexandre Dumas fils' tragedy The Lady of the Camellias is a hedonistic journey into decadence among the chic world of upper-crust Rome. Marguerite (Danièle Gaubert) lives off the gifts and good graces of an elderly sugar-daddy count, treating love as a game and sex as a pastime (she is "discriminating but not particular," in the words of one rival). Sweet-faced innocent Armand (Nino Castelnuovo), a young bachelor newly arrived in Rome, courts the comely beauty and wins her heart, and together they live a fairy-tale romance--until his father intervenes and Marguerite (already conveniently dying of one of those afflictions that strikes gorgeous young women who flirt out of their class) selflessly leaves Armand to his greater fate and sinks into a haze of drugs, alcohol, and promiscuous abandonment. Metzger's romantic tragedy is a fleshy delight--the camera lovingly caresses every voluptuous curve of Gaubert's face and body--with a surprisingly restrained display of nudity. Lushly photographing in seductive color in the elegant mansions of Rome, Metzger cranks up the kink in one scene, a party set in a prison turned pleasure house where dates are chained together and couples retire to a cell for privacy, but balances the erotic decadence with tasteful restraint. The art direction and cinematography are so rich that, apart from the magnetic Miss Gaubert, the characters are constantly in danger of being overwhelmed by their surroundings. But little matter--if the tragedy is less than devastating, the realization is delightfully tactile and alive. --Sean Axmaker
|
|
|
|
