Viennese Types

Rating:
Summary: a world long gone
Review: Despite its rather blunt title: VIENNA TYPES is Dr. Emil Mayer's surviving masterwork of street photography. The plates are deeply moving & offer glimpses into life in that grand old city of 100 years ago. Like a Sleeping Beauty aroused by the careful ministrations of Edward Rosser, this collection of exquisite photgraphs is timeless & evocative.

Edward Rosser unfolds the details of Dr. Emil Mayer's life & times, explaining how societies were in those days before two World Wars. He also describes the particular process, bromoil, which Dr. Mayer used.

Each plate demands to be gazed upon in quiet admiration, for their details as well as their composition. You can almost feel the fabrics of people's clothes, sense the vitality of the market, smell the horses, leather & tobacco, as everyday people go about their lives.

If you love photography, Rebeccasreads recommends VIENNA TYPES for its unique & enchanting look at a world long gone.

Rating:
Summary: a world long gone
Review: Despite its rather blunt title: VIENNA TYPES is Dr. Emil Mayer's surviving masterwork of street photography. The plates are deeply moving & offer glimpses into life in that grand old city of 100 years ago. Like a Sleeping Beauty aroused by the careful ministrations of Edward Rosser, this collection of exquisite photgraphs is timeless & evocative.

Edward Rosser unfolds the details of Dr. Emil Mayer's life & times, explaining how societies were in those days before two World Wars. He also describes the particular process, bromoil, which Dr. Mayer used.

Each plate demands to be gazed upon in quiet admiration, for their details as well as their composition. You can almost feel the fabrics of people's clothes, sense the vitality of the market, smell the horses, leather & tobacco, as everyday people go about their lives.

If you love photography, Rebeccasreads recommends VIENNA TYPES for its unique & enchanting look at a world long gone.

Rating:
Summary: ARTISTIC, MOVING IMAGES
Review: Images such as those found in "Viennese Types" render words superfluous. Capturing a time long past, a serene turn-of-the-century Vienna, Dr. Emil Mayer has preserved street scenes perfectly representing individuals often seen, such as sidewalk vendors, window shoppers, a scissors grinder, a carriage driver, and more. All of these photographs are artfully composed, beautifully rendered. Most amazing, perhaps, is the intimacy and sympathy these images convey. It is almost impossible to view them without being moved.

Born in 1871 in Bohemia, Dr. Mayer was a Jew who was the victim of Nazi oppression. Following his suicide at the age of 66, his possessions, including his photography collection, were lost. Thus, regrettably, little is left of his great work.

Nonetheless, "Viennese Types" is mute testimony to his photographic artistry. This is a rare volume, one to be treasured.

Rating:
Summary: ARTISTIC, MOVING IMAGES
Review: Images such as those found in "Viennese Types" render words superfluous. Capturing a time long past, a serene turn-of-the-century Vienna, Dr. Emil Mayer has preserved street scenes perfectly representing individuals often seen, such as sidewalk vendors, window shoppers, a scissors grinder, a carriage driver, and more. All of these photographs are artfully composed, beautifully rendered. Most amazing, perhaps, is the intimacy and sympathy these images convey. It is almost impossible to view them without being moved.

Born in 1871 in Bohemia, Dr. Mayer was a Jew who was the victim of Nazi oppression. Following his suicide at the age of 66, his possessions, including his photography collection, were lost. Thus, regrettably, little is left of his great work.

Nonetheless, "Viennese Types" is mute testimony to his photographic artistry. This is a rare volume, one to be treasured.

Rating:
Summary: ARTISTIC, MOVING IMAGES
Review: Images such as those found in "Viennese Types" render words superfluous. Capturing a time long past, a serene turn-of-the-century Vienna, Dr. Emil Mayer has preserved street scenes perfectly representing individuals often seen, such as sidewalk vendors, window shoppers, a scissors grinder, a carriage driver, and more. All of these photographs are artfully composed, beautifully rendered. Most amazing, perhaps, is the intimacy and sympathy these images convey. It is almost impossible to view them without being moved.

Born in 1871 in Bohemia, Dr. Mayer was a Jew who was the victim of Nazi oppression. Following his suicide at the age of 66, his possessions, including his photography collection, were lost. Thus, regrettably, little is left of his great work.

Nonetheless, "Viennese Types" is mute testimony to his photographic artistry. This is a rare volume, one to be treasured.

Rating:
Summary: Beautiful photographs of a vanished world
Review: In photography when things turn out well it's often because there's been an especially graceful coalescence of art and science. The photography of Dr. Emil Mayer (the "Dr." was an honorary title in common use by lawyers in Austria) is a sublime example of that happy merging. Mayer was an enthusiastic practitioner, teacher, and proponent of bromoil process photography - a method that allows for a freedom of expression via a series of laborious chemical manipulations of the negative, and produces a monochrome print that has a softly grainy appearance, and a sort of quietude, in addition to effective, evocative painterly depth. From this collection and the essays that accompany it one comes to understand Mayer had the soul (and the eye) of an artist, and the patience and skill of a scientist. The results are terrific.

Rudolf Arnheim's Foreword offers an elegant preview of these atmospheric documentary photographs of a vanished time and place: turn-of-the-century Vienna, a city and a culture that has been called a "uniquely civilized world."

