Dying in the Sun (Doctor Who)

Rating:
Summary: LA Confidential - Doctor Who style
Review: As the story opens in 1947 Hollywood, small-time dope peddler Robert Chate is trying to get out from under the thumb of his gangster boss, the Doctor's companions Ben and Polly are sightseeing, and the Doctor himself is visiting an old friend. Unfortunately, the murder of that friend brings the Doctor into contact with the LAPD, Robert Chate, and a mysterious plot to capture the minds and hearts of the citizens of LA. And how is the unnaturally popular film Dying in the Sun involved in all this?

What starts off as a bargain-basement James Ellroy Hollywood noir thriller soon turns into a (more appropriate for Doctor Who) tale of alien invasion, possession, zombies, and movie stars. Jon de burgh Miller writes a fast-paced, gripping story that keeps the reader turning the pages, despite what ultimately feels like quite a bit of running around and accomplishing nothing. For the most part, the characters are fleshed out quite well, although some, like Detective Fletcher, still seem rather thin, while others seem to have had melodramatic twists foisted on them very unnecessarily.

This particular novel serves as a good introduction to the series for newcomers. It allows readers to see what a typical Doctor Who adventure is like without requiring any foreknowledge of the characters (except, perhaps, knowing that the Doctor is the hero). In many ways, it functions similarly to Justin Richards's novel The Burning, though not quite as well written. Having said that, it is a good, fun adventure, one that could only be told as a novel, not as part of the TV series. It has an epic feel to it, and makes good use of the period Hollywood setting without being too self-conscious about it. Perhaps not a must-read, but fans won't be disappointed, and newcomers will hopefully want to read more.

Rating:
Summary: I'm going to make you a STAR!
Review: Dying in the Sun seems to be an examination of Hollywood and how the American public sees celebrities. Much is made of the star quality of a few of the characters, though in this book, a large part of that is artificial. Then again, that's probably the point: that the star quality that we see in our movie stars is artificial, manufactured by Hollywood producers and the pop culture mentality that makes some of us follow these people's lives religiously. It's an interesting idea, though it's been done many times so it's not a new one. I think it's a very nice touch that this is done in 1947, which is during the movie studio era. I think it would have been too easy to make it a modern-day story.

However, Miller doesn't imbue the story with a lot of energy. The book is a fairly easy read, so it moves fairly quickly in that manner. However, it doesn't draw you in, grabbing you and making you read it until the end. It's a very straightforward story, almost a run-around. The Doctor bounces from location to location, trying to figure things out, making a deduction or two, and then goes on to the next situation. Surprisingly, even though the Doctor does a lot of running around and nosing into things, ultimately he doesn't have a lot to do with the resolution. He has a hand in the final fate of the villain, but the situation starts to fall apart through the actions of another character. It's yet another example of the ineffectual Doctor that permeates the Past Doctor series of books. I found this rather disappointing.

The characterization is pretty solid, though nothing outstanding. The Second Doctor is one of the hardest Doctors to get right on the printed page, as so much of what we like about him is provided by the performance on television of Patrick Troughton. In book form, many authors try to capture Troughton mannerisms without catching the charm that Troughton brought to the character. In this case, Miller does a decent job of getting it right. It's not completely recognizable as the Second Doctor, but he does make him distinct enough to be satisfying. And he avoids using some Troughton cliches, such as "Oh my giddy aunt!" I was very glad to see that. In Dying in the Sun, the second Doctor is inquisitive, intelligent, not willing to be bullied by authority but not contemptuous of it. He is an interesting character to read about, and I did enjoy seeing what he would do.

The other characters are pretty good too, though nothing special. Ben and Polly are pretty close to their televised counterparts, but they're not fleshed out to any real degree. Polly is very easily seduced into the star culture of Hollywood and is a typical late 1960's party girl. Ben is protective of her, a sailor who's tough as nails when he needs to be but doesn't always understand what's going on. Polly's side of the story is kind of interesting, as she gives a personal touch to the story's examination of Hollywood when she starts feeling like she is a star. She embodies the arrogance and selfishness that pervades this sort of culture. The rest of the story is about that too, but her story gives us an inside look at it, and I thought it was pretty effective.

