Rating: 
Summary: Or how Islam went cyberpunk
Review: Effinger has created what might at first seem an impossibility -- a cyberpunk, film noir murder mystery set in the Middle East. Where is the Budayeen? That's not important (although from references it seems to be near Egypt); what is important is the characters. The people, from Audran to Papa to Half-Hajj all fit in this world. You know what they look like, feel like, smell like, and if ever they act out of character you know something is wrong. This is a world of shadows and sand, one where there is trickery and deceit around every corner. The mullahs call you to prayer and people wire their brains to alter their personalities. Life is cheap, sex is cheaper, and everyone has to look out for himself. There is nothing heavy-handed in the way Effinger puts this together. He is stylish without being self-conscious. You will be drawn in and only want to read more about this world he has created. This is a fantastic book.
Rating:
Summary: Step aside, Gibson.
Review: For my money, this is the definitive work of the cyberpunk genre. All the classic elements are there: just-beyond tomorrow technology, drugs, sex, and a casual disdain for human life. Style is far more important than substance, as eloquently expressed in the form of moddies, jackable personality recordings that make you whomever you want to be. Hard, objective truth is by turns an inconvenience or a victim to practicality and hypocrisy.The two most engaging things about this novel are, in fact, the two things that should stand out in any novel: the characters and the setting. Most often in scifi these both take a back seat to technology. In "Gravity", the technology exists only to enhance the characters, as we see how they use (and abuse) its capabilities. Best of all, Effinger captures the film noir quality of cyberpunk with style and elegance. The good guys might win, but it is a pyrrhic victory. If you're looking for the feel-good hit of the summer, take a pass on this one. If you want a novel with style, grit, and integrity (and not a little cynicism), this is an excellent choice.
Rating:
Summary: Step aside, Gibson.
Review: For my money, this is the definitive work of the cyberpunk genre. All the classic elements are there: just-beyond tomorrow technology, drugs, sex, and a casual disdain for human life. Style is far more important than substance, as eloquently expressed in the form of moddies, jackable personality recordings that make you whomever you want to be. Hard, objective truth is by turns an inconvenience or a victim to practicality and hypocrisy. The two most engaging things about this novel are, in fact, the two things that should stand out in any novel: the characters and the setting. Most often in scifi these both take a back seat to technology. In "Gravity", the technology exists only to enhance the characters, as we see how they use (and abuse) its capabilities. Best of all, Effinger captures the film noir quality of cyberpunk with style and elegance. The good guys might win, but it is a pyrrhic victory. If you're looking for the feel-good hit of the summer, take a pass on this one. If you want a novel with style, grit, and integrity (and not a little cynicism), this is an excellent choice.
Rating:
Summary: OOP but still a classic SF thriller worth chasing down
Review: George Alec Effinger wrote three books about Marid Audran, a private investigator living in the Budayeen, the red light district of an unnamed Arab country in the 23rd century (but in actuality modeled on the French quarter in New Orleans, where Effinger lived). When Gravity Fails is the first of the three books, which introduce us to Marid, who was raised in Algeria by his mother, an Algerian prostitute, and who never knew his French father. Considered a barbarian north african by the Arabs in his city, Marid lives on the fringes among the drug dealers and users, and the strippers, protitutes, sex changes and outcasts that live just outside the law, working as a private detective when he can find a client. Marid prides himself on being unwired, that is, unlike most residents of the Budayeen, Marid has not adapted his brain to accept personality modules, or Moddies, or add-ons, better known as Daddies. Nor does Marid work or live under the largesse or protection of Friedlander Bey, better known as Papa, who controls most the business, legitimate or otherwise, in the Budayeen. When a client is killed in front of Marid's eyes and Marid's acquaintances start dying horrible deaths, Marid is drawn into an uneasy alliance with both the police, whom he does not trust, and Papa, to whom he does not want to be beholden. Effinger has created a world that is unlike most science fiction books, keeping the actual science light, and letting us believe that this is how the Arab world might be in the 23rd century, with not much changed except a bit of technology. Effinger offers both an interesting who and why-dunnit, while examining the issues of faith and identity. Is Marid, a heavy drug and alcohol user who lives by his own code and is committed neither to Allah nor any other human, the faithful one, or is it Papa, who kills and extorts in the name of business but who faithfully prays 5 times a day? What is it like to be an outsider, and how do you find yourself? This book is sadly out of print, but easily available used on the internet. Still compelling after all this time and well worth tracking down.
