Meditations on Middle Earth

Rating:
Summary: A Literary Celebration of J. R. R. Tolkien
Review: Admittedly, this intriguing little tome is a mixed bag, with regards to quality, yet redeemed by excellent essays from the likes of Ursula K. Le Guin, Michael Swanwick, Poul Anderson, Orson Scott Card, Harry Turtledove and Douglas Anderson. Le Guin's essay is the literary home run, emphasizing the literary qualities found in Tolkien's writing. Running a close second are those penned by Swanwick and Anderson, in which they acknowledge Tolkien's strong influence on their careers as fantasy writers. Douglas Anderson writes an excellent literary overview of Tolkien's career as a writer and academic, noting his other published works besides those pertaining to Middle-earth. Although these essays will be appreciated mostly by the converted, skeptics of Tolkien's work may begin to understand it by reading the essays I've cited herein.

Rating:
Summary: Authors gush over Tolkien
Review: Easily found and bearing a highly illustrious cast, this book presents fifteen noted fantasy authors, plus scholar Douglas A. Anderson and artists Tim and Greg Hildebrandt, expressing what they get out of Tolkien. It's a change from listening to authors hawk their own work on convention panels.
Despite the obligatory "how I discovered Tolkien" anecdotes, which can be annoying in such quantity (I often find them charming, myself), the contributors avoid much repetition. A few simply burble, trying unsuccessfully to be amusing. Several discuss how Tolkien's example freed them to write their own kind of fantasy: Poul Anderson's juxtaposition of =LotR= with his own =Broken Sword=, and Harry Turtledove's bashful confession of his early life as a naked Tolkien imitator, are the most notable. Others try to analyze the reasons for Tolkien's popularity, but with less success: that's a skill of critics, not of authors. But a few, including Raymond E. Feist and Terri Windling, have some good points to make along the way. The best essays are by those who do have it in them to be critics. Douglas A. Anderson is here to remind us that Tolkien wrote other books besides =LotR= and =The Hobbit=, and to warn us of the perils of undiscriminating popularity. Michael Swanwick offers a brief but thoughtful character study. Slightly less elevated than these is Orson Scott Card's diatribe against symbolic analysis: my instinct is to agree, but I finish the essay thinking there's points to be made for the other view. The outstanding contribution is Ursula K. Le Guin's: she simply sits down, as a good author with an ear for style can, and =demonstrates= Tolkien's quality by analyzing his use of rhythm, recurrence, and opposition to create emotional effects in a sample chapter of =LotR=, "Fog on the Barrow-Downs".
The authors make few factual errors, but the book offers many typos, including a character named Owyn. Illustrations by John Howe brighten a few pages.

Rating:
Summary: Took me back to the first time I read Lord of the Rings
Review: I borrowed this book from the library and enjoyed it so much I asked for it for Christmas (and got it). The different authors writing about the influence LOTR had on their lives reminded me of the first time I read the story and the effect it had on me. The drawings that illustrated the book were very well done. I think this should be in every fan's collection and is a must for anyone contemplating following in Tolkien's footsteps and writing a fantasy novel.

Rating:
Summary: Calling all Tolkien Fans
Review: If you're a fan of Tolkien's Middle Earth, this little volume of essays will be a welcome addition. It's refreshing to see how deeply "The Lord of the Rings" effected the contributors; and how, over time, their perceptions of LOTR have changed. My favorites were the submissions of Michael Swanwick, Esther M. Friesner, Robin Hobb, Orson Scott Card and Diane Duane. Douglas A. Anderson and Ursala K. Le Guin offer more cerebral takes on both LOTR and the role of story in our lives -- the eternal rhythums Tolkien tapped while writing his masterpiece. For "Meditations" I offer what I believe is the best praise anyone can offer for a book: It's much too short.

Rating:
Summary: Wonderful conversations with SF & F's best
Review: Imagine if you could gather some of the world's best Science Fiction and Fantasy authors into a room for an informal chat about Tolkein's influence on their personal and professional lives. Unfortunately, the authors are not all IN the same room, so each conversation is quite a bit different from the last. The authors were clearly given quite a bit of lattitude and therein lie the strengths and weaknesses of this collection.
The tone of the essays are personal, even familiar. For fans of Tolkein or of the contributing authors, the book is worth reading, if for no other reason than to spend some time with distant friends. Another perk is the reading list inadvertently provided by each author as they comment on their other influences. Apparently there are a few seminal works in the genre that I have completely missed.
The quality is admittedly a bit spotty, even within the same essay. Some of the best essays came from authors I knew nothing about. However, like any good conversation, there are snippets of great wisdom throughout. (It is the rare friend who offers up nothing but gems.) I can assure you that every essay will leave you smiling, or nodding and a few might even have you reaching for a pen. In short, you will find much to enjoy in this collection.
I should note that there is something here for everyone: hobbyist, devotee, english major, or bibliophile. Rarely does one get to listen in on the personal conversations of authors as they discuss their lives, their work and the influences that have made their careers possible.

