Rating: 
Summary: The Perfect Caper 60s Style
Review: Running a close second and somewhat inspired by its distant cousin (the 'spy' movie), the caper movie was in vogue for a while in the decade of the 60s. This is one of the best. Jules Dassin directed this comic tale of grand larceny from Eric Ambler's (The Light of Day) novel. Filmed in Istanbul Director Dassin's gang includes Peter Ustinov, Melina Mercouri, Maximilian Schell, Robert Morley, Ege Ernart and Akim Tamiroff. The plot is meticulously entertaining, amusing and funny. The beautiful photography was the work of Cinematographer Henri Alekan. Music composed by Manos Hadjidakis is catchy as usual. It is very memorable once seen.
Rating:
Summary: The Perfect Caper 60s Style
Review: Running a close second and somewhat inspired by its distant cousin (the `spy' movie), the caper movie was in vogue for a while in the decade of the 60s. This is one of the best. Jules Dassin directed this comic tale of grand larceny from Eric Ambler's (The Light of Day) novel. Filmed in Istanbul Director Dassin's gang includes Peter Ustinov, Melina Mercouri, Maximilian Schell, Robert Morley, Ege Ernart and Akim Tamiroff. The plot is meticulously entertaining, amusing and funny. The beautiful photography was the work of Cinematographer Henri Alekan. Music composed by Manos Hadjidakis is catchy as usual. It is very memorable once seen.
Rating:
Summary: This one of the all time greats. A splendid cast.
Review: The story of a heist. When was the last time you watched a movie and so enjoyed it. First time I saw it I could hardly wait to see it again. As a matter of fact it was a school week and I set my alarm to wake me at 2am to watch it a second time the same night.
Rating: 
Summary: Great movie, but truly lousy MGM DVD transfer
Review: This '60s heist movie sparkles, dazzles, and charms with its strong international cast, story adapted from an Eric Ambler mystery novel, and typically great direction from Jules (Rafifi) Dassin. Dassin gets a truly captivating performance from his wife Melina Mercouri as a thief obsessed with stealing the Topkapi emeralds, and an Academy Award-winning comic turn from Peter Ustinov. This was my favorite movie of all time when watching it on tv as a child. I waited a while to see it on DVD. Sadly, MGM seems to have transferred the movie through a vat of mud. The source print is faded and looks lousy. The movie is great, as is the theme song.
Rating: 
Summary: Topkapi
Review: This is in the end a good caper movie and maybe worth watching because its possible a lot its elements have been emulated in other films like the Pink Panther, Mission:Impossible and Entrapment.
It is a jewel theft caper involving a hypersensitive floor security system, where you drop in from the roof. I am not giving anything away that isn't in the trailer. But it is stuff you have now seen many times before. The gymnastics and plotting of how that is carried out is the variance. There is some pretty good tension in pulling off the crime.
As in any movie like this, whether you like it depends a lot more on whether you like the characters. And this is the point where the film gets a little iffy for me. This is the first Melina Mercouri I have seen. So I don't have the perspective of years prior knowing what a great beauty she was. I am going to get in trouble for calling it as I see it her. Melina Mercouri is an attractive enough older woman but well past her prime and trying and failing to hide it behind hair died from silver gray to blonde and heavy mascara and eyeshadow. But perhaps she is merely past her prime and just unapologetic and sassy about it.
The effect is the same. She is a little grotesque.Maximillian Schell on the other hand is a truly handsome and suave as the organizer of the plot.
Peter Ustinov is cute. As a fairly early role you see him here developing a lot of his most popular affectations that will serve him well in future roles. This production seems a little low budget and doesn't show off his distinctive voice and mannerisms as well as a film with more deft camera direction and better sound can. The stalwart British character actor Robert Morely as the inventor is very good. Also on the team is a brutish strong man who seems to have little purpose in the film who is partnered with an acrobat who cleverly mimes most of his part because he is a mute.
Ordinarily I don't have much trouble making allowances for the style of films of the various decades but Topkapi has a style that to me seems particularly dated and tips the hand of its minimal budget badly. There are many filler shots of the marketplace and locals of Istanbul that aren't particularly interesting and slow the pace of the film down. Also the image and sound is of marginal quality and frequently dubbed though it is an english speaking film.Its not out of synch but it has that odd unnatural feel to it. If you mind has the mental alacrity to make allowances for this its a clever enough film to keep you entertained. But I can't imagine anyone under 25 raised on modern production values not being a little antsy and impatient deciphering some of the slightly muffled heavy accents of the international cast. Certainly a better film than Entrapment. I think overall the film is merely OK. Either of the Ocean's Eleven films does has a more entertaining ensemble cast and are more fun to watch in this genre.
Rating:
Summary: Greatest Caper Movie Ever
Review: With all the fuss over the re-release of Rififi not so long ago, I had hoped that there would be an equal or greater to-do over Topkapi, hands down the better of the two films. A brilliant cast, exotic locales, superb story, adult humor, a timeless score, and heart-pounding suspense make this one of the most enjoyable films I have ever seen. This is really a classic, and I for one am hoping for a DVD; I would love to hear some behind-the-scenes reminiscences or see a making-of documentary, if one exists. I guarantee you will want to see Topkapi more than once...
Rating:
Summary: Greatest Caper Movie Ever
Review: With all the fuss over the re-release of Rififi not so long ago, I had hoped that there would be an equal or greater to-do over Topkapi, hands down the better of the two films. A brilliant cast, exotic locales, superb story, adult humor, a timeless score, and heart-pounding suspense make this one of the most enjoyable films I have ever seen. This is really a classic, and I for one am hoping for a DVD; I would love to hear some behind-the-scenes reminiscences or see a making-of documentary, if one exists. I guarantee you will want to see Topkapi more than once...
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