Rating: 
Summary: Standard SF despair
Review: I get tired of sky fye for this very reason -- these folks can't wait for an end to common morality, meaning, and, most of all, the end of western civilization. Like Gibson, they mistake darkness for depth. "Kewl" will be carved on their tombstones.
Pampered, besotted, Democrat-votin' college boy panty waists, the lot of them. Pratchett is better.
Rating: 
Summary: Narrative Misstep Mars Amazing Setting & Characters
Review: In this novel Effinger takes Marid Audran, a reluctant, layabout, fiercely independent gumshoe straight out of Raymond Chandler, and sticks him in a Cairo of the future that is both brilliantly and economically rendered. In this cyberpunkish future, pretty much everyone who can, has their brain "wired" for modifications. These modifications take the form of personality "modules" that turn the user into whatever the particular module is programmed as--this can take the form of virtually any real or invented personality imaginable (James Bond is a favourite, as are many pleasure-optimized models). In addition to modules, there are "add-ons" which are little plug-ins which can grant instant knowledge of a language or skill. This technology, plus the vast improvement of, and subsequent proliferation of sex change operations makes for a world where few people are as they were born. Unlike many sci-fi writers, Effinger manages to convey this technology quickly and simply, making instantly plausible, and part of the landscape. Audran's stubborn refusal to wire his brain is what sets him apart from more of the other denizens of the "Budayeen" (old city--think casbah), he prefers to alter his mental state through heavy drinking and drug use. Most of his days are spent sleeping off hangovers and then drifting through the red-light district, sitting around with friends and series of bartenders. However, when a series of seemingly unrelated murders attracts the attention of Freidlander Bey (the local godfather figure), he is prodded into investigating the murders and coming up with answers. Audran's interactions with Freidlander Bey masterfully capture the elaborate verbal dances and coffee ritual that accompany traditional Arab business dealings. Unfortunately, once Audran is hooked, the plot starts to betray the great setting and characters Effinger has established. It's established that the murderer is using some sort of bootlegged module to assist in committing their crimes. Therefore, in a somewhat suspect leap of logic, it is decided that in order to track the murderer down, Audran will need to be wired with experimental brain implants. This narrative misstep not only abandons the one trait that made Audran unique, independent, and likeable, but also pushes the technology to the fore of the story at the expense of character. Once this is done, the mystery is solved relatively quickly, and in a rather pedestrian way. Of course, there's more to the mystery than a simple psychopath gone amok, but the whys are only partially convincing. It's still a great book, but the last third is a bit of a letdown after the amazing beginning.
Rating:
Summary: One of the best cyber-punk books I ever read, I love it.
Review: Lots of dreck surfaced in the post-cyberpunk boom, but this is a keeper-- very well-written and sensitively conceived. Plot never drags and makes sense (a rarity in this type of fiction), and the sequels are okay too-- though this is the best of the three. Read it and see-- Effinger is very underrated; a few more like this and he'd be compared to Sturgeon or Dick.
