Gilgamesh the King

Rating:
Summary: One of Silverberg's best.
Review: An entertaining spin on the myth of Gilgamesh, by one of our foremost living authors. I have read the original (or a translation, anyway) and it is remarkable how he manages to be so faithful to the tone of the book and yet to shore up an often-fragmentary narrative. Definitely, a must-read.

Rating:
Summary: Gilgamesh the mundane
Review: Being fond of ancient Sumer in general and the Gilgamesh epic in particular, I found Mr. Silverberg's book a profound disappointment. It appears that the author's intention was to rework the venerable story to remove its fantastic elements. Along the way he practically ignores an interesting milieu, makes the characters boring, and replaces dynamic episodes with confusing ones.

Admittedly, Mr. Silverberg did make an effort to make his characters seem as though they actually are living in a different day and time. However, as historical fiction this book falls flat. (If you want historical fiction set in Sumer check out The Three Brothers of Ur by J.G. Fyson, and forget this book.)

Rating:
Summary: Gilgamesh the mundane
Review: Being fond of ancient Sumer in general and the Gilgamesh epic in particular, I found Mr. Silverberg's book a profound disappointment. It appears that the author's intention was to rework the venerable story to remove its fantastic elements. Along the way he practically ignores an interesting milieu, makes the characters boring, and replaces dynamic episodes with confusing ones.

Admittedly, Mr. Silverberg did make an effort to make his characters seem as though they actually are living in a different day and time. However, as historical fiction this book falls flat. (If you want historical fiction set in Sumer check out The Three Brothers of Ur by J.G. Fyson, and forget this book.)

Rating:
Summary: A face to the legend
Review: Gilgamesh The King is a thoroughly engrossing retelling of the famous Sumerian myth from the perspective of the figure himself. It creates a plausible blend of superstition, ancient knowledge and characterization as underpinnings of the legend.
In the same way that Mary Stewart's historical tales carry the reader to ancient times through the eyes and thoughts of the main character, Gilgamesh The King brings a profound humanity to such fabled material.

Rating:
Summary: a social history of Sumer
Review: The narrator of Gilgamesh the King is the hero of the oldest surviving literary epic. His ruminations about the gods of ancient Sumer paint a picture of a period of history when goddesses had become subservient to male gods but had not yet been totally suppressed.
Gilgamesh the King is categorized as science fiction. In fact all of its fantasy elements constitute the conditioned beliefs of the narrator, who more than once raises the possibility that the true explanation of events he interprets metaphysically could be coincidence or something equally mundane. Even when he travels to an island I identify from the context as Bahrain, to seek immortality from Ziusudra, whose ark later evolved into Noah's ark, he learns that the alleged world-covering flood was a localized thunderstorm, the "ark" was a fairy-tale elaboration, and Ziusudra's immortality was likewise mere myth.
This book will appeal to lovers of science fiction (which it is not), lovers of historical fiction, and persons who like to see ancient myths demythologized into the possible historical events from which the myth evolved. I loved it.