Rating: 
Summary: Neither East, Nor West
Review: "I went to Iran to flirt with my childhood. I went to Iran to court the unknown. I went to Iran to see the effects of the Islamic Revolution for myself." Thus, begins Christiane Bird's engrossing journey through today's Iran. As Bird notes, "Pre-or post-Islamic revoution Iran has always been a cipher to the West." Indeed, much of what Americans know about Iran is from the political headlines of the 1980s and the dour picture that emerged from them. In this very readable book, Bird demystifies this fascinating country. Bird, who spent some of her early childhood in Iran in the 1960s, returned to view this politically changed land through adult eyes. She walks us through the streets filled with shrouded women, through bazaars where merchants wield financial and political power, through religious shrines teeming with pilgrims, and through cities and small villages where we glimpse the everyday lives of Iranian families. As she travels around this complex country, we learn about how Iranians have adapted to some of the more restrictive changes brought about by the revolution. For example, we learn how they cope with and often circumvent the "Big Brother" watchfulness of the Ministry of Culture and Islamic Guidance which monitors the media, tourism, education, and just about all aspects of Iranian life. As Bird points out, "Every Iranian lives in two worlds--the public and the private. The public is for wearing dark colors, obeying the laws of Islamic society and generally presenting a serious and pious face to the world. The private is for wearing bright colors, laughing and socializing with family and friends, and quiet contemplation and prayer." It's interesting to note that the private, particularly in middle and upper class families in large cities, sometimes includes watching banned TV shows, wearing miniskirts, drinking alcohol and even criticizing the government. Along the way, Bird introduces us to the variety of Iranians--shopkeepers, housewives, university students, ayatollahs, religious pilgrims, bathhouse keepers. As she explores the historical, political and cultural landscape, she paints vivid pictures--a congested downtown Mashad, the "gray, worn town" of Sanandaj, a colorful wedding in a Kurdish village, the religious center of Qom. Neither East Nor West offers insightful glimpses into Iran, well beyond the stereotypes we've all been accustomed to think in. It's a great read for the traveler, the armchair traveler, and anyone who is interested in this part of the world.
Rating:
Summary: Neither East, Nor West
Review: "I went to Iran to flirt with my childhood. I went to Iran to court the unknown. I went to Iran to see the effects of the Islamic Revolution for myself." Thus, begins Christiane Bird's engrossing journey through today's Iran. As Bird notes, "Pre-or post-Islamic revoution Iran has always been a cipher to the West." Indeed, much of what Americans know about Iran is from the political headlines of the 1980s and the dour picture that emerged from them. In this very readable book, Bird demystifies this fascinating country. Bird, who spent some of her early childhood in Iran in the 1960s, returned to view this politically changed land through adult eyes. She walks us through the streets filled with shrouded women, through bazaars where merchants wield financial and political power, through religious shrines teeming with pilgrims, and through cities and small villages where we glimpse the everyday lives of Iranian families. As she travels around this complex country, we learn about how Iranians have adapted to some of the more restrictive changes brought about by the revolution. For example, we learn how they cope with and often circumvent the "Big Brother" watchfulness of the Ministry of Culture and Islamic Guidance which monitors the media, tourism, education, and just about all aspects of Iranian life. As Bird points out, "Every Iranian lives in two worlds--the public and the private. The public is for wearing dark colors, obeying the laws of Islamic society and generally presenting a serious and pious face to the world. The private is for wearing bright colors, laughing and socializing with family and friends, and quiet contemplation and prayer." It's interesting to note that the private, particularly in middle and upper class families in large cities, sometimes includes watching banned TV shows, wearing miniskirts, drinking alcohol and even criticizing the government. Along the way, Bird introduces us to the variety of Iranians--shopkeepers, housewives, university students, ayatollahs, religious pilgrims, bathhouse keepers. As she explores the historical, political and cultural landscape, she paints vivid pictures--a congested downtown Mashad, the "gray, worn town" of Sanandaj, a colorful wedding in a Kurdish village, the religious center of Qom. Neither East Nor West offers insightful glimpses into Iran, well beyond the stereotypes we've all been accustomed to think in. It's a great read for the traveler, the armchair traveler, and anyone who is interested in this part of the world.
Rating: 
Summary: Great First Hand and Heart Iranian Experience!
Review: As a native of Iran, I could feel Bird's experience and how powerful she takes the reader through every corner and steps of Perspolis in Shiraz. She presents so much memorable and powerful details in her observations. While some parts were hard for me to believe, nevertheless, overall it presents a great first hand American experience in new Iran.While Bird was in Iran for only few months, I could not resist thinking if she was allowed to stay for more than a year, she would have been there much longer than that. I think she is in love with Iranians, but she just doesn't come out and say it.