Rating:
Summary: Insightful collection of essays
Review: MEDITATIONS ON MIDDLE EARTH is a collection of essays focusing on J.R.R. Tolkien's works, especially the Middle Earth saga. Some of the more renowned fantasy authors of today evaluate the series that made fantasy a household name. Surprisingly, though everyone agrees that Professor Tolkien opened up the genre to the middle class, not all of the contributors are fans of the actual novels. Insightful and entertaining, each essay is well written with the writer's particular spin. However, this anthology will be loved by those readers analyzing the various cultures in a way that cultural anthropologists would envy or by those fans who cherish Beowulf, which Tolkien felt is the forefather of the genre.

Harriet Klausner

Rating:
Summary: An almost-perfect celebration of Tolkien
Review: Mostly good, this collection did have some serious downfalls. For the positives first, in general this was a great celebration of Tolkien's enduring effect on the fantasy field, and of his works. Most of the contributers to this wanted to share their experiances and debts to Tolkien's works, but a few seemed just as happy to grab their own fame out of this enterpriese. An essay-by-essay review in the order that they appear...

George R.R. Martin: Unfortunatly stuck with the intro, Martin discusses Tolkienesque and epic fantasy, the latter being his main style. Engaging and interesting, and much too short.

Raymond E. Fiest: So-so essay, entertaining but not overly informative or interesting.

Poul Anderson: I remember nothing of this one save that it was the only essay that I couldn't finish...and it wasn't even that long.

Michael Swanwick: My memory of this one is sketchy as well, but a wonderfully tied-together essay that was much more united than many of these, and inspiring. A new author to me, this essay impressed me with his style and appriciation and understanding of Tolkien's works.

Esther M. Friesner: Not very on-topic, but it made me laugh...different style, but good enough.

Harry Turtledove: Never did get the point he was trying to make, I don't think he did either. Rambling and random, but not boring at least.

Terry Pratchett: Pratchett was a bit condesencing (or more than a bit) in his essay, and it appeared to me that he came into the deal just to help sell the book with his popular name. No insights in this, and his lack of passion for Tolkien is apparent.

Robin Hobb: A refreshingly fluid essay, sharing her personal experiances and thoughts about the books. Loved this one, and I agreed with her on almost everything she said. Respectful of Tolkien in the way that I am...not forceful, but deeply passionate in a quiter way.

Ursula K LeGuin: Took me awhile to finish this one, but left me with a much better understanding of Tolkien's styles in prose. If you're shooting for new but not radical ideas and thoughts, this is worth the price of the book!

Diane Duane: More of a personal experiance essay, okay and entertianing enough, but not much substance.

Douglas A. Anderson: He said some things I didn't agree with, but his essay was excellent and informative, while being engaging. A nice history of Tolkien both personal and historical, nicely done.

Orson Scott Card: A bit rambling, but, though some of his ideas were questionable for me, very good. Card once again demostrates his understanding of the genre and its history and mechanics, conveying this in his usual intimate, sometimes sarcastic, fast-moving and informative fashion that I love so much.

Lisa Goldstien: Never heard of her, but a nice essay on why Tolkien was so different, important, and nessecary to our world.

Charles De Lint: I feel that he has seriously mis-interpretted certain bits of the book, seeing it as a bit too allegorical, and only grasping the points of it that he wants to understand. Poltically correct, this essay started good and went bad.

Hildebrant brothers: Can't say enough bad about them. They did this just for their own publicity, and I got very, very tired of hearing about how wonderful they were, and how perfect their interpretations were, and how much fun it is to illustrate...bleh. They are arrogant, concieted, and condecending, trying to compare themselves to Tolkien, and getting all upset over the lack of feminism in the books. Good for Tolkien, I say! I'm a woman, it doesn't bug me, and I don't need a bunch of guys looking out for my best intrests. I can do that myself! Burn this conversation, folks. It was awful.

Terri Windling: Nice conclusion to the book, inspiring and hopeful, and very touching. A bit feministic for my tastes, but a true tribute to Tolkien.

