Rating:  Summary: One of the great ironic tragedies in the English Language Review: One of my favorites works of English literature. The opening "wife selling" chapter is one of the best in all literate, setting the major tone and themes for the entire book. The ironic twits of fate provide a wild, entertaining ride that shows off Hardy's themes of the balance between fate and individual choice in a non-didactic way. The Mayor must be ranked as a tragic character in line with Shakespeare's best work. A work that makes profound psychological and philosophical statement while remaining engrossing on every level.
Rating:  Summary: Possibly the Perfect Tragic Character Review: When Thomas Hardy penned The Mayor of Casterbridge, he brought to life a very authentic character in Michael Henchard. He is possibly the perfect tragic character. The only other character I can think of to compare him to as I struggle to describe him and the story - for he is so much the story - is King Lear. But where Lear was a King who was foolish, Michael is the common man, a simple hay trusser, with several character flaws ... most notably shortsightedness and a desire to "be on top". He at no point feels something that most people don't but where we restrain our first rash and selfish actions (most of the time), he goes full out until he has cost himself everything and too late finds redemption. His flaw is insidious and all too common, so we relate easily even through his most outrageous misadventures. In a fit of drunken despondency, feeling that he is being pulled down by the responsibility of being a twenty-one year old husband and father, he jests that he would gladly part with his wife and daughter for the sum of five pounds. After having sworn this so vehemently for the entire evening, he has little recourse when someone takes him up on it and his wife, in shame and anger, agrees to go with the purchaser, taking their daughter with her. When sobriety brings full realization, it also brings a vow of temperance from Michael who in the following fifteen years builds himself up to a position respectability and public admiration in the nearby town of Casterbridge. Though he seems to have learned his lesson, we are only on chapter two and his story is just beginning as his wife and child return and his friendship with a trusted friend and critical advisor becomes a bitter rivalry. Time and again he demands allegiance when he need only ask it and return it in kind. Hardy's writing style is direct and straight-forward with no flourishes like you might find with Dickens or Twain. He has a story to tell and he tells it - no swashbuckling adventures like DeFoe or Dumas. However you feel about that, the character of Michael Henchard continues to skulk around in my head. He represents to me a very real possibility of personal failure and haunts my mind now just as Scrooge's deceased partner haunted him in A Christmas Carol. I would have given this book a fun factor of three stars when I first read it. Now I give it five stars because I have had the time to realize what a masterful job Hardy did when he created Michael Henchard.
Rating:  Summary: Possibly the Perfect Tragic Character Review: When Thomas Hardy penned The Mayor of Casterbridge, he brought to life a very authentic character in Michael Henchard. He is possibly the perfect tragic character. The only other character I can think of to compare him to as I struggle to describe him and the story - for he is so much the story - is King Lear. But where Lear was a King who was foolish, Michael is the common man, a simple hay trusser, with several character flaws ... most notably shortsightedness and a desire to "be on top". He at no point feels something that most people don't but where we restrain our first rash and selfish actions (most of the time), he goes full out until he has cost himself everything and too late finds redemption. His flaw is insidious and all too common, so we relate easily even through his most outrageous misadventures. In a fit of drunken despondency, feeling that he is being pulled down by the responsibility of being a twenty-one year old husband and father, he jests that he would gladly part with his wife and daughter for the sum of five pounds. After having sworn this so vehemently for the entire evening, he has little recourse when someone takes him up on it and his wife, in shame and anger, agrees to go with the purchaser, taking their daughter with her. When sobriety brings full realization, it also brings a vow of temperance from Michael who in the following fifteen years builds himself up to a position respectability and public admiration in the nearby town of Casterbridge. Though he seems to have learned his lesson, we are only on chapter two and his story is just beginning as his wife and child return and his friendship with a trusted friend and critical advisor becomes a bitter rivalry. Time and again he demands allegiance when he need only ask it and return it in kind. Hardy's writing style is direct and straight-forward with no flourishes like you might find with Dickens or Twain. He has a story to tell and he tells it - no swashbuckling adventures like DeFoe or Dumas. However you feel about that, the character of Michael Henchard continues to skulk around in my head. He represents to me a very real possibility of personal failure and haunts my mind now just as Scrooge's deceased partner haunted him in A Christmas Carol. I would have given this book a fun factor of three stars when I first read it. Now I give it five stars because I have had the time to realize what a masterful job Hardy did when he created Michael Henchard.
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