The new characters are pretty basic, though not badly done. De Sande is a very credible bad guy. The reader is never sure how much of what he's doing is because he's a villain and how much is from some other source. The two other characters who get most of the screentime are Robert Chate and Detective William Fletcher. Chate is a very good ambiguous character. He's a drug dealer, but he starts out the novel wanting to get out of the business. He's always been in love with a former screen star, and when he finally meets her as he's on the run, things don't go quite as expected. He gives us the outsider's view of Hollywood and demonstrates the possible result of our fascination with these stars. Polly gets into trouble because she wants to *be* a star, but Robert has problems because he's in love with one.

Fletcher is the typical irascible detective who will do anything to find the truth of what happened. As is typical in Doctor Who stories, the Doctor sidesteps the suspicion that is placed on him and becomes an integral part of the investigation. Fletcher is sort of stereotypical in how he reacts to this, and he ends up becoming part of the run-around. However, his character has a really interesting twist that I won't give away, which redeems him in my eyes. Don't worry that he's sounds typical. Following his story will pay off at the end.

This review sounds very ambivalent, and that pretty much sums up my reaction to this book. It takes a great idea, does a few good things with it, but makes it's not interesting enough to really hold the reader's attention. The climax of the story breaks down into an action piece that doesn't really fit well with the rest of the novel, and is almost anti-climactic in that sense. It only adds to the interest level if you need a little action to wake you up. It's a very traditional Doctor Who story, and fans who like that sort of thing may find this book very good. However, it's not a very good introduction to the book series, as I'm afraid anybody who doesn't already like the series would probably be turned off by it.

Consider this a very qualified recommendation.

Rating:
Summary: I'm going to make you a STAR!
Review: Dying in the Sun seems to be an examination of Hollywood and how the American public sees celebrities. Much is made of the star quality of a few of the characters, though in this book, a large part of that is artificial. Then again, that's probably the point: that the star quality that we see in our movie stars is artificial, manufactured by Hollywood producers and the pop culture mentality that makes some of us follow these people's lives religiously. It's an interesting idea, though it's been done many times so it's not a new one. I think it's a very nice touch that this is done in 1947, which is during the movie studio era. I think it would have been too easy to make it a modern-day story.

However, Miller doesn't imbue the story with a lot of energy. The book is a fairly easy read, so it moves fairly quickly in that manner. However, it doesn't draw you in, grabbing you and making you read it until the end. It's a very straightforward story, almost a run-around. The Doctor bounces from location to location, trying to figure things out, making a deduction or two, and then goes on to the next situation. Surprisingly, even though the Doctor does a lot of running around and nosing into things, ultimately he doesn't have a lot to do with the resolution. He has a hand in the final fate of the villain, but the situation starts to fall apart through the actions of another character. It's yet another example of the ineffectual Doctor that permeates the Past Doctor series of books. I found this rather disappointing.

The characterization is pretty solid, though nothing outstanding. The Second Doctor is one of the hardest Doctors to get right on the printed page, as so much of what we like about him is provided by the performance on television of Patrick Troughton. In book form, many authors try to capture Troughton mannerisms without catching the charm that Troughton brought to the character. In this case, Miller does a decent job of getting it right. It's not completely recognizable as the Second Doctor, but he does make him distinct enough to be satisfying. And he avoids using some Troughton cliches, such as "Oh my giddy aunt!" I was very glad to see that. In Dying in the Sun, the second Doctor is inquisitive, intelligent, not willing to be bullied by authority but not contemptuous of it. He is an interesting character to read about, and I did enjoy seeing what he would do.

The other characters are pretty good too, though nothing special. Ben and Polly are pretty close to their televised counterparts, but they're not fleshed out to any real degree. Polly is very easily seduced into the star culture of Hollywood and is a typical late 1960's party girl. Ben is protective of her, a sailor who's tough as nails when he needs to be but doesn't always understand what's going on. Polly's side of the story is kind of interesting, as she gives a personal touch to the story's examination of Hollywood when she starts feeling like she is a star. She embodies the arrogance and selfishness that pervades this sort of culture. The rest of the story is about that too, but her story gives us an inside look at it, and I thought it was pretty effective.

The new characters are pretty basic, though not badly done. De Sande is a very credible bad guy. The reader is never sure how much of what he's doing is because he's a villain and how much is from some other source. The two other characters who get most of the screentime are Robert Chate and Detective William Fletcher. Chate is a very good ambiguous character. He's a drug dealer, but he starts out the novel wanting to get out of the business. He's always been in love with a former screen star, and when he finally meets her as he's on the run, things don't go quite as expected. He gives us the outsider's view of Hollywood and demonstrates the possible result of our fascination with these stars. Polly gets into trouble because she wants to *be* a star, but Robert has problems because he's in love with one.

