Rating: 
Summary: Balm for the soul
Review: Perhaps the finest example of the type known as a "local colorist", this quiet book radiates peace, tranquility, warmth, and, at least implicitly, small town values. While the stories are sequential (at least in the work proper - this edition also includes some first-person narratives that fit contextually, but are actually outside the body of the original work) - and unified (all take place in a small portion of Maine, and takes place over the course of one summer), there's no real overlying plot or climax to the book, and blessed little action. Instead, the reader is treated to a few relaxing months in the country, with nothing to do but listen to the crash of the surf, breathe in the pungent smell of the herb garden, and enjoy the nodding conversations of the sparsely-drawn and just-sufficiently-colorful locals. Beloved and respected relatives abound, and one of the add-on stories even compasses a wedding. No stress, no worries, and no problems to solve - this is a book that could help one get to sleep on some too-tense evening. Of course if you're hoping for something a little more from a book, best look elsewhere. There's really nothing more than light, quiet entertainment here, but it's of such a refined and delightful quality as one rarely finds in the literary canon. As such, women will probably enjoy this book more than men, and mature readers will probably appreciate it more than young people. But when you've had enough excitement, and the toils of your savage work day are weighing heavily on you, don't forget that Mrs. Todd will still have a spare room waiting for you in her quiet New England home.
Rating: 
Summary: No plot and no action, but plenty of relaxing local color
Review: Perhaps the finest example of the type known as a "local colorist", this quiet book radiates peace, tranquility, warmth, and, at least implicitly, small town values. While the stories are sequential (at least in the work proper - this edition also includes some first-person narratives that fit contextually, but are actually outside the body of the original work) - and unified (all take place in a small portion of Maine, and takes place over the course of one summer), there's no real overlying plot or climax to the book, and blessed little action. Instead, the reader is treated to a few relaxing months in the country, with nothing to do but listen to the crash of the surf, breathe in the pungent smell of the herb garden, and enjoy the nodding conversations of the sparsely-drawn and just-sufficiently-colorful locals. Beloved and respected relatives abound, and one of the add-on stories even compasses a wedding. No stress, no worries, and no problems to solve - this is a book that could help one get to sleep on some too-tense evening. Of course if you're hoping for something a little more from a book, best look elsewhere. There's really nothing more than light, quiet entertainment here, but it's of such a refined and delightful quality as one rarely finds in the literary canon. As such, women will probably enjoy this book more than men, and mature readers will probably appreciate it more than young people. But when you've had enough excitement, and the toils of your savage work day are weighing heavily on you, don't forget that Mrs. Todd will still have a spare room waiting for you in her quiet New England home.
Rating:
Summary: This book brought me peace from start to finish
Review: Sarah Orne Jewett keeps her readers interested from page to page, not through action and adventure, but through intellectual conversation. Usually I would not have picked up The Country of the Pointed Firs, because nine out of ten of the books that I read contain constant action sequences from one page to the next. Although after reading this book from beginning to end, I began to understand the characters in the book and could relate to the peaceful community that they belonged to. The narrator brings us into her everyday peaceful life through the emotion and laid-back style that she puts into every description. The narrator's love for nature helps us to understand New England as she sees it. She helps all of us "city people" to accept New England for what it is, paradise. The narrator, with the help of Mrs. Todd, Mrs. Todd's mother, and William, help give the reader some background and history of New England specifically Maine where they live. The small part that I enjoyed most though, was the narrator's discussion with the old and wise Captain Littlepage. His description of the island that he had visited while he was out at sea brought a very mysterious feeling to the book. I was upset to find out that this was where the mystery ended. I also enjoyed Jewett's ability to describe some of the close and personal family relationships in the story. At times I felt like I knew the entire life story of all the characters in the story. All in all I really enjoyed the book. I do not recommend it to a younger crowd, but I know all old and young adults will enjoy it as I did. Sarah Orne Jewett has created a masterpiece that will last for years to come.
Rating: 
Summary: Conceivably, a Wise Tale
Review: Sarah Orne Jewett, through cloudless vision into the souls of her characters and deep connection of their relationship with nature, lures the unwilling to her sanctuary. Captain Littlepage, who identifies with the sea for example, is drawn out through his mysterious stories of voyages. Mrs. Todd finds peace and fulfillment in healing herbs and hospitality. Joannah exists on an isolated island a reader is able to feel that they know. As one customer commented, "personalities are shaped and distilled into persons of real character" ("a short story collection centered around the people of Maine"). A sense of genuine devotion the people of the close knit community share for each other is certainly captured in Jewett's chronicles. William's repeated abandonment of his inhibitions is a model of the tenderness exposed throughout the tale. "The Country of the Pointed Firs" is a story that deserves respect and commendation for it's gentle picturesque style that relates so appropriately with common people Jewett illustrates in a different light.Still, valid criticism is generated by our action-based, youth-oriented society where quietly unfolding "wisdom" ("Old Time Country Charmer") has little opportunity to gain appreciation. If you're looking for action, you won't find it here. Nor will you travel through the thoughts of complex, fascinating characters. It is far from surprising that not all readers want to be removed from the high-paced world in which most of us take part. Maybe "The Country of the Pointed Firs" remains uninviting to youth because such a generation does not want to take part in the details of a story that describes an unrecognized fear: aging. This is truly a work that will be what is brought to it. Older people might have a more mature sense of the beauty and peace that could come from a stop to smell Jewett's roses.
