Rating: 
Summary: Howard and Davis in a great adaptation of Maugham's novel
Review: W. Somerset Maugham's novel "Of Human Bondage" receives an excellent adaptation to the screen in this 1934 film directed by John Cromwell. Leslie Howard plays sensitive, club-footed Philip Carey, the second-rate artist who turns to the study of medicine, even though he is older than his classmates. Philip becomes tragically obsessed with Mildred Rogers (Bette Davis), an illiterate waitress in a tearoom near the medical school. Although Mildred insults him for being a cripple, Philip spurns an offer of romance from Nora (Kay Johnson), an attractive woman who writes romance novels under a male pseudonym. When Philips agrees to marry Mildred when she shows up pregnant and jilted by her salesman boyfriend (Alan Hale), she runs off with another med student (Reginald Denny) at their engagement party. A friendly patient (Reginald Owen) invites Philip home to meet his sensitive daughter Sally (Frances Dee). But Mildred returns again, this time with a baby, and Philip is too weak to refuse her. The result are disastrous consequences for them both.Maugham's semi-autobiographical novel was published in 1915 and is considered his masterwork. By Hollywood standards, this film adaptation is remarkably faithful, not to mention literate and intelligent, so a lot of the credit has to go to Lester Cohen for the screenplay. Howard handles the role of the sensitive Philip well, but it is Davis who turned a lot of heads for the first time with her performance as the tawdry little waitress (Life magazine called it "Probably the best performance ever recorded on the screen by a U.S. actress"). Certainly this is the role that made Warner Brothers take a serious look at the young actress. What is remarkable is how much of this emotionally shattering tale is packed into 83 minutes of running time.
Rating:
Summary: Howard and Davis in a great adaptation of Maugham's novel
Review: W. Somerset Maugham's novel "Of Human Bondage" receives an excellent adaptation to the screen in this 1934 film directed by John Cromwell. Leslie Howard plays sensitive, club-footed Philip Carey, the second-rate artist who turns to the study of medicine, even though he is older than his classmates. Philip becomes tragically obsessed with Mildred Rogers (Bette Davis), an illiterate waitress in a tearoom near the medical school. Although Mildred insults him for being a cripple, Philip spurns an offer of romance from Nora (Kay Johnson), an attractive woman who writes romance novels under a male pseudonym. When Philips agrees to marry Mildred when she shows up pregnant and jilted by her salesman boyfriend (Alan Hale), she runs off with another med student (Reginald Denny) at their engagement party. A friendly patient (Reginald Owen) invites Philip home to meet his sensitive daughter Sally (Frances Dee). But Mildred returns again, this time with a baby, and Philip is too weak to refuse her. The result are disastrous consequences for them both. Maugham's semi-autobiographical novel was published in 1915 and is considered his masterwork. By Hollywood standards, this film adaptation is remarkably faithful, not to mention literate and intelligent, so a lot of the credit has to go to Lester Cohen for the screenplay. Howard handles the role of the sensitive Philip well, but it is Davis who turned a lot of heads for the first time with her performance as the tawdry little waitress (Life magazine called it "Probably the best performance ever recorded on the screen by a U.S. actress"). Certainly this is the role that made Warner Brothers take a serious look at the young actress. What is remarkable is how much of this emotionally shattering tale is packed into 83 minutes of running time.
Rating: 
Summary: Great movie, poor DVD transfer
Review: Yes, this movie is "dated" in a stylistic sense, but so what. Davis and Howard are both so good it doesn't matter. And there is nothing dated about being hopelessly "in bondage" to something or someone - that realization is ultimately what makes the movie so depressing to watch. We can "identify" with Phillip's horrendous treatment at the hands of Mildred because he is obsessed beyond his ability to respond rationally. The film's most famous line...."You cad!, you dirty swine! I never cared for you not once! I was always makin' a fool of ya! Ya bored me stiff, I hated ya! It made me SICK when I had to let ya kiss me. I only did it because ya begged me, ya hounded me and drove me crazy! And after ya kissed me, I always used to wipe my mouth! WIPE MY MOUTH!"..... is so emotionally charged and devastating one can not help but relate to it at a gut level. The viewer is completely drawn in to Phillip's psyche and his unbearable pain. Davis is simply brilliant in this movie, and she utters this line as convincingly as any in her illustrious career. A five-star movie which I have to rate 4 because of the poor DVD transfer. No better than my VHS copy. Perhaps not much can be done to improve a movie this old but it appears that no effort was made to do so. Otherwise a classic in every sense.
| 