Fletcher is the typical irascible detective who will do anything to find the truth of what happened. As is typical in Doctor Who stories, the Doctor sidesteps the suspicion that is placed on him and becomes an integral part of the investigation. Fletcher is sort of stereotypical in how he reacts to this, and he ends up becoming part of the run-around. However, his character has a really interesting twist that I won't give away, which redeems him in my eyes. Don't worry that he's sounds typical. Following his story will pay off at the end.

This review sounds very ambivalent, and that pretty much sums up my reaction to this book. It takes a great idea, does a few good things with it, but makes it's not interesting enough to really hold the reader's attention. The climax of the story breaks down into an action piece that doesn't really fit well with the rest of the novel, and is almost anti-climactic in that sense. It only adds to the interest level if you need a little action to wake you up. It's a very traditional Doctor Who story, and fans who like that sort of thing may find this book very good. However, it's not a very good introduction to the book series, as I'm afraid anybody who doesn't already like the series would probably be turned off by it.

Consider this a very qualified recommendation.

Rating:
Summary: A pulpy Twilight Zone
Review: I quite enjoyed the beginning of DYING IN THE SUN. The story opens with a mock pulp style consistent with the 1940's period in which the book was set. It eventually moves on from this into a more straightforward Science Fiction tale that isn't quite as gripping. The book does quite a lot of things well, but unfortunately it does almost an equal number of things poorly. While I did leave the book feeling positive, there were several points along the way that made enjoyment feel like an uphill battle, as if the narrative was occasionally insisting that I dislike it. It didn't totally succeed, but I can't shake the feeling that the book could have been much more interesting than it was.

The dime novel feel to the beginning of the story was quite effective at evoking the setting and capturing the mood of the genre it was mimicking. It's not the most original pulp style ever seen in a novel, as it mostly follows the conventions of that genre rather than subverting them or offering up anything new. Still it makes for a fair enjoyable read, if one likes that sort of writing, and I found it to be quite entertaining. The crew of the Second Doctor, Ben and Polly seemed to fit right into this type of storytelling, and putting that team into this setting was a risk that mostly succeeded. Upon reflection, I think I would have preferred to see the entire book written in this style rather than having it phased out halfway through.

The replacement to the pulp is a portion of the story that would feel right at home on The Twilight Zone. These sections are fairly successful as well, though I found them less engaging than the opening passages. The eventual menace is an interesting idea, though it lacks a certain something in execution. Maybe it's because we never get an adequate explanation of what the eventual goal of the aliens is. Perhaps the lack of explanations about the nature of the creatures is what leads to the unsatisfying ending. Whatever the reason, there simply wasn't enough "oomph" to the aliens. And this is a problem mainly because the human spokesman for the villains isn't all that interesting either. It seems frustrating to see a baddie fall back on the same motivations and plot devices that we've seen before. There were glimmers of potential, but very little of that manifested itself in the adversaries.

The Doctor and his companions are portrayed adequately, but not excellently. Jon De Burgh Miller gets much of Troughton's Doctor correct, though there are several passages that seemed quite out of character. Still, the Second Doctor is notoriously difficult to capture in print, and the depiction here is better than others have attempted. I'm much more familiar with Ben and Polly through their outings in the old Target novelisations than in their televised episodes, and their characterization here certainly seemed consistent with my memories of those books. It's only a pity that Ben has so little to do, with most of the attention focused on Polly. Fortunately, Polly more than carries the slack. There were a few places where her motivation seemed a little over the top, but for the most part she was a believable and noteworthy character.

Ultimately, I think the story could have done quite well with some tighter editing, or another draft. I found myself enjoying the story, but slight and avoidable oversights kept jumping out to annoy me. No major mistakes caused me to hurl the book across the room; rather there was an accumulation effect as all the small individual cuts took their toll. Small oddities in the narrative, "revelations" that came out of nowhere, and coincidences just slightly too big to be believable all added up.

While DYING IN THE SUN has a couple of flaws that annoyed me, I managed to enjoy enough of the story not to be too bothered by them. There are portions that just appear to be sloppy, but the narrative moves fast enough for these not to be a big problem. There are a few missed opportunities, but overall it's relatively enjoyable and works fairly well as a simple, undemanding story. I did find quite a lot to like, and it's a fairly fun tale, but I couldn't quite describe it as anything more than average.

