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Rating: 
Summary: A mind to assess PD James
Review: "A Mind to Murder" is based on James' second (1963) novel, video-taped in 1996. Having never read her novels, but after repeated critical viewings of this and related TV productions, this reviewer reluctantly concludes that James' work is unfortunately not in the same league as that of other prominent mystery writers whose work has been moved to the small screen. James' major writing flaw is that she frequently (almost always?) begins with the key murder having taken place. With no well-considered and interesting introductory characterizations and interplay in advance of the main events, we never get to enjoy the delicious anticipatory speculation (like one gets in a Christie) as to who is going to "get it", when, and maybe even who's next and why? (But then Christie was a grand master of the art!) There is no opportunity to engage with the victim before the crime. We cannot witness in time sequence the suspect interactions: their sizzling and fascinating cross-dialog, their threats, their hates, their MOTIVATIONS, building up to the point of murder. Subsequent to the murder, no prior suspect characterizations exist upon which to build. There are no delicious denouements where scenes are replayed showing what "really happened." With James, what we get is nothing more than a dry formulaic recitation of the relationships and circumstances that lead to the murder, presented retrospectively in a series of boring, dull he-said-she-said talking head exchanges amongst Dalgliesh and a horde of strangers, including his assistants of the moment. With none of these can one even remotely identify. Hanging over all of this like a wet blanket is James' cold, impersonal style, best characterized in Roy Marsden's authoritarian (he-who-must-be-obeyed?) portrayal of Commander Adam Dalgliesh - Metropolitan Police, who is such an arrogant cold-fish as to completely dispel any empathy viewers could ever possibly develop. He may as well be another victim stretched out on that morgue slab. For someone posing as an expert in murder solving, Dalgliesh is NOT an investigative detective (or lawyer) in the Poirot, Holmes, Dr. Bell, Barnaby, Cadfael, Foyle, Lord Peter Wimsey, (or certainly not Perry Mason) tradition. When asked by an assistant why a particular murder occurred, he says (Chapter 8) "Why is not the here nor there. If we find the how, we'll find the who." Dalgliesh's sentiment is not new or isolated, but his personal modus operandi (and apparently James' raisonneur), expressed in other episodes as well! Thus, Dalgliesh says, MOTIVE IS OF NO CONSEQUENCE IN SOLVING MURDERS! (But note even he, kicking and screaming, cannot escape reality at times.) Such sentiments put Dalgliesh completely outside the panoply of great investigative detectives. He is the diametrical opposite of the above-named great ones, being first and foremost a police officer. Indeed, visions of Police Lieutenant Tragg of Homicide come to mind, but without Tragg's engagingly smirky wit. And even Tragg was ALWAYS interested in MOTIVE, though the wrong motive! (And why aren't these Perry Mason episodes on DVD? This reviewer will take one really good Perry Mason over ten James productions any day.) After watching these other classic series, then watching one of James', the regression in story quality is striking. The video image on this DVD is surprisingly sharp and free of grain, though perhaps a bit on the dark side. The audio, a major concern in this series, is clear and largely free of distracting background noise. Reluctantly NOT recommended unless you are a completist.
