Eternal Love

Rating:
Summary: Long Lost Lubitsch Loses Little
Review: Ernst Lubitsch is remembered today as "the man with the golden touch". His droll and witty comedies of the sexes from the 30's and 40's such as TROUBLE IN PARADISE and TO BE OR NOT TO BE certainly deserve their place in movie history. So do his silent films which thanks to present day technology are being made available to new generations of film lovers. MGM released one of his best known silent films THE STUDENT PRINCE IN OLD HEIDELBERG (1927) back in 1991. Image Entertainment released THE MARRIAGE CIRCLE (1924) last year. Now Milestone Film and Video, one of the top providers of silent films, have released ETERNAL LOVE on both VHS and DVD. Made at the end of the silent era (1929) with music and sound effects discs, the film has been beautifully restored with original materials by the UCLA Film and Television Archive. Having just seen the film on VHS, I was astonished not only at its beauty (Lubitsch has always known how to use a camera) but also by the power of its simple story. Ill-fated love stories have been around forever but here as played out by John Barrymore and Camilla Horn, I found it unexpectedly moving. I was simply unable to look away. The setting is a village in Switzerland (it was filmed in the Canadian Rockies) and deals with love, individuality, honor, and small town morality. The ending, while quite expected, was still very effective. John Barrymore in a more subdued role than he usually played in films, gives a power and a dignity to his character that few others could have. Camilla Horn who was Gretchen in F.W. Murnau's FAUST, makes a beautiful and believable heroine. The supporting roles were equally well acted which led to the overall strength of the film. The only real drawback for me was the overdone makeup that Barrymore used in the first part of the film. How that made it past the dailies is beyond me. A small quibble though when put up against the rest of the film. While ETERNAL LOVE is no masterpiece, it is extremely well made by a master craftsman at the height of his powers.

Rating:
Summary: Long Lost Lubitsch Loses Little
Review: Ernst Lubitsch is remembered today as "the man with the golden touch". His droll and witty comedies of the sexes from the 30's and 40's such as TROUBLE IN PARADISE and TO BE OR NOT TO BE certainly deserve their place in movie history. So do his silent films which thanks to present day technology are being made available to new generations of film lovers. MGM released one of his best known silent films THE STUDENT PRINCE IN OLD HEIDELBERG (1927) back in 1991. Image Entertainment released THE MARRIAGE CIRCLE (1924) last year. Now Milestone Film and Video, one of the top providers of silent films, have released ETERNAL LOVE on both VHS and DVD. Made at the end of the silent era (1929) with music and sound effects discs, the film has been beautifully restored with original materials by the UCLA Film and Television Archive. Having just seen the film on VHS, I was astonished not only at its beauty (Lubitsch has always known how to use a camera) but also by the power of its simple story. Ill-fated love stories have been around forever but here as played out by John Barrymore and Camilla Horn, I found it unexpectedly moving. I was simply unable to look away. The setting is a village in Switzerland (it was filmed in the Canadian Rockies) and deals with love, individuality, honor, and small town morality. The ending, while quite expected, was still very effective. John Barrymore in a more subdued role than he usually played in films, gives a power and a dignity to his character that few others could have. Camilla Horn who was Gretchen in F.W. Murnau's FAUST, makes a beautiful and believable heroine. The supporting roles were equally well acted which led to the overall strength of the film. The only real drawback for me was the overdone makeup that Barrymore used in the first part of the film. How that made it past the dailies is beyond me. A small quibble though when put up against the rest of the film. While ETERNAL LOVE is no masterpiece, it is extremely well made by a master craftsman at the height of his powers.

