Rating: Summary: A lively fresco Review: John Ford wants to paint a live fresco of the cavalry after Custer's death. So he chose an outpost of the cavalry and a captain who is going to retire. It is the story of his last days. There is no vision of the massacre of the Indians. There is no balanced vision of these Indian wars. The only moment when some distanciation is visible is when two whites are trying to sell fireguns to the Indians. They are punished in their attempt to make money out of these wars by being killed by the Indians. This gives of the Indians a vision of untrustworthy behavior. But what is essential is the attitude of the cavalrymen when they are confronted to two women who want to travel west in spite of the danger : tourism in times of war. These young men are shown as gallant and ready to serve these women as best they can, even if it means death for them. The vision of the cavalry is emotional too because the captain who retires does so with a deep grief in his heart. Once a cavalryman, forever a cavalryman. And he gets his nomination as a scout when he is already on his way to California. So he comes back and faces the end of his life in this outpost, fighting against Indians. A very well done film but rather shallow in meaning.Dr Jacques COULARDEAU
Rating: Summary: A Great Movie, Now A Fantastic DVD! Review: John Ford's "Cavalry Trilogy" presents some of the finest western scenes ever made. I believe this to be the best of the three, although I'm sure to hear from folks who differ. Be that as it may, this is a beautifully made disc. On the big screen ( a must), it is the scenery that is a major factor, because the film is so vivid. I saw the "Trilogy" in the theatre when released, and I believe that the DVD viewer will see the film better realized on the digital screen than moviegoers saw in 1959. Another opinion that many will differ with is that this is John Wayne's best performance; his role as Captain Nathan Briddles could not be better done. John Ford had a cadre of actors that appeared regularly in his films, but Victor McLaglin, Ben Johnson and Arthur Shields do good work in their respective parts. Johnson, a former rodeo rider, is a superb horseman, and watch Shields' stagecraft when his character operates on a wounded trooper. It's fantastic attention to the details of the scene. Joanne Dru was a fifties actress, and the love interest is a bit dated, but it is the cinematography that is the winner here. Some of the scenes, one involving a thunderstorm, and another showing a stunning sunset are still amazing, especially since no computer graphics are involved. The attention to detail that makes or breaks historical film are consistantly well done here, as exemplified in the correctness of the cavalry scenes. Back in 1959, there were people around who knew what horse soldiering was, and it is painstakingly recreated here. Please don't pass this one up - it's a wonderful film.
Rating: Summary: A Great Movie, Now A Fantastic DVD! Review: John Ford's "Cavalry Trilogy" presents some of the finest western scenes ever made. I believe this to be the best of the three, although I'm sure to hear from folks who differ. Be that as it may, this is a beautifully made disc. On the big screen ( a must), it is the scenery that is a major factor, because the film is so vivid. I saw the "Trilogy" in the theatre when released, and I believe that the DVD viewer will see the film better realized on the digital screen than moviegoers saw in 1959. Another opinion that many will differ with is that this is John Wayne's best performance; his role as Captain Nathan Briddles could not be better done. John Ford had a cadre of actors that appeared regularly in his films, but Victor McLaglin, Ben Johnson and Arthur Shields do good work in their respective parts. Johnson, a former rodeo rider, is a superb horseman, and watch Shields' stagecraft when his character operates on a wounded trooper. It's fantastic attention to the details of the scene. Joanne Dru was a fifties actress, and the love interest is a bit dated, but it is the cinematography that is the winner here. Some of the scenes, one involving a thunderstorm, and another showing a stunning sunset are still amazing, especially since no computer graphics are involved. The attention to detail that makes or breaks historical film are consistantly well done here, as exemplified in the correctness of the cavalry scenes. Back in 1959, there were people around who knew what horse soldiering was, and it is painstakingly recreated here. Please don't pass this one up - it's a wonderful film.
