Rating: 
Summary: Deliciously Forbidden
Review: ''L'Ecole de la Chair'' (School of Flesh), a candidly modern take on the search for intimacy, is the basis for a sensuous, sexy, and painfully passionate love affair between an older woman and a younger man. Dominique (Isabelle Huppert), a career-minded, well-off older woman meets Quentin (Vincent Martinez), a young street hustler with a mysterious background. From the start, and in spite of herself, Dominique responds to Quentin's obvious signs of interest, and they strike up a ''deal'': an affair, with no strings attached. Watch as these two beautifully sad beings duel for control and fight to entrap one another. Do they have a chance at love? I'll never tell! A subtle yet powerful movie, with characters you'll never forget. Quintessentially French in many ways, this is a fabulous dramatization of Yukio Mishima's Japanese novel (roughly translated as ''School of Love''), adapted to modern-day France. ''The School of Flesh'' will not be liked by everyone, of course, but if you're looking for a quiet, painstaking anatomy of the intricacies of heterosexual love, especially of the May-December variety, this is the movie for you. Buy it TODAY! This is a difficult DVD to locate. For movies that explore a similar topic with various settings and characters, also check out these movies: Indochine, Un Coeur en Hiver (A Heart in Winter), Nettoyage à sec (Dry Cleaning), Entre Nous (also with Isabelle Huppert).
Rating: 
Summary: More French Sexual Alienation!
Review: A beautifully crafted film. Isabelle Huppert's acting is stunning. Her tears seem so authentic and she is given a strong, 3-dimensional role in this one. The wonderful story of a relationship between a bisexual prostitute and a more mature woman. Was it doomed to fail? Probably. But was it real? Yep. A good film to get lost in.
Rating: 
Summary: Huh?
Review: First let me say that I am happy to see a movie for once that has an older woman falling for a younger man (such a rarity!). However, it seemed so sappy. Why is it that the older woman named Dominique, played by Isablelle Huppert, has to look so desperate to have a man to the point that she becomes completely dependent on her live-in lover, Quentin, and has him move into her apartment almost immediately after meeting him. In other movies, you never see the older man becaming a parasite to his young girlfriend, and tending to her every need like in this movie. This was obvious a movie written and directed by a man!
Rating:
Summary: school of flesh
Review: I enjoyed this film! An older woman falls for the passionate eyes of a young bartender. She becomes a prisoner of her desires for his love. The aloof, yet caring and secretive persona of the young gentleman only adds to the anquish she experiences as love emotionally tears at their identities. The plot has interesting twists and turns. A good departure from hollywood.
Rating:
Summary: school of flesh
Review: I enjoyed this film! An older woman falls for the passionate eyes of a young bartender. She becomes a prisoner of her desires for his love. The aloof, yet caring and secretive persona of the young gentleman only adds to the anquish she experiences as love emotionally tears at their identities. The plot has interesting twists and turns. A good departure from hollywood.
Rating:
Summary: Huh?
Review: Isabelle Huppert and Vincent Martinez are superbly cast as victims of co-dependence. School of Flesh inverts the older-man young-woman theme and flavors it with contemporary nuances. Here we have an affluent older woman who gets off on the power money afford her, and a younger ambitious young man who prostitutes himself in more ways than one. This is no doubt a moral tale, though thankfully the director allows the viewer to make up his own mind about who abuses and who is abused, who is good and who is bad. The final scene is devastating, perhaps the best I've seen of films in this genre. Also, Isabelle Huppert is stunning--you may fall in love with her.
Rating:
Summary: Intoxicating
Review: Isabelle Huppert and Vincent Martinez are superbly cast as victims of co-dependence. School of Flesh inverts the older-man young-woman theme and flavors it with contemporary nuances. Here we have an affluent older woman who gets off on the power money afford her, and a younger ambitious young man who prostitutes himself in more ways than one. This is no doubt a moral tale, though thankfully the director allows the viewer to make up his own mind about who abuses and who is abused, who is good and who is bad. The final scene is devastating, perhaps the best I've seen of films in this genre. Also, Isabelle Huppert is stunning--you may fall in love with her.
Rating:
Summary: Long Live Queen Isabelle!
Review: Isabelle Huppert is like one of those stars whose luminence never dims. She dominates every scene she steps into. And those characters she plays. Always strong women, who beneath their steely exteriors hide a million wounds. You never know where you will end up with her. In confusion. In a rage. In tears.The School of Flesh is no exception. It is all Huppert's feast with some tasty side-dishes as well. In it, she plays a confident and self-possessed doyen of the fashion industry, Dominque, who childless and partnerless, longs for somebody to love. While out with her girlfriend, they end up in a gay bar where Dominique's eyes rest upon the sexy bartender, Quentin(Vincent Martinez). Her gaze is surprisingly returned. In fact, the hunted soon turns on the hunter. Encouraged, Dominque, like a moth to the flame, returns to the source of her desire. Things start to roll and before she knows it, Quentin has moved in. With her invitation of course. A seemingly harmless arrangement. Dominique gets a sexy young lover, while Quentin gets financial and emotional security. But is there any real love between the two......or is it just a relationship of strict economics....need meeting need? Dominique begins to scratch the surface of her live-in lover's past and soon finds shaky ground. A fatherless family, an impoverished childhood, a prostitutional present and most of all, a disturbing emotional emptiness . Quentin uses sex to pay the bills and keep himself distanced from any true commitment, while Dominique is prepared to suffer any humiliation in order to keep her bed-treasure. She evens suffers the ultimate humiliation when Quentin elopes with a younger woman.
But Dominique's needs overpower her dignity.
