The Vengeance of She

Rating:
Summary: One of those sequels that makes you long for the original
Review: "The Vengeance to She" is the sequel to Hammer Film's very popular "She." Unfortunately, not only does Olga Schoberova take over the role of Ayesha ("She Who Must Be Obeyed") from Ursula Andress, this 1967 film directed by Cliff Owen "updates" H. Rider Haggard's classic adventure story by making her a modern gal named Carol who cannot have a nice time on the French Riviera because she keeps hearing voices telling her to head east. Eventually she reaches the lost city of Kuma in Africa where she is worshipped as the reincarnation of Ayesha and wackiness ensues. This is one of those bad movies that becomes unintentionally funny. I suppose it might be more enjoyable as a double-bill with the original "She," assuming, of course, your standards for enjoyment decrease steadily over the course of the evening.

Rating:
Summary: Rated "G" after all
Review: "The Vengeance to She" is the sequel to Hammer Film's very popular "She." Unfortunately, not only does Olga Schoberova take over the role of Ayesha ("She Who Must Be Obeyed") from Ursula Andress, this 1967 film directed by Cliff Owen "updates" H. Rider Haggard's classic adventure story by making her a modern gal named Carol who cannot have a nice time on the French Riviera because she keeps hearing voices telling her to head east. Eventually she reaches the lost city of Kuma in Africa where she is worshipped as the reincarnation of Ayesha and wackiness ensues. This is one of those bad movies that becomes unintentionally funny. I suppose it might be more enjoyable as a double-bill with the original "She," assuming, of course, your standards for enjoyment decrease steadily over the course of the evening.

Rating:
Summary: One of those sequels that makes you long for the original
Review: "The Vengeance to She" is the sequel to Hammer Film's very popular "She." Unfortunately, not only does Olga Schoberova take over the role of Ayesha ("She Who Must Be Obeyed") from Ursula Andress, this 1967 film directed by Cliff Owen "updates" H. Rider Haggard's classic adventure story by making her a modern gal named Carol who cannot have a nice time on the French Riviera because she keeps hearing voices telling her to head east. Eventually she reaches the lost city of Kuma in Africa where she is worshipped as the reincarnation of Ayesha and wackiness ensues. This is one of those bad movies that becomes unintentionally funny. I suppose it might be more enjoyable as a double-bill with the original "She," assuming, of course, your standards for enjoyment decrease steadily over the course of the evening.

Rating:
Summary: My name is Carol
Review: Carol has disturbing dreams and wakes up screaming "Ayesha." She is also compelled to go to a secret destination. On the way she has many trials and tribulations. She also befriends a psychiatrist that is interested in helping her by following her journey. Anyone who tries to deter her form her quest is mysteriously killed in the style of the movie "Final Destination" (2000). What will she find there and is she actually Ayesha or the victim of mind control?

Many viewers like to say that "this is not like the book `The Return of She'"; for this movie viewers have to also get over the loss of Ursula Andrews and the absence of the whip (should be "G" rated). Once the shock is over this is quite a good movie.

The sets and scenes were well done. There was nothing unbelievable and nothing that looked like cardboard. The blue flame looked familiar to the original "She" Viewers.

The cast was well chosen for the movie. Of course there is Olinka Berova (Schoberov?) as Carol. She faithfully does a convincing job of playing a confused Carol/Ayesha. An other surprise is Colin Blakely. He plays a rich yacht owner (George) in this movie and played a rich yacht owner (Sir Horace Blatt) in Agatha Christie's "Evil Under the Sun" (1982)


Rating:
Summary: Rated "G" after all
Review: Look at the rating and that explains it all. I've read some reviews where the reviewers went over the relative breast attractions of the starlets, and recommended a different flick because the main gal bared it all (and only because she did) - this is a "G" rated movie.

