Rating: 
Summary: Deplorable!
Review: "Othello" is a play that will show you how unredeemable human beings can be. It'll make you question everyone, along with his or her motives and beliefs. It also shows you how men lusted after women in the late 16th century, but how women could not lust after men. The double standard was put to the test, and, as always, women lose this battle. Women may sell themselves as whores, and are ridiculed for it, but the men who use their services are overlooked. This is a foul play and I think Shakespeare held women without regard. Othello was a despicable man who had little self-esteem I do not recommend.
Rating: 
Summary: An excellent edition of one of Shakespeare's best tragedies.
Review: "Othello" is one of Shakespeare's most popular tragedies, and since most people, even those who have not read or seen the play before, probably already have a basic idea of the plot, I will keep my synopsis short. The military general Othello is a Moor, a black man, who has just married a Venetian woman, Desdemona. Theirs is a marriage of opposites in many respects - race, age, upbringing, etc. - and yet they have overcome all this and are happy with each other. But Iago, perhaps Shakespeare's most infamous villain, is determined to ruin Othello, who has promoted another man, Cassio, to the lieutenancy, a position Iago feels should have been given to himself. He therefore sets about poisoning Othello's mind against his chaste and loving wife, convincing the Moor that Desdemona has been unfaithful to him with Cassio. The events that follow lay out one of the most masterful and heartbreaking examples of dramatic irony.While I am not usually one to go in for tragedies, I do thoroughly enjoy this particular play. The story is expertly woven, with each twist in the plot simultaneously wrenching the reader's / viewer's heart. We know exactly what is going on, even though the characters do not, and this is what makes "Othello" such a very tragic story. And yet, in the end we are left with a sense of resolution and justice, not merely empty sorrow, and perhaps this is what appeals to me about this play. Nevertheless, I do not think the play is perfect (though my 4-star rating here is in comparison with Shakespeare's other works, and not drama in general; against most other drama I would award it a 5-star rating). While I do think Iago is a brilliant character, I cannot help thinking that his hatred for Othello seems rather disproportionate to the wrongs he thinks have been done against him. He is upset over not being given the lieutenancy, but is this reason enough to bring about so many deaths? There is also the fact that Iago suspects his own wife, Emilia, has been unfaithful with the Moor, but Iago has no actual proof of this. However, this disproportionality is one I am willing to overlook for the sake of enjoyment of the play. What bothers me slightly more is that Othello, presumeably a very intelligent man, would allow a mere suspicion to grow into such an intense state of jealousy when he has no definite proof of his wife's infidelity. One would think he would do some investigation for himself, rather than being content to have Iago feed him all the "facts." I now wish to comment on the particular edition of this play that I read - the 1993 "New Folger Library" printing, edited by Barbara A. Mowat and Paul Werstine. I have read several of of the Folger versions of Shakespeare's plays, and have found them unbeatable as far as making Shakespeare's works accessible to the layman. The book is laid out with the text of the play appearing on the right-hand page of each two-page spread, while the left-hand page contains textual notes that are of tremendous help in understanding the play. Words and phrases that have become obsolete since Shakespeare's day are defined clearly, and any allusions that would not be obvious to a modern reader are also explained. The fact that one can access these notes without having to flip back and forth through the pages makes it much easier to maintain one's place and train of thought. Another thing I like about this particular edition is that it contains the entire play. Two versions of "Othello" were published in Shakespere's day - a Quarto, which was a small and slightly condensed version, appeared in 1622, and the longer Folio version was published in 1623. Each version is slightly different, containing bits and pieces not present in the other. This printing of the play contains the entirety of both versions combined into one, with brackets around those words that appear in only one or the other of the original printings. In addition to the play itself, this book contains an excellent introduction, with information about the play, the language of the time, drama in general, Shakespeare himself, theater in Shakespeare's day, a bit about his other works, and some editorial notes on this particular edition of "Othello." Thus, even the rankest newcomer to Shakespeare will not be at a loss here, though the book is equally suitable for those already familiar with Shakespeare and his works. At the end of the book is a brief but interesting and well-written essay entitled "Othello: A Modern Perspective" by Susan Snyder which offers further analysis of the play. I highly recommend the Folger editions of any of Shakespeare's plays to all readers. They are wonderful for use in the classroom, and also make it much easier to delve into Shakespeare on one's own.
Rating:
Summary: An excellent edition of one of Shakespeare's best tragedies.
