Venus Plus X

Rating:
Summary: Deconstructing gender
Review: "Venus Plus X," by science fiction giant Theodore Sturgeon, tells the story of Charlie Johns, an ordinary modern man who is whisked to the land of the Ledom, a new breed of human hermaphrodites. Charlie is challenged by his hosts to learn all about their culture; through his eyes, the reader also discovers the brave new world (to borrow a phrase) of the Ledom.

Sturgeon covers Ledom technology, religion, history, anatomy, and education. He includes an ironic parallel narrative about an ordinary 20th century human family; this second narrative frequently comments on our own culture's obsession with gender.

"Venus" is a compelling story of love, loss, and knowledge. It is part of an intriguing science fiction tradition of deconstructing societal ideas on sexuality and gender; for companion texts in this vein, try Ursula K. LeGuin's "The Left Hand of Darkness" and Carolyn Ives Gilman's "Halfway Human."

Rating:
Summary: A thoughtful, entertaining look at gender
Review: As a women's studies graduate and a science fiction writer, there's nothing I enjoy more than the combination of the fantasy genre with a discussion of gender. That said, I cannot classify this novel as either a feminist or anti-feminist work. I believe that the ambiguous political nature of the book illustrates the complexity of this incredibly enjoyable, thought-provoking tale.

The differences between Charlie Johns' gendered world and the non-dichotomous sexuality of his host society, the Ledom, are both heightened and diminished by Sturgeon's exploration of both cultures' determination of sex, or absence of such, by technology and work roles.

If you think that an examination of 'male' and 'female' should be integral to utopian fiction, then this is necessary reading.

Rating:
Summary: Consciousness-raising, perhaps, but not enough fun
Review: Charlie Johns wakes up after a plane crash only to find himself in a strange new world of advanced technology, unique social forms, and a conspicuous absence of gender. That's right, folks, all the citizens of the land of Ledom are functionally both male and female and consequently there are no longer two different sexes. Charlie's (and our) guide is a man/woman named Philos, a historian who wants Charlie's unbiased opinion about their utopia. At Charlie's side, we learn about Ledom's architecture, its clothing styles, its scientific achievements, its educational system, its worship of children, and of course, its total lack of sexually-derived problems, a theme that is driven home again and again.

For contrast, there are brief interludes that provide snapshots of life in 1950's-era America. These scenes invariably point out the failings in 20th Century society that the Ledom have ostensibly solved by abandoning two separate sexes. Many involve the subtle and almost harmless-seeming ways in which women are subjugated to men. Of course in today's climate of political correctness, many of these practices are dying out, but when this book was written in 1960, Sturgeon was expressing some pretty radical notions, (i.e. that financial competition between men was fundamentally sexual, or that it was not necessarily "natural" that a woman's place was in the home). There isn't much shock value in this book today, but it was the general availability of ideas like these that led to the massive social changes of the '60's and early '70's.

As the story is told from Charlie's point of view, we readily sympathize with his confusion, his loneliness, and his fear in this radically alien environment. Where is he? When is he? What happened to the world that he spent his life in? And what hope does he have of ever getting back? The gradual unraveling of these mysteries provides the tension that drives this fairly short novel. Not short enough, perhaps, since the lack of action and thinness of the characters wears pretty quickly. Skillful as Sturgeon is at making his point, he rarely manages to capture this reviewer's imagination. The beginning and middle sections of this book both seemed unnecessarily slow. Only toward the very end does the plot pick up as Charlie starts getting closer to finding out the truth about Ledom.

As is too often the case with Sturgeon's novels, he comes up with a truly brilliant idea for a story, but stretches it beyond his own ability to keep it interesting. Fans of "classic" science fiction will enjoy this novel, and those whose gender consciousness needs raising may find this book enlightening; but for the most part, time has caught up with the ideas in this book, and it isn't successful enough as an entertainment to stand without their psycho-social punch.

Rating:
Summary: Thought provoking view on humanity!
Review: If it was possible to give 7 stars I would do so for this book.

Though I wouldn't have thought so during the first couple of chapters. The book starts slowly, like many of the SF out of that period does: it leaves the reader a bit disoriented (modern readers are more used to books starting at the peak of an action) But it's a miracle of fresh and mind provoking ideas on what it is to be human. Mostly on the relationship between religion, sexuality, domination and destruction. No: don't think now, because of what I just typed, that you can now predict what Sturgeon will show you. His views are not common property even 40 years after the book was first published. I can imagine it must have been a shocker in 1960!

It's a highly quotable book, that alteres your perception of the world and the "logic" of how we are behaving. What good fortune that there is gonna be a reprint at last.

If you only can buy one book in your life: buy this one.

