Rating: 
Summary: It was ok
Review: The book Ragwitch was okay, it was pretty typical. Because of the vivid descriptions of the evil creatures in the book, I gave it a 4, otherwise, it deserved a 3. Buy this book if you are just looking for a book to read. However, Garth Nix is not a bad writer. Other books by him are Shades's Children, The Seventh Tower,etc. Those are all great books. So just take a look at those books also.
Rating: 
Summary: I read the back of the book and got intrigued!
Review: This is one of my favorite books! It has style and imagination! I am 13. I recommended it to all of my friends and they loved it, too! It's truly unique!!!
Please read this remarkable book
Rating:
Summary: Exciting
Review: This is probably Garth Nix's most uneven book, which still puts it a notch over the majority of fantasy out there. While not as textured or carefully developed as Sabriel, it is nevertheless engrossing and convincing, and -- yes, indeed, far better than almost every kids-get-sucked-into-fantasy-world-to-battle-evil.We open to see Paul and his sister Julia, playing on a beach where Julia finds a rag doll embedded in enormous black feathers and a bunch of sticks. Though Julia seems thrilled with the doll, Paul immediately gets "bad vibes" from the doll -- and hears a sinister voice calling it the "Ragwitch." Within minutes, Julia is taken over by the doll, and begins a transformation into an enormous living version of the Ragwitch -- a malevolent creature who surpasses C.S. Lewis' White Witch. The Ragwitch escapes into another world, and Paul follows her. Julia is trapped inside the Ragwitch's mind, constantly hearing the Ragwitch's voice and seeing/hearing what she does. Upon arriving at her destination, the Ragwitch summons her hideous army of unnatural, distorted creatures. They begin to attack the innocent people nearby -- including an old witch who has a strange effect on the Ragwitch. Julia gains unexpected allies locked within her enemy's memory: the witch Lyssa, attacked by the Ragwitch; Mirren, a king that the Ragwitch locked into a shambling animalistic form; and a mysterious red-haired woman who may be the key to helping defeat the evil hordes... Paul refuses to give up on his sister, and learns from a peculiar old hermit that he must gain the help of the wild magic Elementals -- Fire, Water, Earth and Air. The problem is that all four may or may not choose to help him. He must also deal with the rather eccentric Patchwork King, the keeper of all magic... Perhaps the book's biggest flaw is the beginning. While we come to know and like Paul and Julia over the course of the book, we leap straight into the finding of the Ragwitch without knowing much about the characters, their background, their family, etc. An introductory chapter might be nice. And since there was a gap of a few years between the writing of two parts of it, the style of it seems to flow more easily in the second half than the first. The dialogue also is a bit stilted in the beginning, but grows easier as the book progresses. Anyhow, the Ragwitch herself is horrific. My initial reaction was "Raggedy Ann meets the Exorcist", but frankly after a while I stopped thinking about the idea of a sentient rag doll, and focused on the sadistic evil of her. Yet at the same time, we are given a glimpse of the person that the Ragwitch once was (well, before she got a body of "indestructible cloth") and how she became the monster that she is. The Elementals are sufficiently different in temperament, from the crabby Water to the kindly Earth to the flamenco-dancing Fire. We don't get to know Paul as well as Julia, since Julia does a great deal of introspection, while sometimes it felt like we were focusing more on what Paul was doing than on Paul himself. This is definitely a YA book, as many sections of it will be horrifying for younger children. Oroch, for example, is a pretty creepy character -- Nix doesn't tell us what he looks like under his bandages, but the implication is enough. We also get a girl possessed by an evil creature, massacres of humans and assorted battles (not graphically shown). Nix also displays a fantasy tactic that he used later in Sabriel, and which he does extremely well: the mix of high fantasy and more modern things, such as the hot-air balloon, and the various foodstuffs that the Patchwork King conjures. This is not an easy thing to do convincingly, but Nix does it in rare style. He also managed to pull off an ending that a lesser author might have fumbled. This book is not as textured as Sabriel or its sequel. But it is nevertheless an effective fantasy with a dash of horror. Well worth the read!
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