Rating:
Summary: A mind to assess PD James
Review: "A Mind to Murder" is based on James' second (1963) novel, video-taped in 1996. Having never read her novels, but after repeated critical viewings of this and related TV productions, this reviewer reluctantly concludes that James' work is unfortunately not in the same league as that of other prominent mystery writers whose work has been moved to the small screen. James' major writing flaw is that she frequently (almost always?) begins with the key murder having taken place. With no well-considered and interesting introductory characterizations and interplay in advance of the main events, we never get to enjoy the delicious anticipatory speculation (like one gets in a Christie) as to who is going to "get it", when, and maybe even who's next and why? (But then Christie was a grand master of the art!) There is no opportunity to engage with the victim before the crime. We cannot witness in time sequence the suspect interactions: their sizzling and fascinating cross-dialog, their threats, their hates, their MOTIVATIONS, building up to the point of murder. Subsequent to the murder, no prior suspect characterizations exist upon which to build. There are no delicious denouements where scenes are replayed showing what "really happened." With James, what we get is nothing more than a dry formulaic recitation of the relationships and circumstances that lead to the murder, presented retrospectively in a series of boring, dull he-said-she-said talking head exchanges amongst Dalgliesh and a horde of strangers, including his assistants of the moment. With none of these can one even remotely identify. Hanging over all of this like a wet blanket is James' cold, impersonal style, best characterized in Roy Marsden's authoritarian (he-who-must-be-obeyed?) portrayal of Commander Adam Dalgliesh - Metropolitan Police, who is such an arrogant cold-fish as to completely dispel any empathy viewers could ever possibly develop. He may as well be another victim stretched out on that morgue slab. For someone posing as an expert in murder solving, Dalgliesh is NOT an investigative detective (or lawyer) in the Poirot, Holmes, Dr. Bell, Barnaby, Cadfael, Foyle, Lord Peter Wimsey, (or certainly not Perry Mason) tradition. When asked by an assistant why a particular murder occurred, he says (Chapter 8) "Why is not the here nor there. If we find the how, we'll find the who." Dalgliesh's sentiment is not new or isolated, but his personal modus operandi (and apparently James' raisonneur), expressed in other episodes as well! Thus, Dalgliesh says, MOTIVE IS OF NO CONSEQUENCE IN SOLVING MURDERS! (But note even he, kicking and screaming, cannot escape reality at times.) Such sentiments put Dalgliesh completely outside the panoply of great investigative detectives. He is the diametrical opposite of the above-named great ones, being first and foremost a police officer. Indeed, visions of Police Lieutenant Tragg of Homicide come to mind, but without Tragg's engagingly smirky wit. And even Tragg was ALWAYS interested in MOTIVE, though the wrong motive! (And why aren't these Perry Mason episodes on DVD? This reviewer will take one really good Perry Mason over ten James productions any day.) After watching these other classic series, then watching one of James', the regression in story quality is striking. The video image on this DVD is surprisingly sharp and free of grain, though perhaps a bit on the dark side. The audio, a major concern in this series, is clear and largely free of distracting background noise. Reluctantly NOT recommended unless you are a completist.
Rating: 
Summary: A powerful story of mind games as well as murder!
Review: One interesting fact about this video, is that no writing credits are given for the adaption of P D James book that this is based on. Viewers should not expect this adaptation to be a faithful reproduction of the original. Even the murderer is different! But I'm not going to tell the prospective buyer who it is, so they will need to buy it and find out for themselves. Having stated these facts, I still found this video an excellent and enjoyable experience. As expected, Roy Marsden again puts in another solid performance and portrays Dalgliesh as no other actor can. The supporting cast is top class, with Cal Macaninch giving a wonderful performance of a highly disturbed young man. The murder victim, has no friends and lots of enemies. The Steen Clinic for the emotionally disturbed, depressed, alcoholic clients, and its staff all have the potential for a 'A Mind to Murder' and Dalgliesh is handed the unenviable task of trying to find the culprit. The final scene has the potential to submerge the viewers and leave them literally breathless. An excellent production, full of intrigue, pathos, and of course the action packed, unusual conclusion.
Rating:
Summary: A powerful story of mind games as well as murder!
Review: One interesting fact about this video, is that no writing credits are given for the adaption of P D James book that this is based on. Viewers should not expect this adaptation to be a faithful reproduction of the original. Even the murderer is different! But I'm not going to tell the prospective buyer who it is, so they will need to buy it and find out for themselves. Having stated these facts, I still found this video an excellent and enjoyable experience. As expected, Roy Marsden again puts in another solid performance and portrays Dalgliesh as no other actor can. The supporting cast is top class, with Cal Macaninch giving a wonderful performance of a highly disturbed young man. The murder victim, has no friends and lots of enemies. The Steen Clinic for the emotionally disturbed, depressed, alcoholic clients, and its staff all have the potential for a 'A Mind to Murder' and Dalgliesh is handed the unenviable task of trying to find the culprit. The final scene has the potential to submerge the viewers and leave them literally breathless. An excellent production, full of intrigue, pathos, and of course the action packed, unusual conclusion.
Rating: 
Summary: "Your personal feelings are irrelevant."
Review: Scotland Yard Commander Adam Dalgliesh (Roy Marsden) is ordered to investigate the murder of an employee which occurs at the prestigious Steen Clinic. The clinic caters to the wealthy and the privileged, and houses both those with chemical dependencies and those with serious mental problems. With a handful of brittle suspects, Dalgliesh tries to solve the crime. He's hampered in his efforts by superiors who clearly want the case wrapped up as quietly and as quickly as possible.