Rating: Summary: THE John Wayne Movie Review: John Wayne may have received reviews for acting in other movies such as The Searchers, Red River, True Grit and others, but this is the one where he brings all the others together in an image that can not be equalled. The old cavalry captain at the end of a long career, a Civil War veteran trying to get a job done in a lonely part of the world, a widower still in love with his wife, a gentleman of the old school, and more, this is John Wayne in a truly great role. In addition to him, this movie has some of the best directing, photography, and music of any western film. Maybe The Searchers is arguably the best western ever made, and I would not argue that, but She Wore A Yellow Ribbon is the one that makes you want to stand up and cheer (just like Joanne Dru said). Captain Nathan Brittles takes care of his soldiers, mentors the young officers (a phrase overused and little heeded in today's Army), and finally accomplishes his mission, but not without some great drama and disappointment along the way. If nothing else, people should watch this movie for the photography and camera work. Watch the bugler as he rides along in silence beside his Captain; watch how he sits his horse. And watch Ben Johnson in an early role. There is one picture of him on his sorrel horse against the sky that should have been a painting. I do enjoy this movie, as anyone can tell. I do so because it has all the right elements: danger, romance, drama, a surprise and exciting ending, along with the music and photography. Yeah, and don't forge the acting either, not Wayne's nor Victor Mclaughlin's, Ben Johnson's, Mildred Natwick's, Tom Tyler's, Barry Fitzgerald's, and all the other great actors of that time.
Rating: Summary: One of Wayne's Finest Review: John Wayne probably gives the finest performance I've seen him give so far in this story of a Calvary officer, just days before his retirement, who goes on one last assignment. He's accompanied by fellow officer Victor McLaglen who's very funny in a broad way, as well as two stiffly acted young lovers, a subplot that doesn't take too much away from the overall film (fortunately). Wayne has to rely a lot less on heroics in this performance, and instead concentrate on characterization, which he does with much success. He brings depth and a bittersweet quality to his character in a way that might surprise some. With a beautifully photographed backdrop framing each scene, this John Ford feature is sure to please fans of Wayne and Westerns alike.
Rating: Summary: One of John Wayne's best. Review: One of John Wayne's best pictures and one of the greatest western movies. Spectacular scenery and riding sequences.
Rating: Summary: An old-style western Review: She Wore a Yellow Ribbon is great for the scenery, for some sense of the cavalry and for anyone who likes to see galloping horses and an old-fashioned bar-brawl in a film. It is not exactly what you would call a psychological film however. I found it surprisingly boring, considering its high acclaim and description as John Wayne's greatest acting feat. The film has no depth: the characters are very simplistic, hardly going beyond a two or three line description: the handsome rival, the rich rival, the hard-drinking Irishman. If you don't have a longing for the cavalry, you aren't going to enjoy this film.
Rating: Summary: No apologies needed. Review: She Wore a Yellow Ribbon is one of the glories of color cinematography and its restoration on this Warner DVD has given its images full justice. After the faded and damaged prints used for TV, older VHS and even the laserdisc, the pristine results on this DVD are amazing, and an obvious labor of love by the restorers and producers.The scene of a troop of cavalry out of a Remington painting crossing Monument Valley under a lightning storm (a happy accident of continuing bad weather during the filming) is worth the price of admission alone, though no excuses are needed to watch this perenially entertaining movie.
Rating: Summary: THE SECOND LEG OF GREATNESS Review: SHE WORE A YELLOW RIBBON is the second leg of greatness in the John Ford Cavalry Trilogy. Cinematography-wise SWAYR is the jewel in the crown, it's much heralded Oscar winning celluloid images are breathtaking. All three films have their own moments of greatness, here it's John Wayne as Capt. Nathan Brittles, in make-up aging him 20 years no less "making his report" graveside to his wife and daughter; His receiving his silver watch from his troops ("Lest we forget,") and his negotiating Victor McLaglen's retirement ("A man of a thirst like that can't survive on less than a sergeant's pension!"). Of course there is the cavalry's march to their 3 theme songs: "Garry Owen", "She Wore A Yellow Ribbon" and "The Girl I Left Behind Me" (a constant in the trilogy). Sterling performances across the board. SWAYR is an all time classic.
Rating: Summary: THE SECOND LEG OF GREATNESS Review: SHE WORE A YELLOW RIBBON is the second leg of greatness in the John Ford Cavalry Trilogy. Cinematography-wise SWAYR is the jewel in the crown, it's much heralded Oscar winning celluloid images are breathtaking. All three films have their own moments of greatness, here it's John Wayne as Capt. Nathan Brittles, in make-up aging him 20 years no less "making his report" graveside to his wife and daughter; His receiving his silver watch from his troops ("Lest we forget,") and his negotiating Victor McLaglen's retirement ("A man of a thirst like that can't survive on less than a sergeant's pension!"). Of course there is the cavalry's march to their 3 theme songs: "Garry Owen", "She Wore A Yellow Ribbon" and "The Girl I Left Behind Me" (a constant in the trilogy). Sterling performances across the board. SWAYR is an all time classic.
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