Rating: 
Summary: POWERFUL, INTENSE & HEART WRENCHING
Review: I'll be brief, 'cause I don't like to give too much away. This is superb filmaking. If you liked "Feast of July" then this one's for you. The story: an amazing study of racial tension and industrial unrest set in the Welsh Valleys of 1911. Perfect direction from Paul Morrison. Nia Roberts as Gaenor, and Ioan Gruffudd as Solomon are flawless, and the rest of the cast are in top form. The cinematography is breathtaking. Other films you just sit and watch...this one you will experience! Run, don't walk to see this excellent film. All else will pale by comparison.
Rating:
Summary: wonderful, simple, love story.
Review: If you are in the mood for a simple love story, and you will need the box of tissues for the end of the movie, this one is it. It's right up their with "Wuthering Heights", a tragic love story that has no happy ending. Wonderful movie.
Rating:
Summary: Touching and Fabulous, A Gem for Film Lovers
Review: If you are wondering if you should try this film, don't wonder, just get it. Solomon and Gaenor is a masterpiece. The first review from the reviewer from Utica is an excellent overall summary. What I want to add is that as a piece of film art, S&G is at the very top, rivaling the depth and impact of the greatest films of the past 50 years. I see about 50 new films a year, and this film is clearly the best I've seen in 2000, with a large gap between It and second place. The acting is top notch at all levels, right down to the smallest part. The real find is the new actress Nia Roberts, who lights up the screen in every frame she is in. A version of the Romeo and Juliet story set in 1911 Wales, it has the power of the Sharespeare play. Once this film finds its audience, I predict it will become a classic along the likes of Cinema Paradiso.
Rating:
Summary: Awe inspiring
Review: It takes a lot to make me cry. This was one of those films. Paul Morrison is an outstanding writer. You feel like you are there with Solomon & Gaenor. You feel their pain. You want Solomon to win out but you know it can only end one way. With Nia Roberts as Gaenor and Ioan Gruffudd as Solomon. Solomon is a change of pace for the Welsh actor after some of the other pieces he has done. He is more than up to the task, learning Yiddish for this role.
Rating: 
Summary: Solomon & Gaenor
Review: Set amidst mining strikes and anti-Jewish riots, Solomon & Gaenor paints a haunting picture of forbidden love against the harsh background of rural 1911 Wales Newcomer Ioan Gruffudd (Horatio Hornblower) is Solomon, a Jewish pacman (peddler) and Nia Roberts is Gaenor, a young Welsh chapel-going woman. Racial tensions divide this bleak coal-mining community, but for Solomon and Gaenor it's love at first sight. They meet while Solomon is making weekly door-to-door rounds selling fabric; Solomon, conscious of being a "Jew-boy" introduces himself to Gaenor as 'Sam Livingstone'. Writer-director Paul Morrison unearthed a history of Jews in the Welsh valleys while researching a television documentary about Jews in Britain entitled A Sense of Belonging. Morrison says he wanted to tell the story of Jews in Wales, saying nobody even knew they were there; that most Britons are unaware of it. Gaenor herself is completely unaware of Solomon's true identity, but she isn't completely blind. "You're different," she tells him after their lovemaking in a hayloft. "You're even different down *there*." Solomon is careful to hide his tallit (prayer shawl) from Gaenor, and later, when she wants to meet his family, he makes lame excuses about them being out of town or unwell. The film presents the period of the Great Unrest before the First World War harshly, depicting everyday life amongst rows of slate-roofed houses as one long grind of drudgery. The only colour to be found among the bleak landscape of grey houses, mud roads and miners grimed with coal dust is the swatch of red cotton Solomon leaves with Gaenor, saying, "It'd look lovely on you." She nervously declines; there is no extra money and a red dress is no good for chapel. "You wouldn't have the use of it," her mother says decisively. Without even knowing her name, Solomon works through the night to make Gaenor a dress of the same fabric. "Look at me," she says, shy and pleased. "What'll people think?" "They are not our people, is all. They are different," is the verdict of Solomon's grandfather. The film's real tragedy lies in the inability of both cultures to accept such a union, despite their common ground including the ability to recite the Old Testament verbatim. While the theme of the film is cultural coexistence, or lack thereof, much of Solomon & Gaenor is taken up with the story of young love. The lovers manage to meet secretly for a short while, but it isn't long before they're found out and Gaenor is denounced from the pulpit, charged with "fornicating with an outsider" by a jealous former suitor. Solomon's father tells him, "If you go with this girl, you are dead to us. We will say Kaddish over you," effectively disowning Solomon and grieving for him as if dead. Things could get worse, and they do: Gaenor is pregnant and anti-Jewish riots have spread from neighbouring towns to this one. Solomon keeps protesting "This isn't Russia," even as his family prepares to board up their shop and find a place to hide. There are no plot twists here: Morrison's story is a twentieth-century Romeo and Juliet, and just as moving in its tragic, inevitable conclusion. Excellent performances by Gruffudd and Roberts make this movie well worth watching. Solomon & Gaenor was nominated for Best Foreign Film in the 2000 Academy Awards.