Rating:
Summary: A pulpy Twilight Zone
Review: I quite enjoyed the beginning of DYING IN THE SUN. The story opens with a mock pulp style consistent with the 1940's period in which the book was set. It eventually moves on from this into a more straightforward Science Fiction tale that isn't quite as gripping. The book does quite a lot of things well, but unfortunately it does almost an equal number of things poorly. While I did leave the book feeling positive, there were several points along the way that made enjoyment feel like an uphill battle, as if the narrative was occasionally insisting that I dislike it. It didn't totally succeed, but I can't shake the feeling that the book could have been much more interesting than it was.

The dime novel feel to the beginning of the story was quite effective at evoking the setting and capturing the mood of the genre it was mimicking. It's not the most original pulp style ever seen in a novel, as it mostly follows the conventions of that genre rather than subverting them or offering up anything new. Still it makes for a fair enjoyable read, if one likes that sort of writing, and I found it to be quite entertaining. The crew of the Second Doctor, Ben and Polly seemed to fit right into this type of storytelling, and putting that team into this setting was a risk that mostly succeeded. Upon reflection, I think I would have preferred to see the entire book written in this style rather than having it phased out halfway through.

The replacement to the pulp is a portion of the story that would feel right at home on The Twilight Zone. These sections are fairly successful as well, though I found them less engaging than the opening passages. The eventual menace is an interesting idea, though it lacks a certain something in execution. Maybe it's because we never get an adequate explanation of what the eventual goal of the aliens is. Perhaps the lack of explanations about the nature of the creatures is what leads to the unsatisfying ending. Whatever the reason, there simply wasn't enough "oomph" to the aliens. And this is a problem mainly because the human spokesman for the villains isn't all that interesting either. It seems frustrating to see a baddie fall back on the same motivations and plot devices that we've seen before. There were glimmers of potential, but very little of that manifested itself in the adversaries.

The Doctor and his companions are portrayed adequately, but not excellently. Jon De Burgh Miller gets much of Troughton's Doctor correct, though there are several passages that seemed quite out of character. Still, the Second Doctor is notoriously difficult to capture in print, and the depiction here is better than others have attempted. I'm much more familiar with Ben and Polly through their outings in the old Target novelisations than in their televised episodes, and their characterization here certainly seemed consistent with my memories of those books. It's only a pity that Ben has so little to do, with most of the attention focused on Polly. Fortunately, Polly more than carries the slack. There were a few places where her motivation seemed a little over the top, but for the most part she was a believable and noteworthy character.

Ultimately, I think the story could have done quite well with some tighter editing, or another draft. I found myself enjoying the story, but slight and avoidable oversights kept jumping out to annoy me. No major mistakes caused me to hurl the book across the room; rather there was an accumulation effect as all the small individual cuts took their toll. Small oddities in the narrative, "revelations" that came out of nowhere, and coincidences just slightly too big to be believable all added up.

While DYING IN THE SUN has a couple of flaws that annoyed me, I managed to enjoy enough of the story not to be too bothered by them. There are portions that just appear to be sloppy, but the narrative moves fast enough for these not to be a big problem. There are a few missed opportunities, but overall it's relatively enjoyable and works fairly well as a simple, undemanding story. I did find quite a lot to like, and it's a fairly fun tale, but I couldn't quite describe it as anything more than average.

Rating:
Summary: Dianetics in the Sun
Review: There's a great wicked Hollywood-cult-frenzy parody waiting to get out of "Dying in the Sun". The underlying notion is that a bunch of possibly-benevolent glowing particles attach themselves to the celluloid print of a ludicrously awful Hollywood "B" film in 1947, in an attempt to take over the world. Funny concept. However, first-time "Doctor Who" author Jon DeBurgh Miller (who previously cut his teeth in a DW-spinoff range) also takes a somber look at the notion of "celebrity". Not only can his Selyoid (ha ha) creatures attach themselves to reels of film, but they can also meld with B-list actors (with evocatively phony names like "Caleb Rochefort") and turn those poor schlubs into international icons.