Overall, nice essays in general. If you're wondering, buy it. It's good light reading. But if you're looking for a serious academic study of Tolkien, buy Tom Shippey's "J.R.R. Tolkien: Author of the Century" instead.

Rating:
Summary: Opportunism
Review: Some wonderful and successful writers gather their thoughts in this book to bear light on the magic of Tolkien's writing. Being a fan myself, I enjoyed the individual tales of discovering "The Hobbit" and "The Lord of the Rings" for the first time. I related to the same sense of awe and dread, of wonder and inspiration. Surely, Tolkien has inspired many.

Unfortunately, the praise gets to be redundant and--may I say it?--almost hollow, without the balance of some thoughtful criticism. Personally, I wouldn't have much negative to say regarding Tolkien's work, but I found very little that was genuinely fresh or enlightening in this collection of "meditations." I did discover an interest in some of the authors included (not a bad reason for their involvement in the project) and in earlier 20th century writers that I have never familiarized myself with. Lord Dunsany, E.R. Eddison, Fritz Leiber, and Mervyn Peake are only a few of the old standbys mentioned repeatedly.

Although interesting, a quick read, and well-written, this collection might best serve those curious in unearthing the inspiration beneath some of their favorite authors. I was hoping for something with more vitality, but overall I'd recommend the book.

Rating:
Summary: Brings out my own memories
Review: This book really brought back some great memories. And not really in the vein of Tolkien amazingly enough. ( I am a major FAN of Tolkien). No, I was shocked that when reading these essays I was quickly thrown back into my teenage years where I would read nothing but sci-fi/fantasy. I had almost forgotten how most of these authors had written in a basic, easy to read style that appealed to a young lad caught up in an adventurous, romantic mind set. I read these books as if I were love starved housewife needing my "Fabio on the cover" fix.
The good news is that I eventually outgrew this fixation, learning to read books that weren't written in under a month. But this book made me want to read some of their newer works, and, (gasp), reread some of them.
But seriously, this book is well worth the read. Some of the authors aren't all that great at writing non-fiction, (or even fiction for that matter), but it is nice to see them rahpsodizing about Tolkien. It is is also very nice to see John Howe's sketches scattered throughout, and his artwork on the cover was one of my favorite pictures long before I ever heard his name. He is an excellent artist, and I am so glad they used him as a conceptual designer on the LOTR' movies.
I give here a brief review of half the essays.
Karen Haber- Even though she was the editor of this book, her preface wasn't anything to write home about. Okay, I'll say it. It was DUMB.
George R.R. Martin- Martin, being stuck with the introduction, gives a short, concise read of what fantasy is and how Tolkien changed it. Well written and likable.
Michael Stanwick- I have never had the pleasure of reading Mr. Stanwick, but this gives me the desire to. He relates his experiences reading LOTR, gives a very nice piece on some of the dynamics of the characters, and talks of Tolkien's thoughts on allegory. He then finishes with a wonderfully heartwarming rendition of him reading the books to his young son, and how much more Sam's last words "Well, I'm back." meant to him then.
Esther Friesner- This essay was just plain funny. That is all I really remember. She didn't seem to have much to convey, but she did make me laugh.
Terry Pratchett- In true Brittish style, Pratchett brings real comic relief to this book. Just reading a short work as this brings to mind Monty Python, Hitchiker's Guide to the Galaxy, and his very own Discworld. This time he jumps headlong into the question" why is LOTR's still considered a cult classic, when it is the most popular book of the twentieth century?".He answers this in a way that would make Terry Gilliam or John Cleese proud to have written, showing how Mona Lisa and Pride and Prejudice fit into the equation. Bravo.
Ursula K. LeGuin- This was probably the best written of the bunch. Bypassing the "this is how I was first introduced to Tolkien's work" that pervades this book, Ursula gives a nice review of how Tolkien wrote his prose almost in a poetic metre. Taking one chapter of the fellowship, she shows how the different beats of action all corelate into a masterful work. Wish I had wrote it.
Orson Scott Card- The first page or two was alright, but after that it quickly detiorated into a study of "serious" vs. "escapist", that lost me in almost every paragraph. While making a few interesting points, it seemed mostly like he was just writing at random, and then forgot to put it into a cohesive format. All I can say is that Card should stick to writing fiction.
Hildebrandt Brothers- Before I write anything else, let me say this. I have never liked the brothers art. Sorry, but my bias will probably show in this one. Personally, I don't think that this should have been included in the book. Why not have John Howe or Alan Lee write something instead of this (rather lame) interview. Mostly they just banter back and forth about how skilled they are, talking about all their various projects, and occasionally thanking Tolkien for giving them the source material that made them famous. Pass.
Terri Windling- More so than all the others, this essay truly moved me. It recalled the wondefully romantic (in the classical sense of the word) thoughts, ideas, and feelings that I have always ascoiated with Tolkien, Indeed all fantasy in general. Interestingly enough, it wasn't the LOTR's that made her feel this way, But Tolkien's excellent lecture "On Fairy Stories", a beautiful work on the role of fantasy in the adult life. She also makes some great points about how Disney has changed the way we look at fairy tales, making them something just for children. Placing this essay at the end of the book definatly makes it feel as if they left the one of best for last.