Rating:
Summary: Solomon & Gaenor
Review: Some people say that love is without reason. For Solomon, the young and gentle Jewish packman, and Gaenor, the tender and obedient daughter of a Welsh miner family, the fated attraction between them began with a glimpse, a few words, and a red dress, which he was up all night and made for her. Some people say that love is innocent. Concealing his identity, he loved her no matter what gap might be in between them. Discovering his true self, she loved him for who he is. Some people say that love is transcendent. Their relationship was inevitably secularized by their religions and origins. At the end love was fulfilled beyond everything but life itself couldn't. This is a beautiful and tragic love story. But more than just a love story with romance and sentimentality, this film is an authentic portrayal of the cruel realities of barriers and bias between two families, or two cultures, so to speak. Ioan Gruffaudd and Nia Robert are excellent as Solomon and Gaenor. As much as Solomon's light personality and charming manner appeals Gaenor, Gaenor's womanhood and demureness attracts Solomon. He is deeply attached to Gaenor, while at the same time, he struggles to choose between his family and his love. This time "Hornblower" reveals his softer side and delivers the complexity of Solomon vividly. Nia Robert, with her fine artistry, brings unique strength to the character, which can be felt just from the expression of her eyes and her face. The music is beautiful. The camera depicts the story with simplicity and yet striking effectiveness. While the story of Solomon and Gaenor is sad, the sadder lies in the fact that nobody but their own families, people who loved them, was to blame for the tragedy. Although one may find the time and location of the story - 1911 Wales - remote, the story itself is but familiar even in the modern times. If only there were more understanding and respect among people no matter what they believe in and where they come from!
Rating:
Summary: Definately NOT a Feel-Good Movie
Review: The anticipation was absolutely killing me, so when I finally was able to purchase Solomon and Gaenor (for less than ...) I popped it in immediately. I'm a HUGE fan of Ioan Gruffudd and will go out of my way to see anything he's in. No matter what he's in I love it for the simple fact that he's starring in it. Solomon and Gaenor is likely the only exception to this rule. In fact, the film's only saving grace may very well be Ioan's performance. It's not a bad movie, but is very predictable and terribly depressing. Gaenor seemed very weak-sister to me and lacked the fire that a title character should have. Solomon was a little better but still very, what's the word, whiny. It truly breaks my heart to say bad things about one of Mr. Gruffudd's films, but this is absolutely not Horatio Hornblower. And if you go into this film expecting just that, you will be sorely disappointed. All in all, two stars for content is the best I can do for the film as a whole, but Ioan Gruffudd brings it up to four stars all together. You MUST be a hardcore Ioan Gruffudd fan to appreciate this film.
Rating: 
Summary: You call THIS a love story???
Review: The boy interest in this movie, Solomon, is so selfish and so immature, that near the end of the movie, when Gaenor's brother is literally beating Solomon to death, you actually find yourself cheering for the brother to keep on beating and kicking Solomon into a dusty bloody pulp.
I know this much: Here's what a love story is NOT: Immature teenagers illicitly rolling around in the hay together and then, when the moral payment for their actions comes due, behaving as self-centered teenagers must.
Unfortunately, that's all that comprises this attrocious, gallingly pretensious movie.
Rating:
Summary: Religious and Ethnic Bigotry Unfortunately Triumphs
Review: The story of "Solomon & Gaenor" revolves around a lower middle class area of Wales in 1911. World War I is merely three years away. Jews are barely tolerated by the marginally educated indigenous Protestant majority. The traditional Jewish values of hard work and intense love of learning increases their odds of upward mobility. This inevitably increases the bitterness and envy of the less than friendly fellow townspeople. Solomon (Ioan Gruffund) goes house to house selling fabric to the women folk. Eventually the young Semitic male knocks on the door of a miner family. Their daughter Gaenor (Nia Roberts) answers, and the couple are soon attracted to each other. Solomon knows that his Jewishness will be held against him. He therefore lies to Gaenor and tells her that his name is Sam. The mild deception works, and soon the two are lovers. They begin to make plans for the future, but Gaenor senses something is wrong because "Sam" is reluctant to meet her family. Solomon is only too aware that neither the Jewish and Protestant cultures are inclined toward blessing their union. He eventually visits Gaenor's home, and is at least grudgingly accepted by her parents. Her brother is intimidated by "Sam's" ability to read and write. Furthermore, the blue color worker is not thrilled that his sister's beau does not earn his living in an allegedly more masculine manner. Alas, the couple's erotic romps in the hay ultimately culminates in Gaenor's pregnancy. This is where the situation gets out of control. Gaenor is with child without the benefit of marriage during a time when illegitimacy is severely condemned. Public humiliation is only part of the price to be paid for such non sanctioned physical coupling. The truth about Solomon's actual ethnic heritage is finally discovered. Also, the Jewish social leaders and Solomon's immediate family reject the very idea of his marrying a goy female. Solomon is even threatened with being ostracized from his roots. Everything further deteriorates and the story ends tragically. One wonders how much has changed in 90 years. Are mixed marriages more accepted today in Wales? Was there ever a chance that the lovers could have found a more receptive secular sub-culture that would have embraced them as a couple? I'm glad the film's creators frankly confronted the bigotry on both sides of the ethnic chasm. The courage not to write in a happy ending must also be applauded. This is indeed not "Fiddler on the Roof!" It almost certainly cost them some ticket sales. "Solomon & Gaenor" is instead a beautiful work of art. I strongly urge you to see this movie, and allow it to challenge your possible hidden prejudices.
Rating: 
Summary: Good acting, but disappointing film
Review: This film was wonderfully acted, beautifully filmed, and certainly held my interest, but the predictability was also there. You knew that at least ONE of the leads would die in the other's arms and that the film would end depressingly. I also agree with the reviewer who did not buy the love story: it is true that these two young people seemed more like animals in heat than really in love, and I thought that the character of Solomon was dishonest from the beginning. He also abandoned Gaenor pretty quickly at first. I didn't really understand why he suddenly had to find her: was it love or that the big city life in Cardiff wasn't too fun for him? I would have rated the film higher if the love story had been more convincing and I hadn't found Solomon too be so weak and misleading. The prize of the film was the actress who played Gaenor. She was exceptional, and I loved hearing all of the Welsh spoken throughout.
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