Action & Adventure
Boxed Sets
Comedy
Drama
General
Horror
International
Kids & Family
Musicals
Mystery & Suspense
Sci-Fi & Fantasy
Silent Films
Television
Westerns
|
|
Freaks |
List Price: $19.97
Your Price: $14.98 |
|
|
|
Product Info |
Reviews |
Rating: Summary: Freaks Review: This movie was fantastic, even for today, it's a must see. It's about this circus with a sideshow, (all of the sideshow performers are genuine "freaks") and the sideshow members are looked down upon by the Normal people. Eventually, the Freaks get their revenge. Really good, but short.
Rating: Summary: An unsettling, yet human, masterpiece. Review: Tod Browning's Freaks is a prime example of what films used to be and a sad reminder that they will never quite be like this again. Based on the short story 'Spurs' by Tod Robbins, the movie tells the story of a circus midget who falls in love with a beautiful, 'normal' trapeze artist. When she and her strongman lover try to poison him for his money, the 'freaks' exact their revenge on them. Browning, a former circus performer himself, treats his unusual cast of real-life circus freaks with genuine sympathy. They are the true human element of the film. In most ways this is the first truely compassionate horror film ever made. But upon it's release, censors flipped, audiences ran in horror, and the film was yanked from the screen and banned in Europe for 40 years. A shame, indeed, as the film is a true triumph for Browning. A film that makes a convincing argument about our expectations of beauty and humanity. Sure, it's creepy and frightening. But it's also very sad. It shows you that it's not what we look like that makes us human or that we don't have to be beautiful to be respected. A strange argument for a 'horror' film to make. The only downside to this long-lost and vastly underappreciated film is that the sound can sometimes be rather muffled and a few of the actors have thick accents that sometimes make understanding the dialogue a chore. But it's a minor complaint and doesn't really distract from the wonder up on the screen. If you're in the mood for something a little... uh... different... definitely check this one out. You will be thankful you did.
Rating: Summary: browning; an auteur of the most interesting order Review: todd browning's films too often get compared to james whale's films and, consequently, come up short. while i am the first to agree that browning's 'dracula' artistically pales to whale's 'frankenstein', i think the point is rather mute. the quintessential browning film is here in 'freaks' and it does indeed contain the blazing, unique, twisted visison of todd browning. yes, the film also has his flaws, the main one beingt he stilted dialogue. browning was a 'silent director' and this film's major flaw (like 'dracula' )is the fact that it isn't a silent. in only scene does the dialogue work and that is in the chorus like 'we accept her' scene; a scene to send chills down yuor spine even today. but, to harp on the flaws, detracts from what this so obviousely is; a flawed masterpeice from a true auteur. it's history is well knwon. thalberg ordered browning to come up with a film to outdo frankenstein and dracula. much to thalberg's chagrin, browning delivered freaks and mgm promptly shelved it. i recall reading much about the film as a child. when the day of vcrs came round blackhawk films announced they were carrying this for a hundred dollars and i promptly ordered it. it was one of those films that after reading about it for so long i was a little bit dissapointed and at the same time, floored, which i expected to be. if you accept the flaws of the film you will be as well.
Rating: Summary: Unforgettable film portrayal Review: Without a doubt the most disturbing and haunting film ever produced as it used real live "freaks". Tod Browning instinctively used these individuals for the most horrific effect and it works on many levels. Even the star who is a "short person" gives us a few terrible faces which play off his so-called deformity. Absolutely brillant in effect and has lost none of its impact even though it was produced over 70 years ago and competes with the 21st century's idea of horror.
|
|
|
|