The novel kicks into gear about halfway through, when the Second Doctor and Ben are invited to the "Dying in the Sun" launch party, and meet a group of robed cultists who're using the Selyoids to further their aims of world domination by the power of rational thinking. Curiously, there are no blatant L. Ron Hubbard jokes, although we do get the token gag about the Jewish screenwriter who offers to change his religion, if it'll help him sell his scripts. That's about as topical as "Dying in the Sun" gets.

Oh wait -- there's also one very anti-Communist LAPD captain, a villainous part based probably on a bunch of film noir roles, and almost certainly in part on John Mahon's character from "L.A. Confidential" (and "Angel" Season 1, for that matter). But that's the B-plot, and it seems to be there for atmosphere, mostly.

Miller's novel is easy to read, easy to forget. His choice of TARDIS crew is handled adequately. The Doctor could easily be Patrick Troughton's Doctor. Most of the scenes are told from Ben's perspective, although he remains defined by his accent more than by his choices. Indeed most of the action scenes seem flat, perfunctory -- the flashback to director De Sande's discovery of the Selyoids, which could have been a grandly creepy moment, is rushed through, and that's a representative sample of the rest of the adventure. There's an issue of demonic possession, as one of the regulars is absorbed by the Selyoids... but then promptly vanishes from the story.

The novel only really falls apart in the final 20 pages. The showdown between the head Selyoid honcho and the surprise bad guy turns into... a drinking contest. Later, one of the regulars casually commits double murder by causing an airplane to explode (by bombarding it with skyscraper-sized projections from "King Kong" and "Birth of a Nation"). Still, the ending is not enough to sour the warm, bland taste of the rest of the novel.

Unlike the recent release of another late-'40s Hollywood film just out on DVD -- "Treasure of the Sierra Madre" -- this is not an offering you'll watch again and again, but it's OK the one time.

Rating:
Summary: Dianetics in the Sun
Review: There's a great wicked Hollywood-cult-frenzy parody waiting to get out of "Dying in the Sun". The underlying notion is that a bunch of possibly-benevolent glowing particles attach themselves to the celluloid print of a ludicrously awful Hollywood "B" film in 1947, in an attempt to take over the world. Funny concept. However, first-time "Doctor Who" author Jon DeBurgh Miller (who previously cut his teeth in a DW-spinoff range) also takes a somber look at the notion of "celebrity". Not only can his Selyoid (ha ha) creatures attach themselves to reels of film, but they can also meld with B-list actors (with evocatively phony names like "Caleb Rochefort") and turn those poor schlubs into international icons.

The novel kicks into gear about halfway through, when the Second Doctor and Ben are invited to the "Dying in the Sun" launch party, and meet a group of robed cultists who're using the Selyoids to further their aims of world domination by the power of rational thinking. Curiously, there are no blatant L. Ron Hubbard jokes, although we do get the token gag about the Jewish screenwriter who offers to change his religion, if it'll help him sell his scripts. That's about as topical as "Dying in the Sun" gets.

Oh wait -- there's also one very anti-Communist LAPD captain, a villainous part based probably on a bunch of film noir roles, and almost certainly in part on John Mahon's character from "L.A. Confidential" (and "Angel" Season 1, for that matter). But that's the B-plot, and it seems to be there for atmosphere, mostly.

Miller's novel is easy to read, easy to forget. His choice of TARDIS crew is handled adequately. The Doctor could easily be Patrick Troughton's Doctor. Most of the scenes are told from Ben's perspective, although he remains defined by his accent more than by his choices. Indeed most of the action scenes seem flat, perfunctory -- the flashback to director De Sande's discovery of the Selyoids, which could have been a grandly creepy moment, is rushed through, and that's a representative sample of the rest of the adventure. There's an issue of demonic possession, as one of the regulars is absorbed by the Selyoids... but then promptly vanishes from the story.

The novel only really falls apart in the final 20 pages. The showdown between the head Selyoid honcho and the surprise bad guy turns into... a drinking contest. Later, one of the regulars casually commits double murder by causing an airplane to explode (by bombarding it with skyscraper-sized projections from "King Kong" and "Birth of a Nation"). Still, the ending is not enough to sour the warm, bland taste of the rest of the novel.

Unlike the recent release of another late-'40s Hollywood film just out on DVD -- "Treasure of the Sierra Madre" -- this is not an offering you'll watch again and again, but it's OK the one time.

