Rating: 
Summary: One of the greats
Review: A truly great silent film, here very well presented with footage that most of us have never seen before. The new orchestral track is a treat, though I still miss the old organ score with Wagnerian themes. This DVD is a model of How To Do It Right. For lovers of German culture and/or silent film, this DVD is a must.
Rating: 
Summary: the real deal!
Review: Buy this DVD set. Whether you're a Fritz Lang fan, sort of interested in German cinema, curious about the aryan mythos that Hitler would later subvert, whatever got you here, this is just an amazingly excellent restoration of a great work of art. (It's great to see that an offical piece of "Film History" can be so... entertaining.) And next month we should be getting the newly restored (almost) METROPOLIS!
Rating:
Summary: the real deal!
Review: Buy this DVD set. Whether you're a Fritz Lang fan, sort of interested in German cinema, curious about the aryan mythos that Hitler would later subvert, whatever got you here, this is just an amazingly excellent restoration of a great work of art. (It's great to see that an offical piece of "Film History" can be so... entertaining.) And next month we should be getting the newly restored (almost) METROPOLIS!
Rating:
Summary: Before Frodo "Lord of the Rings" (2001)
Review: Die Nibelungen (1924) filmed at UFA (The UFA Story ISBN: 0809094835). Director Fritz Lang, the original story "Siegfried's Tod" I have seen it with German subtitles and other versions with English subtitles. Paul Richter (Siegfried) was in 45 other films, from 1921 to 1972.
Siegfried (Paul Richter) is the son of the King of Xnnetn (Sigmund). He forges his own sward so sharp that it cuts chicken feathers. He is told that near the Rhine at Worms the King of Burgundy (Gunter) and his sister, Kriemhild is at a castle. Siegfried, "On the hour I leave for Worms to win Kriemhild"..."Show me the way if you want to live!" He falls for the "I know a short-cut" routine. Die Nibelungen snickers when he is out of earshot; "Your way leads not to Worms, but to Death" Guess who lives in the heart of the forest? Yep it is Fafnir the Dragon. Poor Fafnir was minding his own business getting a drink when Siegfried gets that "What can I hack" look on his face. The dragon even wags his tail with the approach of Siegfried. I won't give you the blow by blow. I'll just say that smoking can kill you. Fafnir gets stuck for the drinks and dragon blood drinks allows you to understand the birds. A little birdie tells him that bathing in dragon blood will make him invulnerable. You guest it cover your eyes. Oops look real quick. "Dragon tail flicks linden leaf on Siggie's back." Can you say Achilles heel? Meanwhile back at the castle Volker von Alzey is already singing to Kriemhild of Siegfried' triumph over Fafnir. From here it goes on to deal with treasure, invisibility, and all the stuff that Teutonic mythology holds.
Rating:
Summary: well designed dragon
Review: Die Nibelungen (1924) filmed at UFA (The UFA Story ISBN: 0809094835). Director Fritz Lang, the original story "Siegfried's Tod" I have seen it with German subtitles and other versions with English subtitles. Paul Richter (Siegfried) was in 45 other films, from 1921 to 1972.Siegfried (Paul Richter) is the son of the King of Xnnetn (Sigmund). He forges his own sward so sharp that it cuts chicken feathers. He is told that near the Rhine at Worms the King of Burgundy (Gunter) and his sister, Kriemhild is at a castle. Siegfried, "On the hour I leave for Worms to win Kriemhild"..."Show me the way if you want to live!" He falls for the "I know a short-cut" routine. Die Nibelungen snickers when he is out of earshot; "Your way leads not to Worms, but to Death" Guess who lives in the heart of the forest? Yep it is Fafnir the Dragon. Poor Fafnir was minding his own business getting a drink when Siegfried gets that "What can I hack" look on his face. The dragon even wags his tail with the approach of Siegfried. I won't give you the blow by blow. I'll just say that smoking can kill you. Fafnir gets stuck for the drinks and dragon blood drinks allows you to understand the birds. A little birdie tells him that bathing in dragon blood will make him invulnerable. You guest it cover your eyes. Oops look real quick. "Dragon tail flicks linden leaf on Siggie's back." Can you say Achilles heel? Meanwhile back at the castle Volker von Alzey is already singing to Kriemhild of Siegfried' triumph over Fafnir. From here it goes on to deal with treasure, invisibility, and all the stuff that Teutonic mythology holds.
Rating:
Summary: Before LORD OF THE RINGS there was...