Rating:
Summary: True Masterpiece
Review: The Country of the Pointed Firs by Sarah Orne Jewett is a masterpiece of world fiction. True, nothing much happens in this novel. It is just a series of sketches about regular people in New England in the Nineteenth Century living out their daily lives. But in that simplicity lies the real beauty of the novel; Jewett finds beauty and meaning in the "small" happenings of "small" lives. The characterizations in this novel are delicate and well-developed. The prose is extremely clean and readable. The overall picture of the life in the village is magnificent. People from small towns (like myself) will certainly enjoy it the most. The Country of the Pointed Firs is a fantastic novel which ought to be read more often. It is rare to find a novel that creates such an epic scale by just looking through a small scope.
Rating:
Summary: Short, dull but very readable
Review: The Country of the Pointed Firs is definitely a book that should be read when there is time on your hands. It can be read quickly, but it will not be appreciated as it should be. It is a book that definitely does not go quickly, but it is not one that is lacking in incomparable descriptions and peaceful concoctions. As a reader, I definitely was not drawn in by the artistic writing of the author, but it did help in continuing the reading. One reader states in her review that "Sarah Orne Jewitt draws the reader into The Country of the Pointed Firs with scenic descriptions, honest characters, and conversations written with true dialect and emotion." The scenic descriptions, honest characters and dialectical dialogue were an asset of the work in which I enjoyed very much. They depict the style of life that was lived during that time. The intricate detail that the narrator uses to describe life in Maine and to describe the people that she came in contact with was not overdone as some people described. One review stated that "Each person...seems to find satisfaction in his or her life's course...." I completely disagree with this critiques statement in that I see the narrator portraying the characters in a lonely light. She describes them as if they have all been defeated in some way by love. This is portrayed vividly through the narrator's description of Mrs. Todd in Where Pennyroyal Grew. Mrs. Todd speaks about her long-lost husband and the other man whom she really loved; yet he never knew. The narrator writes, "An absolute, archaic grief possessed this country-woman; she seemed like a renewal of some historic soul, with her sorrows and the remoteness of a daily life busied with rustic simplicities and the scent of primeval herbs" (48). This is also portrayed in the story of Poor Joanna and when she speaks of Mr. Elijah Tilley. The Country of the Pointed Firs speaks of finding fulfillment in a life where loneliness is the human condition. It is a very uniquely simplistic depiction of the everyday life in a peacefully fulfilling place.
Rating:
Summary: "Une oeuvre sur rien" - Uniquely simplistic
Review: The Country of the Pointed Firs is definitely a book that should be read when there is time on your hands. It can be read quickly, but it will not be appreciated as it should be. It is a book that definitely does not go quickly, but it is not one that is lacking in incomparable descriptions and peaceful concoctions. As a reader, I definitely was not drawn in by the artistic writing of the author, but it did help in continuing the reading. One reader states in her review that "Sarah Orne Jewitt draws the reader into The Country of the Pointed Firs with scenic descriptions, honest characters, and conversations written with true dialect and emotion." The scenic descriptions, honest characters and dialectical dialogue were an asset of the work in which I enjoyed very much. They depict the style of life that was lived during that time. The intricate detail that the narrator uses to describe life in Maine and to describe the people that she came in contact with was not overdone as some people described. One review stated that "Each person...seems to find satisfaction in his or her life's course...." I completely disagree with this critiques statement in that I see the narrator portraying the characters in a lonely light. She describes them as if they have all been defeated in some way by love. This is portrayed vividly through the narrator's description of Mrs. Todd in Where Pennyroyal Grew. Mrs. Todd speaks about her long-lost husband and the other man whom she really loved; yet he never knew. The narrator writes, "An absolute, archaic grief possessed this country-woman; she seemed like a renewal of some historic soul, with her sorrows and the remoteness of a daily life busied with rustic simplicities and the scent of primeval herbs" (48). This is also portrayed in the story of Poor Joanna and when she speaks of Mr. Elijah Tilley. The Country of the Pointed Firs speaks of finding fulfillment in a life where loneliness is the human condition. It is a very uniquely simplistic depiction of the everyday life in a peacefully fulfilling place.
Rating: 
Summary: If this book is the last one in the world, DON'T READ IT!
Review: This book was a requirement for an AP American Novels class. It was recommended by a past teacher at our school who loved it. The whole class, including the teacher, thought that it was a complete waste of time; and that we lost a valuable week in our lives by reading this book. It has no plot and introduces new characters that have nothing to do with anyone else in the story. If this is the only book to survive a library fire, then the whole fire was in vain!
Rating:
Summary: 19th Century New England Countryside
Review: This is a delightful little book filled with memorable characters from a bygone era. It's really a series of sketches which lacks a strong plot, but it evokes an incredibly vivid sense of place that was throroughly enchanting. A must read if you interested in 19 C female authors
Rating:
Summary: So simple, and yet so powerful.
Review: Willa Cather, a friend and protege of Sarah Orne Jewett, ranked The Country of the Pointed Firs along with Huckleberry Finn and The Scarlet Letter as the American work of fiction most likely to be acknowledged by posterity as an immortal masterpiece. While readers can easily quibble with Cather's top choices, it is easy to see that The Country of the Pointed Firs is a masterpiece--though perhaps not one for every taste. The leisurely, closely detailed novella has an unnamed narrator who describes her two summers living among the kindly, easygoing residents of Dunnett's Landing, a seaside town in Maine. It begins with an offstage funeral and ends with an offstage wedding, and very little in the conventional sense happens in the book--herb gathering, visits to neighbors, a reunion of mostly elderly family members. Very little happens--and yet the reader gets an overwhelming sense of the ties of love and gratitude that bind people on earth, as well as a keen, poignant apprehension of the passage of time and the finiteness of existence. It is somewhat reminiscent of "Our Town," but The Country of the Pointed Firs is the more profound work of art. This meditative little book could probably not be appreciated fully by any reader under the age of 40. Yet for the right kind of reader, it has a power and poignancy that outstrips its minuscule size.
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