Rating: 
Summary: I can't get enough of Cary Grant
Review: This might be one of the more lesser known Cary Grant roles, but it is one of my favorites. It has some of the greatest and wittiest lines which will play over and over in you head. Cary Grant plays a painter/bachelor, Richard Nugent, Cary Grant looks so handsome in this movie mind you, you will be wiping the drool from the corners of your mouth. He keeps having run ins with the law and ends up in court before the wonderful Myrna Loy (remember her from the Thin Man series?), who plays judge Margaret Thatcher. Well through various hilarious circumstances, her young sister Susan falls in love with Cary Grant, and Cary Grant has to be her "boyfriend" to avoid going to jail until she gets over him (yeah, like anyone can get over Cary Grant). Anyway, hilarious events of course take place, and you will be completely mesmorized by Cary Grants abilities at physical humor. Watch for the wonderful dinner scene towards the end of the movie, it will have you rolling. He is able to steal every scene he is in. If your looking for a light hearted comedy, look no further then Bachelor and the Boby-soxer.
Rating:
Summary: I can't get enough of Cary Grant
Review: This might be one of the more lesser known Cary Grant roles, but it is one of my favorites. It has some of the greatest and wittiest lines which will play over and over in you head. Cary Grant plays a painter/bachelor, Richard Nugent, Cary Grant looks so handsome in this movie mind you, you will be wiping the drool from the corners of your mouth. He keeps having run ins with the law and ends up in court before the wonderful Myrna Loy (remember her from the Thin Man series?), who plays judge Margaret Thatcher. Well through various hilarious circumstances, her young sister Susan falls in love with Cary Grant, and Cary Grant has to be her "boyfriend" to avoid going to jail until she gets over him (yeah, like anyone can get over Cary Grant). Anyway, hilarious events of course take place, and you will be completely mesmorized by Cary Grants abilities at physical humor. Watch for the wonderful dinner scene towards the end of the movie, it will have you rolling. He is able to steal every scene he is in. If your looking for a light hearted comedy, look no further then Bachelor and the Boby-soxer.
Rating:
Summary: 1940's Revealed
Review: Want some insight into what titillated movie-goers in the post-war 1940's? This 1947 RKO production is a good place to start. There's the marquee value of a seductively handsome Cary Grant coupled with that spunky symbol of all-American innocence Shirley Temple, enough at the time to draw in ticket-buying throngs with its naughty innuendo of daring departure and forbidden pleasure. In fact, the underage subtext lingers beneath much of the movie's plot and humorous settings, but in a totally innocent manner, proving that this is not yet the more permissive 1960's. One slip, however, and this light-hearted souffle could easily have become burnt-toast of the most tasteless variety. Fortunately, there are no slips.Once the pace picks up, this comedy sparkles as brightly as any other Cary Grant madcap, which is to say, about as good as comedy gets. The night club scene is an absolute triumph of timing, staging, and scripting. The laughs build as the party table becomes more and more chaotic, interrupted by one petty annoyance after another, finally reducing the worldly Grant to speechless exasperation. This is the type of soaring comedic architecture that requires real artistry, but has been sadly replaced in contemporary film by a dumbed- down world of bathroom jokes, insult gags, and other cheap forms of humor that appeal mainly to juveniles. The movie itself, directed by an unheralded Irving Reis, is literally brimful of bounce and charm, leaving no one in doubt that the big war is over and America is ready for the future even if its libido is showing. With: a slyly endearing Ray Collins, a bemusedly prim Myrna Loy, a pompously befuddled Rudy Vallee, and a well-deserved Oscar for writer Sidney Sheldon, along with a final scene that could not be more apt. Despite the shift in public mores, audiences now as then should find this a highly entertaining ninety minutes of expert movie-making.
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