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This Man Must Die

This Man Must Die

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Rating: 5 stars
Summary: A cerebral thriller of vengeance
Review: After a hit and run accident Charles Thenier (Michel Duchaussoy) loses his only son and he is determined to find and murder the perpetrator. In Charles's investigation he records every minute detail and notion that passes through his mind in regards to the death of his son in a small black journal with a red marker. However, the private investigation that Charles is running seems to come to an end as he watches with a discouraged mind all clues lead to nowhere, until by accident he comes across some information that leads him to the killer of his son. Calculated and determined Charles enters the world of the killer as he attempts to get as close as possible to carry out his vengeful plan. This Man Must Die is a cerebral thriller that is based on a novel by Nicholas Blake that Chabrol adapted brilliantly to a terrific cinematic creation. The suspenseful atmosphere that Chabrol creates is inescapable, as the audience can hear Charles's dark thoughts as he scribbles them down in his black journal, but cleverly Chabrol leaves something untold that will keep the audience in awe until the end.

Rating: 5 stars
Summary: A cerebral thriller of vengeance
Review: After a hit and run accident Charles Thenier (Michel Duchaussoy) loses his only son and he is determined to find and murder the perpetrator. In Charles's investigation he records every minute detail and notion that passes through his mind in regards to the death of his son in a small black journal with a red marker. However, the private investigation that Charles is running seems to come to an end as he watches with a discouraged mind all clues lead to nowhere, until by accident he comes across some information that leads him to the killer of his son. Calculated and determined Charles enters the world of the killer as he attempts to get as close as possible to carry out his vengeful plan. This Man Must Die is a cerebral thriller that is based on a novel by Nicholas Blake that Chabrol adapted brilliantly to a terrific cinematic creation. The suspenseful atmosphere that Chabrol creates is inescapable, as the audience can hear Charles's dark thoughts as he scribbles them down in his black journal, but cleverly Chabrol leaves something untold that will keep the audience in awe until the end.

Rating: 5 stars
Summary: Masterpiece of Chabrol's second phase
Review: Chabrol's name brings to mind two things, the French New Wave & Alfred Hitchcock. If you're looking for the New Wave side of the equation I would suggest Le Beau Serge, Les Cousins & Les Bonnes Femmes. All three early 60's New Wave masterpieces. By the late 60's however Chabrol was a different kind of film maker. This Man Must Die along with La Femme Infidele & Le Boucher are what might be considered the best films from Chabrol's second phase. Until his resurgence in the 90's with the Cesar winning La Ceremonie these three second phase films were also considered his last great films. La Femme Infidele, Le Boucher & This Man Must Die(under its French title Que la Bete Muere) have not been the easiest films to find but have now all been rereleased in March 2003.

This Man Must Die begins with a little boy walking back to his home from a day at the sea. As he crosses the desolate street in the seaside village near his home a speeding car hits and kills the young boy. The car never stops but speeds away from the scene. Slowly the villagers gather round the corpse and when the father arrives on the scene he screams with helpless rage. After a period of mourning he begins to plot his revenge. He plans to find, earn the trust and then kill whoever it was that killed his son. The plot is one of Chabrols best. Each phase of the fathers revenge is fascinating to watch. We get to follow the fathers investigations as he hunts down the murderer and at the same time we witness what effect this revenge has on his psychology. When he does finally find the murderer he befriends him/her as planned and is invited to spend a week at the murderers seaside estate. All along he wonders to himself if he will actually be able to commit murder but as he gets to know this murderer he finds he is a most despicable creature who bullys every one around him. Murder nonetheless is a complicated thing and Chabrol is the master of the plot twist so you can sit back and enjoy this knowing full well you are in the hands of a master.

Rating: 5 stars
Summary: By far the best film of Chabrol
Review: No other film deserves an intense analysis like this. The sense of revenge takes a unsuspected twist in this simple story. Finally you make your choice. This film is simply authentic. And even you don't agree with the rhytm of the story, you will obtain a redemption's sense in his mitological ending.

Rating: 4 stars
Summary: HE WILL
Review: THIS MAN MUST DIE (Que la Bête Meure) is a movie written and directed by French director Claude Chabrol in 1969. The film is about the revenge of a father looking for the hit-and-run driver who's killed his only son.

It's a pleasure to rediscover these Claude Chabrol movies of the late sixties-early seventies period. Often despised by those who swear only by the name of François Truffaut and Jean-Luc Godard when speaking of the french New Wave, Claude Chabrol deserves our utmost respect. Each of his films is the acid description of a slice, in the Balzacian meaning of the word, of the french society of his time.

Chabrol is an admirable storyteller with a caustic and perceptive mind. His actors and actresses don't have much to say, their behaviours and silences replacing for the best unnecessary lines of dialogs.

A DVD zone "tell me a story".

Rating: 4 stars
Summary: HE WILL
Review: THIS MAN MUST DIE (Que la Bête Meure) is a movie written and directed by French director Claude Chabrol in 1969. The film is about the revenge of a father looking for the hit-and-run driver who's killed his only son.

It's a pleasure to rediscover these Claude Chabrol movies of the late sixties-early seventies period. Often despised by those who swear only by the name of François Truffaut and Jean-Luc Godard when speaking of the french New Wave, Claude Chabrol deserves our utmost respect. Each of his films is the acid description of a slice, in the Balzacian meaning of the word, of the french society of his time.

Chabrol is an admirable storyteller with a caustic and perceptive mind. His actors and actresses don't have much to say, their behaviours and silences replacing for the best unnecessary lines of dialogs.

A DVD zone "tell me a story".


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