Tell Me Something

Rating:
Summary: One of the best horror films to come out of Asia
Review: This is a slick and scary movie. It has a great story, beautiful cinematography, and some serious scares. It begins a bit over the top, but it soon settles into being something even more unsettling than just in your face gore. It is very worth watching and easily compares to anything that has come out of Hollywood. If you like giallo or edgy thrillers, this is a great film to check out.

Rating:
Summary: O the Irony
Review: This movie was not scary or really that suspenseful. But the storyline is not overused as most are in America and had a lot of twists in it.

Rating:
Summary: Lit in Dark Rooms
Review: Well everytime I see a foreign film with subtitles I think, "I should learn many languages and become an adept and cultured sentient." Then I realize that I eat cheesedogs and enjoy them, I hate finery and am a bi-product of a miscalculated selfless love. That aside, I also think that things like beauty and the advancement of the senses do not occur in public spaces. Most things of such a caliber are lit in dark rooms and by people of private persuasions. But that has nothing to do with the movie.

It's about a serial killer who uses precision moves to foil capture and to befuddle the police, although in a straight-forward manner that also gives very much away. In other words the carrot is dangled out for a sniff, like in a Bugs Bunnyesque thriller, protruding from the groundhole, but whose carrot is it Sherlock? Bizzario's! Jah. You know how these things go. I won't give anything away, but suggest that if you have patience enough for subtitles and lite gore you will enjoy this dark-set film. The only question it left me afterwards was why in Asian films is it frequently downpouring rain? Must be H.A.A.R.P. Always believe in the conspiracy.

Rating:
Summary: Lit in Dark Rooms
Review: Well everytime I see a foreign film with subtitles I think, "I should learn many languages and become an adept and cultured sentient." Then I realize that I eat cheesedogs and enjoy them, I hate finery and am a bi-product of a miscalculated selfless love. That aside, I also think that things like beauty and the advancement of the senses do not occur in public spaces. Most things of such a caliber are lit in dark rooms and by people of private persuasions. But that has nothing to do with the movie.

It's about a serial killer who uses precision moves to foil capture and to befuddle the police, although in a straight-forward manner that also gives very much away. In other words the carrot is dangled out for a sniff, like in a Bugs Bunnyesque thriller, protruding from the groundhole, but whose carrot is it Sherlock? Bizzario's! Jah. You know how these things go. I won't give anything away, but suggest that if you have patience enough for subtitles and lite gore you will enjoy this dark-set film. The only question it left me afterwards was why in Asian films is it frequently downpouring rain? Must be H.A.A.R.P. Always believe in the conspiracy.