Orchard On Fire: A Novel

Rating:
Summary: remembrance of things past
Review: If you are a female child born in the late 50's in South London, as I was, and if you also spent your young life in Kent, as I did, you will understand the mastery of this novel. I have never read anything which recalls this time and place in such a way that can only be described as 'Proustian'. The novel, 'The Orchard On Fire'has a particular 'smell' and 'truth' I have only experienced before in the novel, 'Wise Children' by Angela Carter. Fantastic and wonderful. Bless you Shena Mackay and thank you.

Rating:
Summary: A Glorious, Heady Plunge Into Childhood
Review: In my opinion, this is Shena MacKay's best novel. In Coronation Year, Betty and Percy Harlency, with their small daughter, April, move from London to a small village in Kent called Stonebridge, to take over The Copper Kettle Tearoom. The Copper Kettle is a charming, but not financially prosperous, establishment.

When April meets the tomboyish, fiery, ginger-haired Ruby, their friendship is instantly sealed. The girls are staunch allies who conspire together in every way possible. Their secret signal is the "lone cry of the peewit;" their hideaway is a railway carriage where they are continually up to mischief. When the two girls finally manage to pry open the door of the carriage they stand and gaze "in the smell of trapped time."

It is this smell of trapped time, this nostalgia for the emotions of the past, that The Orchard on Fire conjures so expertly. MacKay is reminiscent of Proust in this extraordinarily evocative novel and we feel intimately connected to April and to her emotional life. MacKay, usually a brilliant writer, excels in The Orchard on Fire and we can hear the buzz of the insects and the bluebottles, smell the overgrown weeds and the lush summer grass and picture the family's new home at The Copper Kettle.

The small English village where April lives is a bit unconventional as are April's parents; the duo are unlikely political radicals and MacKay manages to introduce a Bohemian element into the story in the gentle, pretentious artist characters of Bobs Rix and Dittany Codrington, who is "like the Willow Fairy in Fairies of the Trees by Cicely Mary Barker."

One of the best sections of this wonderfully-written book comes when The Copper Kettle is chosen to host a weekend party for Bobs and Dittany and their artist friends. For a time, Stonebridge is awash in fairy lights and the pink glow of nostalgia.

Although some may dismiss The Orchard on Fire as overly-sentimental, it is nothing but. Child abuse plays a part is this masterfully-written story as does sexual perversion, bringing to mind scenes of Pip in Great Expectations. We become deeply immersed in April's world, and in her fears and expectations, most particularly her horror at losing a cherished Christmas present.

Although this novel tells us more of April then just her childhood, it is childhood that is most strongly evoked in all of its trouble and all of its glory. The adult April is but a shadow of the child April and we, who grew up with her, know why.

The Orchard on Fire is Shena MacKay at her finest and one of the most wonderful and atmospheric books I have ever read. It is a glorious, heady plunge into the world of childhood that will never be forgotten.

Rating:
Summary: charming but plotless
Review: Memories of a year of childhood, told in the first person but presented as a novel. The incidents forming the bulk of the book are framed by a narrative in which the adult author goes back to the village where she was raised. These incidents are often dramatic or amusing but they are separate stories and do not cohere to form a conventional plot. The book would have been better as a straight non-fiction memoir. The writing is often graceful but sometimes tends to the seed catalog school of fancy prose e.g. " a sky as pale blue as the scabious that grows with fragile poppies and the scarlet pimpernel sprawling over the marled furrows." I enjoyed it, but I had recently read Trezza Azzopardi's "The Hiding Place" and after the impact of that masterpiece of remembered childhood this suffered by comparison.

Rating:
Summary: Childhood revisited
Review: The characters in this story are what makes it so successful, especially April and Ruby two eight year old girls who are a perfect match for each other. The innocence of April and Ruby's daring wildness remind me of what a childhood experience is all about. I had wished that April revealed Mr. Greenidge's advances but was relieved that he wasn't cruel, unlike Ruby's parents however, who should have been reported long before they were. The reminiscences in the last chapter were a powerful reminder of how tied we are to our pasts. It is true that we "...purchase pieces of our lives..." at rummage sales but how else do we hang on to the past and share the dreams of others?

Rating:
Summary: A fascinating book about fascinating girls
Review: The Orchard on Fire is one of the most touching books I read lately. At first I was hesitant because of its rather simple language. But then I started to recognize that it is the language of the girls living in a world they do not quite understand. This contraction of experiencing life without wholly understanding what is going on is it what makes the book so exceptional. I am just looking forward to MacKays next novel.

Rating:
Summary: Less is more
Review: The power of this story is all in the telling; behind the ingenuous narrator, twelve-year-old April, the implied author stands in the beautifully realized shadows, and so orders the narrative that the reader is offered the ultimate compliment of creating his/her own perception of ultimate meaning. The characterizations, like the threads of experience, are rendered all the more powerfully convincing through economy; selective detail allows the reader's imagination full rein. I found myself deeply moved by the plight of all children under threat, whatever form the abuse may take, and comforted by the compassion of the creator. She writes like other well-loved novelists of mine, such as Penelope Lively and Anita Brookner;like them she engages me in enlightening reflection.

Rating:
Summary: Less is more
Review: The power of this story is all in the telling; behind the ingenuous narrator, twelve-year-old April, the implied author stands in the beautifully realized shadows, and so orders the narrative that the reader is offered the ultimate compliment of creating his/her own perception of ultimate meaning. The characterizations, like the threads of experience, are rendered all the more powerfully convincing through economy; selective detail allows the reader's imagination full rein. I found myself deeply moved by the plight of all children under threat, whatever form the abuse may take, and comforted by the compassion of the creator. She writes like other well-loved novelists of mine, such as Penelope Lively and Anita Brookner;like them she engages me in enlightening reflection.