Rating:
Summary: Eternal Soap
Review: Ernst Lubitsch was a famous Hollywood director{"Ninotchka" and "The Merry Widow" in the 1930's). John Barrymore stunned the world in 1922 with his Broadway "Hamlet". What a coo to combine these two entertainment giants in 1929, with "Eternal Love". I don't think so...Barrymore had starred in the first sound film, "Don Juan" in 1926. Audiences clamored for SOUND, not another silent. This would be the last for both. "Eternal Love" is the slow-moving tale of Marcus, a gruff mountain man who drinks too much. His lover is played by the German Camilla Horn(the producer Joe Schenk's mistress). The exquisite mountain photography of Baanf and the Canadian rockies cannot off-set the eternal soap-opera and Barrymore's ashen make-up. A critical and financial flop, United Artists shuttled it in and out of theatres quickly. Lubitsch's innuendo and deft touch are here, but it's not enough. To really enjoy the Shakespearean-trained Barrymore, see(and hear) his "Svengali", filmed at Warners in 1931. Or pick up "Grand Hotel(1932), the MGM classic where he woos Greta Garbo. Both are on DVD. UCLA did a magnificent restoration on "Eternal Love". But UCLA can't restore what was never there...

Rating:
Summary: An Enduring Romance
Review: Eternal love ~ what a premise! And in this terrific film it comes delivered to you via two star-crossed lovers Ciglia (Camilla Horn) and Marcus (Barrymore). Marcus prefers the wild mountainsides outside of his Swiss village only somewhat less than the pure and beautiful preacher's daughter Ciglia, whom he desires very much to marry. Uncle Tass (Hobart Bosworth) has other ideas, wishing for Ciglia the more staid and proper Lorenz (Victor Varconi), while wild mountain girl Pia (Mona Rico) has her own designs on Marcus, desiring him very much for herself. Pia seduces Marcus through some truly dishonourable conniving, dooming Marcus to marry her. Ciglia settles with Lorenz in an effort to heal her crushed heart, but of course this does nothing of the sort ~ Marcus and Ciglia hold blazing torches that no twists of fate can quell. Thus, the movie moves toward its devastating finale.

During a blizzard, Marcus becomes lost on the mountains. Pia, desperate to find him, implores Lorenz and Ciglia for help. Distraught at this news, Ciglia slips her facade for an instant arousing the suspicions of her husband. When Marcus arrives safely home, the jealous Lorenz bribes Marcus to take his leave from the village and from Ciglia once and for all. Marcus refuses, and Lorenz seeks a final, deadly revenge, during which he is mortally wounded. Marcus is now a marked man, and Ciglia's pleas of his innocence only serves to inflame the villagers to seek their own revenge on what they perceive as an adulterous couple.

What happens next adds a satisfying 'drama' to this melodrama, and contains a twist equal to the larger-than-life affections of Marcus and Ciglia, whose only real crime was loving each other despite, and in spite, of any and all circumstances.

This film should appeal to anyone with even a speck of the romantic, an appreciative eye for splendid scenery (filmed on location in the Canadian Rockies), and the taste for a rousing good story. Barrymore is a smouldering hero, his magnetism unabashedly evident in the love scenes. Camilla Horn is a gorgeous heroine that one cannot help aching with and for. The conniving Pia, on the other hand, is an absolute terror, and plays the bad girl to the hilt.

This DVD includes the original score to the film, and the picture quality is astonishing. Directed by Ernst Lubitsch, 'Eternal Love' was his last silent film.

Rating:
Summary: An Enduring Romance
Review: Eternal love ~ what a premise! And in this terrific film it comes delivered to you via two star-crossed lovers Ciglia (Camilla Horn) and Marcus (Barrymore). Marcus prefers the wild mountainsides outside of his Swiss village only somewhat less than the pure and beautiful preacher's daughter Ciglia, whom he desires very much to marry. Uncle Tass (Hobart Bosworth) has other ideas, wishing for Ciglia the more staid and proper Lorenz (Victor Varconi), while wild mountain girl Pia (Mona Rico) has her own designs on Marcus, desiring him very much for herself. Pia seduces Marcus through some truly dishonourable conniving, dooming Marcus to marry her. Ciglia settles with Lorenz in an effort to heal her crushed heart, but of course this does nothing of the sort ~ Marcus and Ciglia hold blazing torches that no twists of fate can quell. Thus, the movie moves toward its devastating finale.