"A Mind to Murder" is one of the least satisfying Dalgliesh mysteries, and this is mainly due to the plot. This made for television film begins with a tragic event, and then moves onto the seemingly unconnected murder at the Steen Clinic. The plot contains several holes, which are never explained to one's satisfaction. Another problem with the plot is its setting--a clinic full of troubled patients very quickly boils down to one suspect, and while this character's acting is good, the character's problem itself seems a little too blatant and simplified for my tastes. "A Mind to Murder"--based on a P.D. James novel-- at 101 minutes is also considerably shorter than most of the other Dalgliesh mysteries. The tangled truth at the bottom of all the disruption at the clinic is vastly interesting, and it certainly raises some questions for discussion, but "A Mind to Murder" does not possess the quality of other Dalgliesh mysteries. Ultimately, some aspects of the film seem somewhat hurried, and the over-the-top ending is a bit silly. If you're a newcomer to Dalgliesh, I recommend starting with another, more enjoyable episode first--displacedhuman
Rating: 
Summary: Thought-provoking tale with excellent performances
Review: Since 1983, fans of P.D. James have relished the sumptuous TV adaptations of the mystery author's complex detective novels. For the most part, the books have been shepherded to the small screen with great care, and the casting of actor Roy Marden as Scotland Yard Commander Adam Dalgliesh has been seen as nothing less than a masterstroke. The one complaint that could be leveled against the producers is the seemingly random order in which the books have been filmed. A Mind To Murder, James' second Dalgliesh novel, was the eighth adaptation for television in 1996. This trend has played more than a little havoc with the chronology and character development laid down on the printed page. A Mind To Murder underwent more changes from page to screen than any previous adaptation, but remains gripping and thought-provoking taken on its own merits. Once again, Roy Marsden assumes the mantle of the poetry-writing, introspective Dalgliesh, and his performance here is riveting and intense as usual. This is no ordinary investigation, as events in the story will affect him personally on several levels. The tense opening scene sees Dalgliesh lose a young member of his team in a hostage crisis. Three months later, he and his team are dispatched to the remote Steen Clinic to invesigate a murder, an odd assignment considered they are the Metropolitan Police. Dalgliesh will learn the reason for this assignment, and stumble across some unnerving secrets relating to the death of his colleague earlier in the tale - secrets that lay submerged within the stated function of the clinic, which is to treat the addictions and depressions of the rich and the powerful... The members of the large cast are all marvelous, and the production values are extremely high. As a James fan, I usually enjoy the adaptations, and tend to balk at overt changes made from the printed page. In this instance, though, my grumbles are minor thanks to the strength of the performances and some neat little flourishes which add zest to the proceedings. Dark and fascinating.
Rating:
Summary: Thought-provoking tale with excellent performances
Review: Since 1983, fans of P.D. James have relished the sumptuous TV adaptations of the mystery author's complex detective novels. For the most part, the books have been shepherded to the small screen with great care, and the casting of actor Roy Marden as Scotland Yard Commander Adam Dalgliesh has been seen as nothing less than a masterstroke. The one complaint that could be leveled against the producers is the seemingly random order in which the books have been filmed. A Mind To Murder, James' second Dalgliesh novel, was the eighth adaptation for television in 1996. This trend has played more than a little havoc with the chronology and character development laid down on the printed page. A Mind To Murder underwent more changes from page to screen than any previous adaptation, but remains gripping and thought-provoking taken on its own merits. Once again, Roy Marsden assumes the mantle of the poetry-writing, introspective Dalgliesh, and his performance here is riveting and intense as usual. This is no ordinary investigation, as events in the story will affect him personally on several levels. The tense opening scene sees Dalgliesh lose a young member of his team in a hostage crisis. Three months later, he and his team are dispatched to the remote Steen Clinic to invesigate a murder, an odd assignment considered they are the Metropolitan Police. Dalgliesh will learn the reason for this assignment, and stumble across some unnerving secrets relating to the death of his colleague earlier in the tale - secrets that lay submerged within the stated function of the clinic, which is to treat the addictions and depressions of the rich and the powerful... The members of the large cast are all marvelous, and the production values are extremely high. As a James fan, I usually enjoy the adaptations, and tend to balk at overt changes made from the printed page. In this instance, though, my grumbles are minor thanks to the strength of the performances and some neat little flourishes which add zest to the proceedings. Dark and fascinating.
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