She soons spirals down into emotional collapse, while Quentin's vanity blinds him. Oblivious to the pain he is causing, he misses out on the chance for real love. Dominque gives him everything and he appreciates none of it. School of Flesh is a cautionary tale about what happens when we seek to satisfy our desperate need for love and security at all costs. Even at the cost of dignity. This film coldly dissects the workings of a dependent relationship. The last scene when the ex-lovers meet anew is one of the best I've ever seen. Especially for those of us who've been there. Heartwrenching, you don't want to end like that, but deep down, you know it has to. As a modern fable, this film works. Sometimes though, it moves too quick with too much material......lots of little detours....Quentin's mother, fellow hustler friends, 'clients,' none of which really add anything to the story. Just there to tease you a bit. Or annoy. And confuse. But the film is kept on track by its trinity of characters. Huppert's intensity is the glue that holds it all together. Without it, the film would be all flash and lust. Martinez' laissez faire attitude and macho studliness provides the right contrast to Huppert's vulnerability. The third pillar, Chris, the bar-owning transvestite, intrigues with his oracle-like knowledge of Quentin's past. There's a subtle edge to him as if he were jealous of Dominque's treasure. A common past with Quentin is hinted at, but never developed. Overlooking these minor defects, School of Flesh is well worth sitting through, pondering over and experiencing. For Huppert fans and those in destructive relationships, it is a must see!
Rating:
Summary: Long Live Queen Isabelle!
Review: Isabelle Huppert is like one of those stars whose luminence never dims. She dominates every scene she steps into. And those characters she plays. Always strong women, who beneath their steely exteriors hide a million wounds. You never know where you will end up with her. In confusion. In a rage. In tears. The School of Flesh is no exception. It is all Huppert's feast with some tasty side-dishes as well. In it, she plays a confident and self-possessed doyen of the fashion industry, Dominque, who childless and partnerless, longs for somebody to love. While out with her girlfriend, they end up in a gay bar where Dominique's eyes rest upon the sexy bartender, Quentin(Vincent Martinez). Her gaze is surprisingly returned. In fact, the hunted soon turns on the hunter. Encouraged, Dominque, like a moth to the flame, returns to the source of her desire. Things start to roll and before she knows it, Quentin has moved in. With her invitation of course. A seemingly harmless arrangement. Dominique gets a sexy young lover, while Quentin gets financial and emotional security. But is there any real love between the two......or is it just a relationship of strict economics....need meeting need? Dominique begins to scratch the surface of her live-in lover's past and soon finds shaky ground. A fatherless family, an impoverished childhood, a prostitutional present and most of all, a disturbing emotional emptiness . Quentin uses sex to pay the bills and keep himself distanced from any true commitment, while Dominique is prepared to suffer any humiliation in order to keep her bed-treasure. She evens suffers the ultimate humiliation when Quentin elopes with a younger woman.
But Dominique's needs overpower her dignity.
She soons spirals down into emotional collapse, while Quentin's vanity blinds him. Oblivious to the pain he is causing, he misses out on the chance for real love. Dominque gives him everything and he appreciates none of it. School of Flesh is a cautionary tale about what happens when we seek to satisfy our desperate need for love and security at all costs. Even at the cost of dignity. This film coldly dissects the workings of a dependent relationship. The last scene when the ex-lovers meet anew is one of the best I've ever seen. Especially for those of us who've been there. Heartwrenching, you don't want to end like that, but deep down, you know it has to. As a modern fable, this film works. Sometimes though, it moves too quick with too much material......lots of little detours....Quentin's mother, fellow hustler friends, 'clients,' none of which really add anything to the story. Just there to tease you a bit. Or annoy. And confuse. But the film is kept on track by its trinity of characters. Huppert's intensity is the glue that holds it all together. Without it, the film would be all flash and lust. Martinez' laissez faire attitude and macho studliness provides the right contrast to Huppert's vulnerability. The third pillar, Chris, the bar-owning transvestite, intrigues with his oracle-like knowledge of Quentin's past. There's a subtle edge to him as if he were jealous of Dominque's treasure. A common past with Quentin is hinted at, but never developed. Overlooking these minor defects, School of Flesh is well worth sitting through, pondering over and experiencing. For Huppert fans and those in destructive relationships, it is a must see!
Rating:
Summary: "Love hasn't made you human."
Review: Isabelle Huppert seems to specialize in difficult roles, and "The School of Flesh" is yet another example of her superb and matchless talent. She seems to select and portray characters who are self-possessed, assured, and confident, but who willingly surrender a portion of that worldly layer to reveal the fragility and hunger lurking just beneath that icy surface. In "The School of Flesh," Dominque (Huppert) is a successful, independent Parisian clothing designer. She is single, and spends her evenings with friends. One night, she drifts into a gay bar and makes eye contact with a young male prostitute/thug named Quentin (Vincent Martinez) who has a sullen pouty look. The chemistry between the unlikely pair is noticed by Chris--a transvestite who hangs out in the bar. Chris--who may or may not be Quentin's pimp--encourages Dominque's pursuit of Quentin, and advises that it can be fun to pay for male company for a change. And so a relationship begins... Dominique has all the money and the social connections--while Quentin has youth and amorality on his side. Dominque imagines that money will simply remove any necessity Quentin may have to earn his own. So a power struggle ensues, and quickly becomes a game of destructive one-upmanship. "The School of Flesh" is about the power centre that exists in every relationship, and in this film the relationships show the nakedness of that power--the role of the pimp and the prostitute, the man who marries for money and the desire to have a "normal life," and the male prostitute who accepts a keeper--all these relationships illustrate the inevitability and futility of attempting to control the love object. The acting was superb--special attention to Vincent Landon as Chris who is really marvellous in this role. He is at once sympathetic and somewhat sinister.
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