Edward Rosser's sensitive accompanying biographical essay, "The Life and Art of Dr. Emil Mayer," is both an appreciation and a fine critical piece. Mayer, a Jew, was born in 1871 in Bohemia. His family moved to prosperous, bourgeois Vienna when he was a child. He was well-educated, and became a lawyer and a passionate hobbyist photographer, leading a large Viennese amateur photography club for 20 years, from 1907 to 1927. Mayer published numerous monographs (some in the US) on bromoil process.

Rosser explains that Hitler's annexation of Austria intervened, however. In June 1938 Mayer and his wife committed suicide. Their possessions, including of course most of his photographs, were confiscated, lost, or destroyed. Rosser's essay elaborates: Many if not all of the Europeans who would have remembered him after the war fell victim to the Holocaust themselves. Mayer's disappearance, then, was nearly assured in a scenario replicated - unthinkably and by the millions - in our time.

But in fact Mayer's photographs were rediscovered, and the facts of his life reconstructed by the hard work and efforts of several people (credited in Rosser's essay).

The complete portfolio of the 51 photographs in this collection reside in the permanent collection of the Metropolitan Museum in New York. They are of everyday street life - a sort that vanished with the coming of the First World War. They are portraits: at least one interesting person is in each. People conduct all sorts of business on the streets. Horses pull wagons and coaches. (Most everyone wears a hat, a cap, or a kerchief - and aside from a group of men in bowlers, the hats are quite thrilling - to this modern eye). The cobblestone streets are for people, goods, and horses - and there are many. The profusion of things to buy and to sell, so emblematic of the bourgeois ideal that was Vienna, caught Mayer's eye - and caught mine, too.

This book engaged, challenged, and delighted me. Anyone with an interest in European street life at the turn of the century, in the deep and absorbing technique known as bromoil process, and the sensitive, artful, and deeply humane photography of a man who very nearly disappeared - will appreciate this fine book.

Rating:
Summary: Beautiful photographs of a vanished world
Review: In photography when things turn out well it's often because there's been an especially graceful coalescence of art and science. The photography of Dr. Emil Mayer (the "Dr." was an honorary title in common use by lawyers in Austria) is a sublime example of that happy merging. Mayer was an enthusiastic practitioner, teacher, and proponent of bromoil process photography - a method that allows for a freedom of expression via a series of laborious chemical manipulations of the negative, and produces a monochrome print that has a softly grainy appearance, and a sort of quietude, in addition to effective, evocative painterly depth. From this collection and the essays that accompany it one comes to understand Mayer had the soul (and the eye) of an artist, and the patience and skill of a scientist. The results are terrific.

Rudolf Arnheim's Foreword offers an elegant preview of these atmospheric documentary photographs of a vanished time and place: turn-of-the-century Vienna, a city and a culture that has been called a "uniquely civilized world."

Edward Rosser's sensitive accompanying biographical essay, "The Life and Art of Dr. Emil Mayer," is both an appreciation and a fine critical piece. Mayer, a Jew, was born in 1871 in Bohemia. His family moved to prosperous, bourgeois Vienna when he was a child. He was well-educated, and became a lawyer and a passionate hobbyist photographer, leading a large Viennese amateur photography club for 20 years, from 1907 to 1927. Mayer published numerous monographs (some in the US) on bromoil process.

Rosser explains that Hitler's annexation of Austria intervened, however. In June 1938 Mayer and his wife committed suicide. Their possessions, including of course most of his photographs, were confiscated, lost, or destroyed. Rosser's essay elaborates: Many if not all of the Europeans who would have remembered him after the war fell victim to the Holocaust themselves. Mayer's disappearance, then, was nearly assured in a scenario replicated - unthinkably and by the millions - in our time.

But in fact Mayer's photographs were rediscovered, and the facts of his life reconstructed by the hard work and efforts of several people (credited in Rosser's essay).

The complete portfolio of the 51 photographs in this collection reside in the permanent collection of the Metropolitan Museum in New York. They are of everyday street life - a sort that vanished with the coming of the First World War. They are portraits: at least one interesting person is in each. People conduct all sorts of business on the streets. Horses pull wagons and coaches. (Most everyone wears a hat, a cap, or a kerchief - and aside from a group of men in bowlers, the hats are quite thrilling - to this modern eye). The cobblestone streets are for people, goods, and horses - and there are many. The profusion of things to buy and to sell, so emblematic of the bourgeois ideal that was Vienna, caught Mayer's eye - and caught mine, too.

This book engaged, challenged, and delighted me. Anyone with an interest in European street life at the turn of the century, in the deep and absorbing technique known as bromoil process, and the sensitive, artful, and deeply humane photography of a man who very nearly disappeared - will appreciate this fine book.

Rating:
Summary: a remarkable compilation of photographs
Review: Viennese Types :: Wiener Typen is a remarkable compilation of the photographs taken by the late Dr. Emil Mayer in Vienna around 1910. A lawyer and photographer active around the turn of the century, Mayer's photographs are exceedingly rare because most of his prints were destroyed by the Gestapo after his death (Mayer and his wife, both Jews, committed suicide in June 1938, soon after the Anschluss). But two copies of a remarkable portfolio of his original prints survived the Holocausts, and it is this portfolio which has now been published by Blind River Editions, augmented with an informative essay by Edward Rosser and a foreword by Rudolf Arnheim. Viennese Types :: Wiener Typen is a unique and outstanding contribution to the history of photography in general, and the memorable, impressive, beautifully executed work of Emil Mayer in particular.