Peppe the Lamplighter

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Summary: You are the light of the world
Review: There's a whole genre of picture books that examine the working class members of American society throughout history. These stories are usually based on the lives of the relatives and ancestors of the authors. "Peppe the Lamplighter" is no exception. Loosely based on the grandfather of author Elisa Bartone, the book examines one boy's occupation and his struggle be accepted in the eyes of his father.

Peppe lives with his sick father and seven sisters (not including the one in Naples) in the section of New York known as Little Italy. Taking place in what looks to be the 1910s, Peppe moves from store to store, attempting to find work. His father, is too sick to work himself, and all the children in the family must strive to find some kind of money. One day, old Domenico the lamplighter asks Peppe if he would light the lamps for him while he returns to Italy to fetch his wife. Peppe agrees readily and is delighted with the prospect. Delight slowly sours to shame, however, when his father is horrified by the job. Says he, "Did I come to America for my son to light the streetlamps?". As time goes by, Peppe's disenchantment with the job grows until he doesn't light the lamps at all. Only through the discovery of how important his job is to others can Peppe find the strength to return to lighting the lamps of New York City.

The pictures in this book are wonderfully rendered. Here we find the New York City tenements in all their filthy glory. At the same time, we see the strength of the people living in them. The first painting in the book shows Peppe and his family staring at the viewer as if they were posing for a formal family photograph. The light from a single latern lights them all, and illustrator Ted Lewin shows off his talents. In many ways, the book is similar to Chris K. Soentpiet's style (of "Molly Bannaky" fame). Reading this book is to actually find yourself in early New York itself. Crowds come alive and individuals display a wide range of emotions. The best picture in the whole book, to my mind, is the image of Peppe lifting his little sister so that she can light the lamp on the street herself. The light is above them, illuminating their faces with incredibly intensity. The two stare up at it, entranced.

The story itself if good, if not overwhelming. Peppe's father has a somewhat unbelievable change of heart towards the end of the tale. For a man who has harbored so much bitterness towards his son's chosen profession, he seems to come around to it mighty fast when the mood calls for it. Otherwise, it's lovely. Peppe compares the lighting of the lamps to the lighting of candles at Mass, and even goes so far as to say a small prayer for each. Small details like this truly bring the story to life.

The book celebrates one small boy who can, in his sister Assunta's words, "scare the dark away". It is a book about how every human being, if they've a mind to, can bring light into the world in their own humble fashion. Peppe may only be a lamplighter, but even his father recognizes by the end that this honest job gives safety and comfort to others. We should all be so lucky as to have jobs that do half as much.