Review: "Othello" is one of Shakespeare's most popular tragedies, and since most people, even those who have not read or seen the play before, probably already have a basic idea of the plot, I will keep my synopsis short. The military general Othello is a Moor, a black man, who has just married a Venetian woman, Desdemona. Theirs is a marriage of opposites in many respects - race, age, upbringing, etc. - and yet they have overcome all this and are happy with each other. But Iago, perhaps Shakespeare's most infamous villain, is determined to ruin Othello, who has promoted another man, Cassio, to the lieutenancy, a position Iago feels should have been given to himself. He therefore sets about poisoning Othello's mind against his chaste and loving wife, convincing the Moor that Desdemona has been unfaithful to him with Cassio. The events that follow lay out one of the most masterful and heartbreaking examples of dramatic irony. While I am not usually one to go in for tragedies, I do thoroughly enjoy this particular play. The story is expertly woven, with each twist in the plot simultaneously wrenching the reader's / viewer's heart. We know exactly what is going on, even though the characters do not, and this is what makes "Othello" such a very tragic story. And yet, in the end we are left with a sense of resolution and justice, not merely empty sorrow, and perhaps this is what appeals to me about this play. Nevertheless, I do not think the play is perfect (though my 4-star rating here is in comparison with Shakespeare's other works, and not drama in general; against most other drama I would award it a 5-star rating). While I do think Iago is a brilliant character, I cannot help thinking that his hatred for Othello seems rather disproportionate to the wrongs he thinks have been done against him. He is upset over not being given the lieutenancy, but is this reason enough to bring about so many deaths? There is also the fact that Iago suspects his own wife, Emilia, has been unfaithful with the Moor, but Iago has no actual proof of this. However, this disproportionality is one I am willing to overlook for the sake of enjoyment of the play. What bothers me slightly more is that Othello, presumeably a very intelligent man, would allow a mere suspicion to grow into such an intense state of jealousy when he has no definite proof of his wife's infidelity. One would think he would do some investigation for himself, rather than being content to have Iago feed him all the "facts." I now wish to comment on the particular edition of this play that I read - the 1993 "New Folger Library" printing, edited by Barbara A. Mowat and Paul Werstine. I have read several of of the Folger versions of Shakespeare's plays, and have found them unbeatable as far as making Shakespeare's works accessible to the layman. The book is laid out with the text of the play appearing on the right-hand page of each two-page spread, while the left-hand page contains textual notes that are of tremendous help in understanding the play. Words and phrases that have become obsolete since Shakespeare's day are defined clearly, and any allusions that would not be obvious to a modern reader are also explained. The fact that one can access these notes without having to flip back and forth through the pages makes it much easier to maintain one's place and train of thought. Another thing I like about this particular edition is that it contains the entire play. Two versions of "Othello" were published in Shakespere's day - a Quarto, which was a small and slightly condensed version, appeared in 1622, and the longer Folio version was published in 1623. Each version is slightly different, containing bits and pieces not present in the other. This printing of the play contains the entirety of both versions combined into one, with brackets around those words that appear in only one or the other of the original printings. In addition to the play itself, this book contains an excellent introduction, with information about the play, the language of the time, drama in general, Shakespeare himself, theater in Shakespeare's day, a bit about his other works, and some editorial notes on this particular edition of "Othello." Thus, even the rankest newcomer to Shakespeare will not be at a loss here, though the book is equally suitable for those already familiar with Shakespeare and his works. At the end of the book is a brief but interesting and well-written essay entitled "Othello: A Modern Perspective" by Susan Snyder which offers further analysis of the play. I highly recommend the Folger editions of any of Shakespeare's plays to all readers. They are wonderful for use in the classroom, and also make it much easier to delve into Shakespeare on one's own.
Rating:
Summary: Challenging, but good!
Review: I only started reading Shakespeare this summer, yet I have become a fan. As a non-native English speaker I struggle with the language, but I still enjoy Shakespeare's writing. This play is not called Shakespeare's greatest tragedy for nothing. This is a story of hate, lies and evil. The protagonist Othello, a black general, and his beautiful wife, Desdemona, a white senator's daughter, are deeply in love. Yet, his ensign Iago is able to manipulate Othello into believing his wife is cheating on him. This play shows how easily a perfectly honest man can be manipulated to the point where he is capable of killing the person he loves. A powerful play. Highly recommended! PS: If you buy the book in "the New Penguin" edition you will find in the beginning of the book a good introduction explaining the play and the language, a little bit on the history, which you will find helpful as you get on to read the play.
Rating:
Summary: This sucks
Review: Look, here it is. I know everyone says how great and everything Othello is and that this Shakespeare guy is like a genius. But what it comes down to is it is just like this white guy from Ireland who never went to Italy and stuff and like all his plays all take place there and stuff. I mean, did Shakespeare actually know someone named Romeo? But that's not the point. This whole play sucks. I didn't get involved at all and I couldn't relate to none of the characters. Plus when my teacher said that Othello is actually black, I, as a white person, took offense to it. So to all you out there in cyber space, just avoid this no matter what. And if you were like assigned it for class say that you won't tolerate racial prejudice. Or read the Cliff Notes, like I did.