During a blizzard, Marcus becomes lost on the mountains. Pia, desperate to find him, implores Lorenz and Ciglia for help. Distraught at this news, Ciglia slips her facade for an instant arousing the suspicions of her husband. When Marcus arrives safely home, the jealous Lorenz bribes Marcus to take his leave from the village and from Ciglia once and for all. Marcus refuses, and Lorenz seeks a final, deadly revenge, during which he is mortally wounded. Marcus is now a marked man, and Ciglia's pleas of his innocence only serves to inflame the villagers to seek their own revenge on what they perceive as an adulterous couple.

What happens next adds a satisfying 'drama' to this melodrama, and contains a twist equal to the larger-than-life affections of Marcus and Ciglia, whose only real crime was loving each other despite, and in spite, of any and all circumstances.

This film should appeal to anyone with even a speck of the romantic, an appreciative eye for splendid scenery (filmed on location in the Canadian Rockies), and the taste for a rousing good story. Barrymore is a smouldering hero, his magnetism unabashedly evident in the love scenes. Camilla Horn is a gorgeous heroine that one cannot help aching with and for. The conniving Pia, on the other hand, is an absolute terror, and plays the bad girl to the hilt.

This DVD includes the original score to the film, and the picture quality is astonishing. Directed by Ernst Lubitsch, 'Eternal Love' was his last silent film.

Rating:
Summary: Restored and pleasing
Review: I'll admit, I have been a silents fan for many years, but am still a novice, but I did enjoy this movie, and was surprised by the UCLA 'disclaimer' that this restoration was not up to their usual standards (or some such note). If that is the case, I would like to see their best standards! After years of suffering through bad copies of silents, with equally hideous "soundtracks" (of which there are a few exceptions), I was glad to see this movie restored to a good speed and brilliant contrasts of light and dark. Barrymore is elegant and graceful, mixing both outrageous humor (the scenes of his drunken revelry at the town party are funny, and a bit disheartening, much like Dinner At Eight), and brilliant drama (the lone scene of his finding the 'evil woman' had entered his room is incredibly portrayed with a few surprised, heavy heaves of the chest and narrowing eyes, more sexy to me than any obvious modern bedroom scene!)
Overall, there are much better stories, but to see Barrymore at his hearty best and Lubitsch's modern use of camera movement and beautiful mountain scenery, make this a worthwhile viewing.

Rating:
Summary: Restored and pleasing
Review: The very late silent film era in Hollywood, 1927-28, saw a number of artistic films made by European directors that could have been right out of Ufa's studio in Germany. SUNRISE is perhaps the most obvious example, but ETERNAL LOVE is definitely in that category. Not really a "lost" film, ETERNAL LOVE was safely secured among Mary Pickford's own films that she refused to circulate. Bootleg prints of this film have been in circulation for years but I was disappointed that the quality of this print wasn't more impressive. Good yes, impressive No. The introduction alerts the viewer that the print is "substandard" - too bad they didn't place that notice on the box. I would have bought it anyway. The film is intelligently written, directed and acted but it seems a little too doom-laden for its own good. John Barrymore railed for years against the happy endings that always got tacked on to his films so at least in his last silent he got the tragedy he wanted. A Barrymore-Lubitsch collaboration should have given us a sparkling romantic comedy - and that loss is a real tragedy!

Rating:
Summary: European Film-making via Hollywood
Review: The very late silent film era in Hollywood, 1927-28, saw a number of artistic films made by European directors that could have been right out of Ufa's studio in Germany. SUNRISE is perhaps the most obvious example, but ETERNAL LOVE is definitely in that category. Not really a "lost" film, ETERNAL LOVE was safely secured among Mary Pickford's own films that she refused to circulate. Bootleg prints of this film have been in circulation for years but I was disappointed that the quality of this print wasn't more impressive. Good yes, impressive No. The introduction alerts the viewer that the print is "substandard" - too bad they didn't place that notice on the box. I would have bought it anyway. The film is intelligently written, directed and acted but it seems a little too doom-laden for its own good. John Barrymore railed for years against the happy endings that always got tacked on to his films so at least in his last silent he got the tragedy he wanted. A Barrymore-Lubitsch collaboration should have given us a sparkling romantic comedy - and that loss is a real tragedy!