Waxworks

Rating:
Summary: UNSATISFIED WITH COLOR TINTING OF WAXWORKS
Review: It ruins the scarey effect. Black and white film would be way scarier. And the musical score put on this dvd isn't frightening enough either. C'mon Kino, you guys could find a scarier score than this.

Rating:
Summary: A worthy excursion into German Expressionism
Review: Kino does a beautiful presentation of this entry into German Expressionism on film. The plot essentially includes a writer telling stories about figures in a carnival waxworks display. The writer is smitten with the daughter of the waxworks owner, as a sideline. These are fairly incidental to the trilogy of stories that intertwine.
First, Haroun Al-Raschid is played by Emil Jannings. This story is fairly humorous and very fun to watch, with a chase scene through an Escher-esque set as a baker tries to escape after a failed attempt at thievery.
This is followed by Ivan the Terrible, played by Conrad Veidt. Conrad plays an eerie, insane, and meglomaniacal potrayal of the famous tyrant. Ivan, as promised, is indeed, terrible and Conrad's acting adds volumes with this peek into murderous insanity.
Werner Krauss portrays Jack the Ripper in the third story (dreamed by the sleeping writer). His performance is grand and uncanny, though the association of Jack the Ripper with Spring Heeled Jack is highly erronious, and distracting. While Jack the Ripper never displayed any uncanny abilities to speak of (in the film as well), Spring Heeled Jack was known to leap great distances and heights and breath fire. These two characters have little in common, even down to the fact that there were numerous descriptions of Spring Heeled Jack by eye witnesses, and very few of Jack the Ripper. Additionally, Spring Heeled Jack is only credited with one murder, seemingly accidental. By combining them in such a poor manner, Leni does an injustice to two classic legends.
This film is classic of German Expressionism, and aside from bad scholarship, lives up to its reputation. The DVD includes the necessary original color-wash familiar to German silent films of its time, and is a very nice print to watch. Included as extras in this volume are REBUS FILM I, a fun 1926 short by Leni combining live footage and animation to perform a crossword puzzle on film. Also, an excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD, as a comparision to Emil Jennings's role in WAXWORKS. The film WAXWORKS has 12 different scene selections.

Rating:
Summary: A worthy excursion into German Expressionism
Review: Kino does a beautiful presentation of this entry into German Expressionism on film. The plot essentially includes a writer telling stories about figures in a carnival waxworks display. The writer is smitten with the daughter of the waxworks owner, as a sideline. These are fairly incidental to the trilogy of stories that intertwine.
First, Haroun Al-Raschid is played by Emil Jannings. This story is fairly humorous and very fun to watch, with a chase scene through an Escher-esque set as a baker tries to escape after a failed attempt at thievery.
This is followed by Ivan the Terrible, played by Conrad Veidt. Conrad plays an eerie, insane, and meglomaniacal potrayal of the famous tyrant. Ivan, as promised, is indeed, terrible and Conrad's acting adds volumes with this peek into murderous insanity.
Werner Krauss portrays Jack the Ripper in the third story (dreamed by the sleeping writer). His performance is grand and uncanny, though the association of Jack the Ripper with Spring Heeled Jack is highly erronious, and distracting. While Jack the Ripper never displayed any uncanny abilities to speak of (in the film as well), Spring Heeled Jack was known to leap great distances and heights and breath fire. These two characters have little in common, even down to the fact that there were numerous descriptions of Spring Heeled Jack by eye witnesses, and very few of Jack the Ripper. Additionally, Spring Heeled Jack is only credited with one murder, seemingly accidental. By combining them in such a poor manner, Leni does an injustice to two classic legends.
This film is classic of German Expressionism, and aside from bad scholarship, lives up to its reputation. The DVD includes the necessary original color-wash familiar to German silent films of its time, and is a very nice print to watch. Included as extras in this volume are REBUS FILM I, a fun 1926 short by Leni combining live footage and animation to perform a crossword puzzle on film. Also, an excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD, as a comparision to Emil Jennings's role in WAXWORKS. The film WAXWORKS has 12 different scene selections.

Rating:
Summary: Maybe not for everyone...
Review: No doubt this film is important in various ways, such as representing German cinema and art of the time, and both sets and acting are good and interesting, but from a more general viewpoint this film might be a bit disappointing to the average viewer. Unless you are particularly interested in the Expressionist artwork or other technical aspects, "Waxworks" might seem to lack a concrete storyline or a lighter air like that of many American films of the time. Although the individual stories contained in Waxworks are good and interesting, the overall feel is a kind of heavy, dark intenseness; much like The Cabinet of Dr Caligari, for instance. Unless this style is of special interest or appeal to someone, this film might not be the best choice, but for a sample of German film and art, it's certainly worth a try. Otherwise, this DVD is excellent, with a few other interesting special features.

Rating:
Summary: German Horror Classic Debuts On DVD.
Review: Paul Leni's WAXWORKS has taken its own sweet time in coming before the public in presentable form. This of course is not the film's fault. Now that it is here as part of a quartet of restored German Horror Classics, there is cause for much rejoicing. As is often the case with most anthology films the parts are greater than the whole. There are three episodes involving figures in a wax museum which are linked by the framing story of a writer writing about them. Are they scary? No, but at least one of them (IVAN THE TERRIBLE with Conrad Veidt) is genuinely disturbing while another (SPRING HEELED JACK with Werner Krauss) boasts the most expressionistic sets since CABINET OF DR CALIGARI (also in this set of four new releases from Kino International). The longest sequence features Emil Jannings in an Arabian Nights setting which is more comic in tone and surprisingly erotic thanks to Olga Belajeff who plays the romantic lead in all three stories. The male lead is William Dieterle who plays the writer. He would give up acting and become a major director in Hollywood during the 30's and 40's. This is the first time this film has ever looked this good. It was restored from two differnt prints and has been properly tinted. The accompanying piano score is effective especially in the IVAN sequence. WAXWORKS is not a great film but it is an important one. It is one of the first horror anthology films and boasts spectacular set designs for the three stories. While it won't scare you, it will entertain you and that is ultimately what it is all about. As mentioned earlier this is part of a quartet of silent German horror films newly restored and released on DVD. It can be purchased seperately but if you enjoy these type of films then spring for the whole package. In addition to NOSFERATU and CABINET OF DR CALIGARI, there is a striking new restoration of THE GOLEM.