Rating: 
Summary: Excellent story, but hindered by an uneven narrative
Review: The elements that make this novel a cyberpunk classic are all here: the sharp story concept, the sleaze-noire environs, the eccentric yet honorable anti-hero, and the morally hazardous technology. I read this book upon hearing about Effinger's recent death, so I came to this novel well past its original release, and my perspective is affected by the 14 intervening years of evolution in cyberpunk. In an unnamed Middle Eastern city's criminal enclave, the Budayeen, Marid Audran artfully plies his trade as a freelance underworld "fixer." Need someone found; need to make a break with your pimp; need to negotiate with the local godfather? Audran's your man. His essential feature is his independence, even from the cerebral implants that are universally popular: plug-in modules that alter your personality to any fictional or real person, and add-ins for instantly acquiring expertise on any subject. Audran even eschews the expedient of firearms. He relies only on his functional drug habit, and his occasionally useful crew of acquaintances comprising the barkeeps, bent policemen, prostitutes, and ne'er-do-wells of the Budayeen. Effinger renders the future of 400 years from now quite softly (nearly as an afterthought, except for the implants), but the intricate beauty of the Arab backdrop is vivid, with its ancient mores and formalisms coexisting with criminal enterprise. Discordant as Audran's techno-phobia is for a sci-fi novel, Effinger plays this intriguingly as the basis for the dominant theme of the book: the contest between humanity and inhumanity, bridged as it is by consciousness, which can be altered by a technology that remakes who you are and what you know as easily as swapping a plug. I also think it was a deft distinction that Effinger made between modules and add-ins, because he clearly wants to keep the issues separate, with personality encompassing morality. Audran, who would be nearly amoral but for his own code of honor, becomes the agent for justice in the Budayeen and eventually embraces the means he fears in order to resolve the dark mystery of exceptionally brutal serial murders that threaten to unbalance the criminal order of the Budayeen. An inspired story, one that is worth the read, but it does suffer from unnecessarily raw transitions in the narrative and an uncompelling international contest that motivates the murders. These shortcomings sap energy from the story and leaves the reader feeling a bit flat at the conclusion. And because of this, Effinger's work falls short of William Gibson's of the same period, but then again it's better than any of Gibson's later work (e.g., "All Tomorrow's Parties").
Rating:
Summary: Too bad it's out of print
Review: This is a fun book, worth hunting down. I must admit it has its problems...primarily that the plot is weak and the author goes into long tangents that don't forward the plot and are occasionally painful to read. For instance, a perpetually hallucinating taxi driver occupies several pages for no purpose, and just isn't funny. The sci-fi Mid Eastern setting of the book is probably the most interesting world I've ever seen in science fiction. Effinger writes in a smooth, readable style, and doesn't get bogged down in over-explaining the science, as most science fiction authors do. The scenes of the protaganist tryng to get information out of the crime boss, while carefully observing all the required pleasantries of Middle Eastern social ettiquite, are alone worth reading the book. The sequels aren't as good, but the setting of the book is intriguing enough to keep you wanting more.
Rating:
Summary: Fantastic
Review: This novel is, in my opinion, one of the best SF efforts of the 80s. The writing is modern, dynamic and more refined than in the average cyberpunk novel. The narrative progression is vigorous but the reader never gets out of his depth, because Effinger's aim, beyond the solving of the "mystery", is to show how a man can be framed by his own capacities: Marid Audran, indeed, is chosen by Friedlander Bey because he's the only man in the Boudayin to have the sufficient amount of shrewdness / charism / guts to find the killer. Against his will, he accepts to have his brain wired, succeeds but will get no reward in the end (to say the least). A tragic destiny, quite unusual in SF. Nevertheless, as another reviewer wrote, Effinger was smart enough not to insert too many digressions or metaphysical considerations (like many other authors would have done): on the contrary, he punctuated the plot with wellcomed strokes of black humour. All the characters are colourful and unforgettable. In the end, I felt like I was one of them, like I belonged to their community. It's really hard not to get involved personnally in this book (... the sign of a good book). The description of the Boudayin is amazing: it avoids most of the usual exotic cliches about North Africa (where I've never been to), but in the same time, the reader catches very quickly who does what and why, even if he's not familiar with arab civilization. In other words, Effinger plays intelligently with the western unconscious perception of this culture. I think this novel may appeal to many sci-fi readers: the unexperienced readers will certainly appreciate the fast pace and the unusual setting; the more experienced readers will appreciate the numerous references and, in a way, the fidelity to the spirit of the golden age of SF. The only problem I see with WGF is: what's next? Is this the end of a cycle or the beginning of another? Effinger seems to have reached his top with this book: the two sequels, written in 1989 and 1991, are in my opinion very inferior. I wish someone took up the gauntlet soon.
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