Home :: DVD :: Action & Adventure :: Series & Sequels  

Animal Action
Blackmail, Murder & Mayhem
Blaxploitation
Classics
Comic Action
Crime
Cult Classics
Disaster Films
Espionage
Futuristic
General
Hong Kong Action
Jungle Action
Kids & Teens
Martial Arts
Military & War
Romantic Adventure
Science Fiction
Sea Adventure
Series & Sequels

Superheroes
Swashbucklers
Television
Thrillers
Shaft/Shaft in Africa

Shaft/Shaft in Africa

List Price: $19.92
Your Price: $17.93
Product Info Reviews

Features:
  • Color


Description:

Shaft
Gordon Parks (The Learning Tree) directed this 1971 detective story about John Shaft (Richard Roundtree), an African American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Parks seems fond of certain detective genre clichés (for example, the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft had a couple of sequels and a follow-up television series, but none had the impact that this movie did. --Tom Keogh

Shaft in Africa
The second sequel to the hit Shaft foreshadows itself early on when Shaft, asked to go undercover in Africa to halt modern-day slave trade, claims that he's not James Bond but strictly Sam Spade. Bond, however, is the operative model here, with John Shaft masquerading as an Ethiopian to infiltrate the slave business and bring it down. Yet everyone he encounters seems to know who he is and wants to kill him--but the string of dead bodies he leaves in his wake across two continents proves that no one is able to stop everyone's favorite hip private eye. Written by Stirling Silliphant, the film is long on action set pieces that are filmed with more energy than in Shaft's Big Score. Given contemporary practices involving smugglers of illegal Chinese and Mexican immigrants, the plot isn't all that far-fetched. Roundtree, as usual, is the picture of unflappable cool--but don't get him mad. --Marshall Fine

© 2004, ReviewFocus or its affiliates