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Rating: 
Summary: Too difficult for young readers
Review: Ju st a note - Some of the reviews listed here for Rubin's book seem to be for another author-Thomas Heinz.
I found that Rubin's book was much too difficult reading for young adults, with too much crammed in as far as space and text.
Rating: 
Summary: ERRORS IN LISTING
Review: Please note that the Amazon description and the reader reviews refer to DIFFERENT books than that shown in the listing
Rating: 
Summary: Incorrect review
Review: The reviewer from Chicago has mistaken this book for another one. The author of this book is not Thomas A. Heinz. Mr. Heinz's books are of exceptionally high quality. This book as well as the Visual Encyclopedia authored by Mr. Thompson does contain a number of mis-identifications and an upside down picture of the Hollyhock House ornamentation.
Rating:
Summary: stone, brick, wood, and 100% genius
Review: This marvelous book is in 3 languages, English, German and French, in tandem, on each page. Printed on thick, glossy stock by Taschen, it is well written by Bruce Brooks Pfeiffer in a clear and graceful style, and expertly edited by Peter Gossel and Gabriele Leuthauser. The contents are as follows:
Part One: "Essay"; this is the section where most of the text is, and consists of these topics: Background, The Prairie Houses, The Space Within, Materials, Nature, The Flow of the Work, and Human Values.
Part Two is "Selected Buildings and Projects".
The final pages are devoted to a chronological biography and list of executed works.Mr. Pfeiffer writes that "His eloquence in the manner in which he wrote and spoke of nature is surpassed only by the buildings he set on the earth" (pg. 28). The way his work is an integral part of its surroundings is pure genius. The photograph on page 118 of the famous Fallingwater House, with the waterfall seeming to come from the structure is a perfect example of this.
The architect is quoted as saying "Nature is all the body of God we will ever know" (pg.26), and his creations reflect this reverence for the landscape. Part Two is profusely illustrated in black and white and color, with only explanatory text. As magnificent as these photographs are, what I find the most thrilling are the drawings. They are reproduced in color, many are yellowed, torn and with little adhesive tape marks, but are of astounding beauty, and a glimpse into the mind of this unique and brilliant man. Mr. Pfeiffer became Frank Lloyd Wright's student in the Taliesin Fellowship, and is the director of the Frank Lloyd Wright Archives in Scottsdale, Arizona. This is one of numerous books he has written on Wright's life and work, and it is a fitting tribute to one of America's creative giants.
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