Should you read this book? If you are a fan of tolkien, and don't mind a little light-hearted writing about him, then yes. If however you just happen to like a particular contributer, then you should probably shy away from this one.

Rating:
Summary: Fantasy Authors Reflect Upon Tolkien's Impact
Review: This is a collection of 17 short essays about J.R.R. Tolkien penned by contemporary fantasy & sci-fi authors. (Actually, 15 essays are by authors-- one is by bibliographer/editor Douglas Andersson and another is an interview with the Hildebrant Brothers, who are reknowned fantasy artists).

As others have noted, the essays are something of a mixed bag. Of them, only three try to take a critical, scholarly, analytical look at Tolkien. This is probably for the best, as authors usually make terrible critics. Of these three, the strongest is Ursula LeGuin's discussion of the poetic rhythms in Tolkien's prose. While thoughtful, it is nonetheless a bit dull-- and frankly, a much better essay on this same subject can be found in _J.R.R. Tolkien and his Literary Resonances_. The weakest of these three, Orson Scott Card's essay on "How Tolkien Means", is also the worst in the whole book. Although his basic contention-- that the essence of Tolkien's fiction lies in "Story" rather than "Meaning"-- is reasonable enough, his point is overwhelmed by an arrogant tone and intermittent rantings against feminists, multiculturalists, literary critics, People for the Ethical Treatment of Animals, Sigmund Freud, James Joyce, people who like James Joyce, modernists, postmodernists, and pretty much anyone and everyone who doesn't share (or whom he suspects might not share) the exact same approach to literature as he does.

Most authors here, however, have (wisely) avoided criticism, analysis, and polemic-- and have instead penned more autobiographical essays, reflecting upon how/when/why they first read Tolkien, how it impacted them both immediately and later on, how it changed their reading habits, how it influenced their own writing, and the like. Although these essays all have their own unique character and specific content depending on each author's own experiences and style (unsurprisingly, the essays by Terry Pratchett and Esther Freisner are quite funny), one can't help but note a common pattern of experience. With one or two exceptions, most of the writers here encountered Tolkien for the first time as an adolescent during the 1960s. Most describe reading the _Hobbit_ and the _Lord of the Rings_ as a life-changing event-- as a kind of epiphany or even as a magical experience. Many say that reading Tolkien inspired them to become writers themselves-- and several describe how many of their own early works were specifically modeled on Tolkien. Virtually all observe note that they probably could never have made a living writing the kind of fantasy fiction that they do if Tolkien hadn't proven to publishers that there was a huge market for this sort of thing.

Of all the essays in the book, the hands-down best is Michael Swanwick's "A Changeling Returns", an introspective piece that contrasts his childhood memories of reading Tolkien (where he saw mostly magic, adventure, and freedom), with his adulthood re-readings of it (he now sees that the powerful sense of loss and mortality that permeates Tolkien's fiction), and with the experience of reading Tolkien aloud to his children (who are encountering it as he first did as a child... but who can still sense that there is something deeper, sadder, that lies beneath). Whereas most of the other essays in this book were merely 'interesting', I found this one to be profoundly moving. (Then again, maybe that's just because I found Swanwick's experiences to be closest to my own).

All in all, I can't say that this is a must-have book for either Tolkien fans or scholars, but it does give an intriguing and suggestive first-hand account of how many of today's great fantasy & sci-fi writers have been influenced by Tolkien... although many of the most suggestive elements come not from what individual writers themselves say, but from seeing the commonalities of experience among them. My only real criticism of the book as whole is that it would have been nice to include as a contrast some essays by authors who *aren't* fantasy writers, by authors whose primary language wasn't English, and/or by authors who were of a different generation that those featured here.