"Vengence of She" is safe and sanitary, with some fights, a little mature hint of marital dissatisfaction, a woman in her undies swimming, but overall this is a film fit for Disney. Compared to some realistic Disney evening shows of late, it is even a little tame. Fit for Disney means it isn't going to shock jock, skin flick the audience, and that the acting isn't going to be too far off base - quiet staid, actually. This movie almost tries to reduce or exclude wild action or hot romance. It's one of those old movies where nudity was perverse but killing someone in hot blood is okay - although I'd personally watch a naked woman rather than a killing any day.

You have to watch it either because you like the general genre of "She" or you want a fairly sanitary flick to watch when your sanity is pressed by the continuos outrageousness of some more modern shows. I myself have seen some old black and whites which were more interesting, if nothing else because the G-rated acting was more lively. But, since I have a passing interest in the Haggard books made to film, I bought it and watched it. Okay for a casual view and pretty good quality recording.

Rating:
Summary: SHE's got an identity crisis
Review: The Vengeance of She is a disappointing waste of 90 mins. She starts promising, with the beautiful Carol (Olinka Berova) walking aimlessly, drawn by torturous voices in her head. She meets a phsychiatrist, Dr. Phillip Smith, who for some reason (probably to reach boyfriend status) decides to join the young woman in her quest to nowhere. These two find a lost city where live the immortal ones. Here in the "lost city" King Killikrates is having Carol lured to them to assume the identity of Ayesha. Carol is not SHE or her or Ayesha...whatever. The King and his mystic are just making her or She.......Carol just think that she is SHE. That's the plot! This happens to be the most convoluded mess to come out of Hammer studios. I usually adore Hammer Productions but this is like a slow death. I'm not really sure I understand why SHE seeks vengeance. If you want to see an interesting tale of beautiful women weilding weapons watch The Viking Queen. Lots more action, and less identity crisis

Rating:
Summary: SHE's got an identity crisis
Review: The Vengeance of She is a disappointing waste of 90 mins. She starts promising, with the beautiful Carol (Olinka Berova) walking aimlessly, drawn by torturous voices in her head. She meets a phsychiatrist, Dr. Phillip Smith, who for some reason (probably to reach boyfriend status) decides to join the young woman in her quest to nowhere. These two find a lost city where live the immortal ones. Here in the "lost city" King Killikrates is having Carol lured to them to assume the identity of Ayesha. Carol is not SHE or her or Ayesha...whatever. The King and his mystic are just making her or She.......Carol just think that she is SHE. That's the plot! This happens to be the most convoluded mess to come out of Hammer studios. I usually adore Hammer Productions but this is like a slow death. I'm not really sure I understand why SHE seeks vengeance. If you want to see an interesting tale of beautiful women weilding weapons watch The Viking Queen. Lots more action, and less identity crisis

Rating:
Summary: Pretty Good Sequel to "She"!
Review: You won't find a blonde in a pink mini-skirt wielding a whip like the picture on the cover, but Olinka Berova (hired to replace Ursula Andress in this sequel to "She") still looks pretty spectacular in the white chiffon gown that she wears in the film's final scenes, when she returns to the underground lost city with the blue flame and we find out if she really is Ayesha reincarnated from the first picture. This is a surprisingly good-looking film, with gorgeous shots of the Mediterranean and a very clear digital transfer. I especially enjoyed the 1960's vintage TV and movie trailers that reminded me of what movie ads looked like back then before CGI-created titles.

Rating:
Summary: Pretty Good Sequel to "She"!
Review: You won't find a blonde in a pink mini-skirt wielding a whip like the picture on the cover, but Olinka Berova (hired to replace Ursula Andress in this sequel to "She") still looks pretty spectacular in the white chiffon gown that she wears in the film's final scenes, when she returns to the underground lost city with the blue flame and we find out if she really is Ayesha reincarnated from the first picture. This is a surprisingly good-looking film, with gorgeous shots of the Mediterranean and a very clear digital transfer. I especially enjoyed the 1960's vintage TV and movie trailers that reminded me of what movie ads looked like back then before CGI-created titles.