Rating:
Summary: Dianetics in the Sun
Review: There's a great wicked Hollywood-cult-frenzy parody waiting to get out of "Dying in the Sun". The underlying notion is that a bunch of possibly-benevolent glowing particles attach themselves to the celluloid print of a ludicrously awful Hollywood "B" film in 1947, in an attempt to take over the world. Funny concept. However, first-time "Doctor Who" author Jon DeBurgh Miller (who previously cut his teeth in a DW-spinoff range) also takes a somber look at the notion of "celebrity". Not only can his Selyoid (ha ha) creatures attach themselves to reels of film, but they can also meld with B-list actors (with evocatively phony names like "Caleb Rochefort") and turn those poor schlubs into international icons.

The novel kicks into gear about halfway through, when the Second Doctor and Ben are invited to the "Dying in the Sun" launch party, and meet a group of robed cultists who're using the Selyoids to further their aims of world domination by the power of rational thinking. Curiously, there are no blatant L. Ron Hubbard jokes, although we do get the token gag about the Jewish screenwriter who offers to change his religion, if it'll help him sell his scripts. That's about as topical as "Dying in the Sun" gets.

Oh wait -- there's also one very anti-Communist LAPD captain, a villainous part based probably on a bunch of film noir roles, and almost certainly in part on John Mahon's character from "L.A. Confidential" (and "Angel" Season 1, for that matter). But that's the B-plot, and it seems to be there for atmosphere, mostly.

Miller's novel is easy to read, easy to forget. His choice of TARDIS crew is handled adequately. The Doctor could easily be Patrick Troughton's Doctor. Most of the scenes are told from Ben's perspective, although he remains defined by his accent more than by his choices. Indeed most of the action scenes seem flat, perfunctory -- the flashback to director De Sande's discovery of the Selyoids, which could have been a grandly creepy moment, is rushed through, and that's a representative sample of the rest of the adventure. There's an issue of demonic possession, as one of the regulars is absorbed by the Selyoids... but then promptly vanishes from the story.

The novel only really falls apart in the final 20 pages. The showdown between the head Selyoid honcho and the surprise bad guy turns into... a drinking contest. Later, one of the regulars casually commits double murder by causing an airplane to explode (by bombarding it with skyscraper-sized projections from "King Kong" and "Birth of a Nation"). Still, the ending is not enough to sour the warm, bland taste of the rest of the novel.

Unlike the recent release of another late-'40s Hollywood film just out on DVD -- "Treasure of the Sierra Madre" -- this is not an offering you'll watch again and again, but it's OK the one time.

Rating:
Summary: The Sun Shines On This One!!!
Review: Visiting a friend in Hollywood, Los Angeles, 1947 the Doctor, along with Ben and Polly, discover that the multi-millionaire movie producer has been murdered. Working with the LAPD, the Doctor and co. soon discover the murder is related to a soon-to-be-released movie, which is either the greatest movie of all time or something more sinister.

The novel reads, especially scenes with Detective William Fletcher and Hitman Robert Chate, like an early pulp crime novel reminiscent of author Raymond Chandler novels. These secondary characters shine as the most interesting characters in the book.
Throughout the beginning of the novel, the Doctor's character doesn't seem to fit in with his surroundings and seems to act a bit more overly-polite than usual, it's not until you're about a third way into the novel that this unsurity about the Doctor's character settles down to something we're all familiar with. It's also good to see Ben and especially Polly get some 'screen' time in the book too.

Overall , a great fun read, with an element of something different. RECOMMENDED!!!!

Rating:
Summary: The Sun Shines On This One!!!
Review: Visiting a friend in Hollywood, Los Angeles, 1947 the Doctor, along with Ben and Polly, discover that the multi-millionaire movie producer has been murdered. Working with the LAPD, the Doctor and co. soon discover the murder is related to a soon-to-be-released movie, which is either the greatest movie of all time or something more sinister.

The novel reads, especially scenes with Detective William Fletcher and Hitman Robert Chate, like an early pulp crime novel reminiscent of author Raymond Chandler novels. These secondary characters shine as the most interesting characters in the book.
Throughout the beginning of the novel, the Doctor's character doesn't seem to fit in with his surroundings and seems to act a bit more overly-polite than usual, it's not until you're about a third way into the novel that this unsurity about the Doctor's character settles down to something we're all familiar with. It's also good to see Ben and especially Polly get some 'screen' time in the book too.

Overall , a great fun read, with an element of something different. RECOMMENDED!!!!