Rating: 
Summary: The (Un)-Saintly Martian
Review: This was the last of the Heinlein `juveniles', the only one written with a female point-of-view character, and the only one not subject to the editorial dictates of a certain prudish editor at Scribners, though it still suffered at the hands of the editor at Putnam (more of which later).Podkayne (named after a Martain saint, but just "Poddy" to her friends) and her younger amoral genius-level brother Clark get to take a trip to Earth with a side stop at Venus accompanied only by their retired Martian senator uncle Tom, as their parents are unexpectedly having to deal with three newly decanted babies due to a crèche mix-up. Most of the story is a detailing of the events during their journey on the spaceship and the sights, people, and society of Venus, as carefully recorded in Poddy's diary (with occasional inserts by Clark). This method of telling a story is difficult to do effectively, but for the most part it comes across very well in this book. Poddy is a very likeable, friendly person who is, unfortunately, a little too naïve, a little too cute, a little too much preoccupied with babies, boys, and proving herself to be `just as good as a man' to be quite believable as a (supposedly) highly intelligent but otherwise normal teen-age girl. Clark, on the other hand, is all too believable as a boy with adult knowledge and a child's `me' centered view of the universe. Clark is the prime mover of the events, but for the most part he remains offstage, and we only learn about what he has done as filtered by Poddy's perceptions. Clearly the most interesting character in the book, his actions, mistakes, and emotional development fit well with the thematic line that Heinlein is presenting, on the responsibilities of parenting, an individual's own responsibility for his actions regardless of external factors, on the importance of one's relations and duties to others. Along the way, Heinlein does his typical excellent job of describing the scientific aspects of space flight and navigation in a manner that consistently remains interesting, comprehensible, and accurate. Also part of the Heinlein territory are his comments on population control, gambling, unfettered capitalism, the art of politics, racial prejudice, the attitudes of the `moneyed' class towards their `inferiors', and prostitution - an item that would never have gotten by his editor at Scribners. The ending of this book has caused a fair amount of controversy. At the insistence of his publisher, Heinlein was forced to change his original ending to one that was far less traumatic, an `all ends well' type ending, as this was, after all, a 'children's book'. In so doing, however, the thematic line and Clark's development do not reach full closure. This edition of the book has both Heinlein's original ending and the changed ending, along with multiple essays and comments from readers about the pros and cons of each ending. For my money, Heinlein's original ending is considerably better, even though it probably makes the book unsuitable for very young readers, dealing with the consequences of actions, death, and the harshness of the universe towards stupidity, but the average teenager should have not only have no problem with it, I think they will find it more believable, more true to life. Not his best, but certainly eminently readable and enjoyable by both teens and adults, and still better than ninety percent of all the other material on the racks.
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