Review: DIE NIEBELUNGEN (The Nibelung Saga). This 1924 epic from Fritz Lang is the Grandaddy of all fantasy epics and now it can be seen as it was first presented with over 100 minutes of footage restored and with the original music that was composed for it by Gottfried Huppertz. With all the attention being given to Peter Jackson's LORD OF THE RINGS trilogy, this is the perfect time to release this film giving us the opportunity to see a silent equivalent of Jackson's great feat. For those of you familiar with the Wagner RING cycle there are some similarities but in fact it's an entirely different story. The entire running time is close to five hours and is divided into two separate films SIEGFRIED and KRIEMHILD'S REVENGE. The entire story deals with deeds of valor and codes of honor and what happens when they are carried too far. Along the way there are dwarves, magic, blood oaths, ferocious battles and the devastating consequences of raw emotions. The parallels to what would happen in Nazi Germany a few years later are truly startling. Lang showed the world what would happen 20 years before it did. The outstanding restoration work done by Transfit Films coupled with the powerful new soundtrack of the original score from the Munich Radio Orchestra makes viewing and hearing this masterpiece a thrilling experience. From the stylized barbaric sets and astonishing camera effects through the stylized acting and actions, we see more than German silent cinema at its zenith, we are witness to the rebirth of a truly great work of art. The DVD comes loaded with a number of special features that give background on the film and the people responsible for it.
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Summary: Long Awaited Greatest German National Classic
Review: Dir. Fritz Lang. Germany. 1924. Total time: 291 mins. B&W. Full-frame (1.33:1) Original 1924 score by Gottfried Huppertz, performed by the Munich Radio Orchestra. This 2-part film is one of the greatest artistic and technical achievements of the German silent cinema. Fritz Lang's adaptation of "Das Nibelungenlied", a medieaval novel from ca. 1190, is a passionate story of love, hate, revenge and fate. Lang's wife, Thea von Harbou (Metropolis) co-scripted this epic production. Part I, "Siegfried" centres on Siegfried who sets out in order to win the hand of Princess Kriemhild (Margarete Schoen). On the way, he battles a ferocious dragon, bathes in its blood and becomes (almost) invincible. Siegfried (Paul Richter) must also win a bride King Gunther (Theodor Loos), Kiremhild's brother. The result is ominous!!! Part II "Kriemhild's Revenge" begins after the death of Siegfried, and weaves the treacherous tale of his widow's ungodly vengeance upon his murderer, Hagen. This edition of Die Nibelungen is more than 100 minutes longer than any version previously available in the U.S. and restores Lang's materwork to its full glory. The original version had been re-edited and most material lost during WWII. In 1986, the film was restored by the Munich Film Museum to the most accurate approximation of the original version. Now after 16 years, this restoration is finally available for perusal and should initiate a massive spate of reappraisals. Supplemental features: Footage of Fritz Lang on the set Production design and special effects sketches by Erich Kettelhut (intercut with scenes from the films) Comparison of the dragon-slaying scenes from Siegfried and The Thief of Bagdad (1924) Original 1924 score by Gottfried Huppertz, performed by the Munich Radio Orchestra Essay by film scholar Jan-Christopher Horak Optimal image quality: RSDL dual-layer editions New-and-improved English title translation by Ingrid Scheib-Rothbart Photo gallery, including rare, behind-the-scenes images
Rating:
Summary: Superb film(s)
Review: Fritz Lang's Die Nibelungen can definitely be called the Lord of the Rings of the silent era. Siegfried and Kriemhild's Revenge are stunning films in an epic scale; visually lush with amazing special effects, for the time. Most importantly though, both films have compelling story lines and are genuinely entertaining. The score composed by Gottfried Huppertz is amazing, albeit a bit repetitive. It is fittingly composed in a Wagnerian style. There does seem to be some problems with the recording on Kriemhild's Revenge though - the original tapes must have been damaged because there are some ripples in the sound, especially noticeable when high woodwinds are playing. Overall, it doesn't distract that much though. Also, the special features are interesting, eventhough I would have liked some sort of commentary or lengthy "behind-the-scenes" programme on the films. Overall a terrific set from Kino. Highly recommended to all fans of silent cinema.
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Summary: Spectacular silent film!
Review: Fritz Lang's Die Nibelungen is a masterpiece! The sets, costumes and music were absolutely breathtaking. In Siegfried, the main character portrayed Siegfried in spectacular fashion, with highly artistic poses that conveyed nobility and courage. I was really astounded at how well the sets were designed, particularly considering that this movie was made in 1924. The forest was convincing and the trees looked ancient; the sunlight filtering through the leaves was magnificent. Another scene that really impressed me was when Siegfried forged a sword and his mentor dropped a feather on the exposed blade edge with the result of the feather splitting in two. The movie didn't follow the original storyline, but I didn't really care. On the disc there is a comparison between the dragon-slaying scenes from Siegfried compared with the same scene in The Thief of Bagdad and it is obvious that Siegfried was far superior.
Kriemheld's Revenge takes up where Siegfried left off,***Spoiler***, after the betrayal and death of Siegfried. Loyalty and honor are displayed in a way that I have never seen before, and I found myself simultaneously admiring and questioning such unswerving devotion and loyalty. It is impossible to hate the antagonist, because all of his motives are in service to his king, as opposed to selfish desires. Kriemheld was impressive; her desire for righting a wrong resulted in her marriage to Attila the Hun, whom she used horribly in her scheme to get even. Death and mayhem abound, and in the end, all that is left is honor and the memory of brave men dying with their king and his advisor rather than abandon them for their own personal safety.