Rating:
Summary: The Most Beautiful Cover for A Book
Review: As said, the cover of this book is exquisite and most inviting. The text, which I'm only half-way through is good too, but a bit long. It could have been cut and still worked. But it's worth owning for its insights into Iran and more: for the sheer beauty of its cover and typeface. Someone went to great lengths to make this one of the most attractive texts going.
Rating:
Summary: Fascinating and Insightful Travel Writing
Review: Bird's writing effectively explores many of the complexities of today's Iran. It is immediately engaging because it is written on the backdrop of her living her early childhood years in Tabriz and on her parents memories. We are whisked away to her yearning to return to those years. But, this is not a naive traveler. Bird presents us with a superbly written and literate description of her travels. Bird allows us to see firsthand her encounters both with Iran, and with her some of her own preconceived "American" notions of Iran. The detailed descriptions allow one to vividly visualize her travels. Bird provides an even handed view of the Islamic Republic that is not often available in most United States media. Her description of the status of Iranian women and her musings of the societal norms required of women in America offer an insightful comparison. Although lengthy, the book never lags. Each page leads you to want to travel further through this beautiful land. Bird has managed to intertwine the excitement of travel, with the rich history of the region and keeps it a page turner.
Rating:
Summary: Ticket to Paradise
Review: Christiane Bird carries many messages from the Islamic Republic of Iran in Neither East Nor West: a history of Islam, an examination of women's position in a the world's first modern theocracy, a picture of the landscape that played host to a history that most Americans know very little. She also brings to this book her efforts to sharpen the focus on her own childhood days in the Iran of the 60's. For those of us who seek to go beyond the surface of modern travel, Christiane Bird's book is a treasure. For those of us who seek to understand the complexities of the people who allow us to enter their personal worlds, she provides an essential key. I hope that I, too will be able to learn some Farsi before I go to Iran.
Rating:
Summary: Great Insight on Iran!
Review: Christiane Bird demonstrates exceptional talent and writing skills by in making her account of her journey spanning several months in Iran exceptionally interesting and informative. Iran is interesting and fascinating to most Americans because we know very little about the country except that America has a strained relationship with the country and that its Islamic government and culture provide a sharp contrast to conditions in the United States. Ms. Bird dons the traditional dress for Islamic women and proceeds to travel extensively in both the urban and rural areas of this large country. Throughout her journey she is a guest in the homes of Iranian friends and acquaintances or travels alone. Christiane makes outstanding use of simile, metaphor, action words and subtle humor to make her account an easy and interesting read. In the process she provides us with a rare and valuable, person-to-person insight in to the Islamic religion and the people of Iran. Her descriptions of Islam are objective and insightful. Her situation provides a unique opportunity to explore the role of women in the Muslim society. In the end she finds that the Iranian people hold incongruous feelings of both admiration and condemnation for both the Western and Iranian culture and government. This book will make the "Best Reads of the Year" list of most non-fiction readers.
Rating:
Summary: American view of Iran
Review: I am facinated with Iran, and am reading everything that I can get my hands on. I first read Honeymoon in Purdah, and enjoyed that much more. This account is still interesting, but I find lacks the flavour of other novels I have read on travel to Iran. That being said, the novel is interesting, an offers a glimpse of Iranian life that I had not seen before, proof that everyone's experience of a country is unique. Chrisitane offers a unique and revealing view of Iran, both modern and ancient. She encounters many wonderful, colourful characters along the way, and has many different experiences. Excellent reading.
Rating: 
Summary: ok, not bad
Review: I am Persian and I found this book to be very informative, although it's not an easy read. It could use a considerable amount of editing and I found a lot of the things she said to be somewhat inaccurate. Other times it's as if it goes on rambling. She mentions over and over again how little farsi she knows and how the Iranians know even less english, so I found that while writing her conversations, she probably had to improvise a lot and I wonder if she really understood what people were trying to tell her. Overall, it's not a bad book. I did learn some more stuff about my own culture, but I think her frame of mind is still very "American"- you know what I mean. She wrote several times about how frustrated and irritated she would get with some of the culture clashes there, but if you are going to do something like this, you just have to accept things the way they are- thus not becoming frustrated or irritated. I was surprised that she travelled alone for parts of it. I'm Iranian, and even I wouldn't feel comfortable doing that.
I would recommend Terrence Ward's Searching for Hassan before this.
Rating:
Summary: I loved this book!
Review: I loved this book on Iran. It was like going on a leisurely trip to a fascinating place with the best of travel companions. Christiane Bird is a thoughtful, witty, extremely well-informed writer who filled in exactly what I wanted to know of the backstory for every event of the trip: the history and politics, the philosophy, the poetry and architecture. She notices and muses about the nuances and diversity of Iranian culture in a way that made me feel smarter and more perceptive just for having read her book (as if her intelligence and human warmth could be contagious!) She gets my vote for "Author I'd most like to have dinner with".
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