Rating: 
Summary: Best Shakespeare yet
Review: Next to MacBeth, Othello is the best play Shakespeare has written. The way all of the imagery and motifs molded together was fascinating. The characterization of each character playing against one another was incredible.
I find it so amazing how a simple object, like the hankerchief, can represent so much; greed, love, fidelity. Shakespeare in the best at imagery and will never be replaced.
The story is of Othello, a black fighter and warrior winning the heart of his one true love, Desdemona. Through out the play, people treat Othello as a second class citizen based on his colour . . . something very rampid in the days of Shakespeare. Iago is insanly jelous of Othello. Iago's character (the most evil of all Shakespear's villians) was extremly sinister, from the time of deceiving Othello ot Cassio right until the very end. At the time Iago deceive's Cassio - due to a passing up of a job promotion - we realize how poignant this part is, and the astute nature of evil; one of nature's moast prominent human characteristics.
The play is a story of lies, blindness and evil. Every human suffers from blindness at some point in our life and Shakespeare executes that inevitablness perfectly. Othello is firstmost a solider and with that, he proves to set a most enduring tragedy upon himself, the people around him and his love.
Rating: 
Summary: Good great book except English
Review: Othello has a great intricate plot and would keep you entertained if it weren't all written in old English. The English it's written in will make you pull your hair out.
Rating:
Summary: A fine edition with many helps for the reader
Review: This edition is from the 3rd Arden Series and may have a more modern feel to readers than the previous series did. For example, modern scholars believe that Shakespeare's plays were performed without break between scene and act so this edition does away with the ACT I Scene 2 headings and instead merely inserts 1.2 in the text where the change occurs. There is a fine introductory essay that gives important cultural information to help the reader understand the moral climate in Venice in Shakespeare's time and the context of the play in the author's career and times. This edition has the many good notes one expects from Arden editions. The longer notes are moved to the back to avoid too great an interruption to the readability of the text. There is also music for the two songs in the play and an index. A fine edition that I am glad to own and refer to.
Rating:
Summary: One of Shakespeare's many "best" plays.
Review: When I rate this at four stars, I'm rating it against other Shakespearean plays; against the general run of literary work, it would certainly rate five. I dock it one star simply because I find the concept, which seems to be accepted as a given in the play, that if a man finds that the woman he loves is cheating on him, it's okay to kill her, and that it's only a bad idea because he might be mistaken, to be, shall we say, a less than enthralling idea which I hate to see perpetuated. Some other random comments on the work, in no particular order: 1) The racial angle is exaggerated. Yes, Othello is black, and there are a few racial epithets thrown around by his detractors, but really, there is less sign of racism inherent in the characters of this play than one might expect in your average modern person. The main point to making Othello black was to make him an outsider; the play could as easily have been set in England, and Othello made French. (But then, since the target audience was English, they'd have been more likely to get defensive about the portrayal of their prejudices as unreasonable.) 2) The main point of the play is not the evils of racism, but the evils of jealousy. 3) Iago is unquestionably the "best" villain in all of Shakespeare, and one of the best in all of literature, in terms of being a well-portrayed "subtle" villain. It's rare to see a portrayal of a lying, manipulative scoundrel that is actually plausible and successful; usually, the audience finds itself having a hard time believing that the manipulator's victims could possibly be so dumb as to not see through him; certainly, there's a large dollop of that sentiment in "Richard III". But in this play, Iago's lies are remarkably plausible, and it is very easy to see how he is successful in his plan; his machinations were excellently managed.
Rating:
Summary: Othello is O good read O! Makes me think of Jell-o! Really.
Review: While I was reading Othello with my tubby custard in one hand and the book held at a 90 degree angel in the other I thought, I'm reading a play and eating a custard from and outlawed children's show how bizare. However, life is filled with such suprises. Kind of like the suprises in the Bard's play Othello. Othello is a man who should have had it all. He had friends, a loving wife, and an army at his command. The play follows Othello through a conspiracy of his villanous friend, Iago, not the parrot from Aladin, but Shakespeare's greatest villan. Iago was disgrunteled by the fact that he was passed up on a raise and there fore plots everyone's downfall. Making this a great read for the guy at the bottom of totum pole who is doing fries and wants to move up to salads. Iago in the openion of this reader is the true comic genius. He plays Othello and others like they have the mental capacity of tree stumps. He convinces Othello that Desdemona, his wife, is having an afair. Iago narrates most of the play and you here a lot of what he is thinking and planing to do. Which brings me to jello nobody cares what Bill Cosby is thinking or that he is still trying to salvage a carrier. This play is by far one of the best of Shakespeares in terms of great characters, surprises, and monologes. The readers are beautifully captivated by the play with the genius use of dramatic irony. Nobody knows what will happen and at anytime a surprise is waiting to happen.
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