I'm sure there were Nationalistic overtones to this movie, and I read that this was one of Hitler's favorite films, however, I think it can still be watched and enjoyed without subscribing to that particular ideology. Honor and virtue can always be admired. This was a great(and very long) movie. I highly recommend it.
Rating:
Summary: A Landmark In Cinematic History Is Released For All !!!
Review: I have been a fan of Fritz Lang's Die Nibelungen since my purchase of the BETA tape version many years ago. I have anticipated this release for some time and have been thoroughly rewarded with the wait. Based on the 1861 play by Hebbel, it ignores Wagner's treatment of the story to present us with mythical characters set in a medieval background. For many, Die Nibelungen myth is the foundation of Germanic Kultur. It is a story of love, honor, betrayal, loyalty, and revenge which culminates in the destruction of family bonds.
So, who will be interested in Die Nibelungen? Lovers of Wagner's Der Ring Des Nibelungen will be familiar with the story and will no doubt enjoy seeing a variation of the Nibelungen myth. Wagner's Brunnhilde will be seen as an amalgamation of Kriemhild and Brunhild. Lovers of fantasy will no doubt find much to enjoy here. The 60 foot dragon is a marvel to behold when you consider when the film was produced (1924). Lovers of drama will not be disappointed in the complex story that weaves it's way towards the catastrophic finale of Kreimhild's Revenge. And finally, lovers of movies, in general, and movie history will truly want to see one of the major motion pictures that have ever been produced.
What does this DVD version offer that the BETA and VHS versions do not? Plenty! We will start with Gottfried Huppertz score. I was initially concerned that I would hear a hackneyed reworking of Wagnerian themes. Thankfully Wagner is avoided which is at is should be. As noted, this version does not copy the Ring story, so it is right that the music should be as original as the screenplay. If you are a lover of early 20th century German romanticism, such as the composers Schrecker and Zemlinsky, you will like this score. Film score devotees will think of Korngold, Waxman, and Steiner. Since there is of course, no dialog or sound effects, you have the equivilent of a soundtrack cd at your disposal which you may listen to without even viewing the film.
Previous versions of Siegfried ran for 100 minutes, while this DVD version runs app. 143 minutes. Many of the previous scenes are now extended. Consider Peter Jackson's extended version of the Fellowship of the Ring as a comparison. However, there are a few vital additions to the Lang film which produce a fully realized story. SPOILER ALERT: I will provide a few examples from Siegfried for those already familiar with previous versions. For anyone new to this movie, you may wish to skip to the paragraph that is preceeded by a series of asteriks (*********)
There are some extended scenes which simply add more flavor to the story such as with the slaying of the dragon and Siegfried's defeat of Alberic. But, there are a number of additional scenes which help propel the story further. Kriemhild's dream is restored which depicts a white dove (Siegfried) being attacked by two black crows (Hagen and Gunther). Brunhild's slight rejection of the cross, and the wedding ceremony have been added. You have a clearer understanding of Gunther's dilemma on his wedding night, and his wish for Siegfried to replace him when Hagen states."Damned be the deed half done.." At the conclusion of the hunting scene, after Hagen slays Siegfried, he waves his hand and announces "The Hunt is Over!" Dramatic stuff that. But, the most important addition occurs at the very end. While Kriemhild is veiwing Siegfried's body, Hagen arrives. At that instant, blood flows from Siegfried's wound making it clear to Kriemhild who the murderer was. The wound scene was restored. Also an extended scene follows when Kriemhild, wanting revenge against Hagen, watches in horror as Gunther and her other brothers shield Hagen. The most important title card is then displayed, which is the centerpiece of the story. It reads: "Loyalty for loyalty, Kriemhild. His deed is ours. His fate is ours. Our breast is his shield." You wont find this crucial scene in the previous version, for there it is only implied.
********************* I was initially unimpressed by the new title translations that accompanied the DVD version. It is important to identify characters as soon as a close up is shown. Hagen had two close up shots which would have been a perfect place to introduce him. Kriemhild's two brothers were also not properly identified when they are shown for the first time sitting on a bench. Also in the first canto, Mime is not properly identified when first seen. In the previous version, when he appears, so does the following: "Jealous hatred gripped Mime the Smith." It is important to establish this in order to understand his motives for treating Siegfried as he does. However, once these initial reservations passed, I was pleased with the comprehensive title cards that followed. I believe they could have done without the gothic lettering on the title cards though as it served as a distraction to the movie. A simple font would have made reading the cards easier.
The transfers are excellent when you consider the age of the film and sections of the movie which appeared deteriorated in previous versions have been restored. There is no decrease in the quality of the extended scenes versus the previously released scenes, resulting in a homogeneous quality in the film.
To save time and space, I will not devote any detailed attention to Kriemhild's Revenge which is also an extended version. Suffice it to say, that everything I noted for Seigfried applies. You will not be disappointed
Fritz Lang's Die Nibelungen defies genre and time and is a pivotal film in cinematic histoy. For those of you who have never invested the time watching a silent movie, there is no better place to start than right here. Urgently recommended!
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