Rating:
Summary: Imaginitive Mind Twister/Gender Bender
Review: Interesting and in the end, somewhat disturbing look at cultural norms and discrimination, through the vehicle of a stranded time-traveler trapped in a future of androgens evolved from human ancestry. All is well until a dreadful secret is discovered - maybe what the main character is lead to believe is "natural" is not all that natural after all.

Rating:
Summary: Hallelujah!
Review: My copy of "Venus Plus X" is old: priced on its cover at 40 cents, if not a first edition then close to it, a paperback whose brittle pages have all separated from the spine and cover and had to be turned with the greatest care lest some unwary movement reduce the entire book to a handful of leaf litter. But I love the book - I have read it three times and every time enjoyed it, from the fantastic world of the Ledom with its bright overcast sky and its buildings like architecture by Dali, to characters like the enigmatic Philos or bewildered Charlie Johns himself, to Sturgeon's conversational-poetic language . . . for that matter, almost everything about the book! So I am incredibly happy to see it back in print: I can now read "Venus Plus X" without fear of accidental destruction!

Also I can now recommend it to all my friends and know that they'll read the book - as they should. Because although Ursula Le Guin's "The Left Hand of Darkness" may be the most famous work of science-fiction dealing with an androgynous society, as well as contemporary gender issues, "Venus Plus X" is every bit as good and occasionally a great deal weirder. Part of this is the style. The perspective, when it deals with Charlie Johns in the world of the Ledom, is outsider-only: the reader knows only what Charlie Johns knows and must believe only what Charlie Johns believes. When Charlie Johns' world is turned inside-out and upside-down, so is every single (pre)conception that the reader has held about the Ledom since the book's opening. It's wonderful. And although at first I wondered why Charlie Johns' story was periodically interrupted by the life and times of some random middle-class suburban family living on Begonia Drive, there is a very definite reason for their inclusion in the story, and it's wonderful too. More than that, I probably shouldn't say: part of the fun of "Venus Plus X" is the discovery. (Not that the book doesn't work a second time around; it's just a better read if you go along without any idea of what's ahead. That way you're nice and unsuspecting when Sturgeon pulls the rug, not to mention the floor, out from under your feet.) And what kind of wacky title is "Venus Plus X" anyway? It's explained - later on, of course. Just read the book. It was a classic when it came out, it deserves to remain a classic now. (And now you don't have to worry about pulverizing your copy with a sneeze . . .)

Rating:
Summary: Novel ideas but a traditional message
Review: My reaction to this book seems to be a little different than that of others. Had I not read others' favorable reviews, this book would have frustrated me. The second running commentary about a "modern" family and its neighbors did provide a little humor but mainly just served to interrupt the flow of the main story. I expected some kind of grand ending which would embrace the secondary story and clearly show its meaning and purpose, but the ending did not really accomplish that to my satisfaction. As far as the presentation of homosexual themes in this story, I found nothing very controversial or nontraditional in its presentation. Our "homo sap." protagonist Charlie Johns encounters homosexuality, is confused by its practice, and actually delivers a biting criticism of that kind of lifestyle; he in fact goes so far as to say that over 99% of the men in his world would want to destroy the Ledom just because they accept and practice homosexuality. In an even larger sense, the utopian aspects of Ledom society seem to be overstated by some reviewers and certainly by the guy who wrote the words on the front and back covers of my rather old copy of the book. While Charlie Johns is seemingly very impressed by Ledom society at one point, I didn't really understand why he suddenly felt that way. Moreover, his views quickly change as his guide Philos shows him some of Ledom's secrets. I can't really go into the heart of this matter without giving something away to the future reader, so let me just say that clearly all of the Ledom are not blissfully happy nor do they even claim to be an ideal society.

This book does succeed in delivering a powerful ending. While I expected a late twist, I did not really expect the ending Sturgeon gave me, and this largely made up for the dissatisfaction I felt regarding the secondary "modern life" story. The ending makes this book the classic it is, but the main story is thoroughly enjoyable throughout. A man is somehow snatched from his own world into that of a strange new world inhabited by a small, largely sexless society which purports to keep all its citizens equal, happy, and free. In return for a trip back home, Johns agrees to study the society objectively (objectivity being something the Ledom lack); the new society rather quickly reveals a layer of conflict and isolated unhappiness hidden behind a mask of equality and utopia. Interestingly, Charlie Johns (and the Ledom) learns more about home sap. society than he does Ledom society. In essence, the book serves not as a critique but more of a study of human life, honing in on two issues: sexuality and religion. Sturgeon offers a number of interesting ideas on society, but these seem to me to be ideas only and not prescriptions or even suggestions. To my mind, Sturgeon actually lauds the greatness of human society despite whatever ills it certainly possesses.

Venus Plus X is an important, influential, successful example of social science fiction, proving that science fiction is at its best when it deals with the large, abstract issues of mankind rather than focusing exclusively on the technical aspects and believability of a future or alternative science. You can learn something about yourself by reading this book, and that is a grand accomplishment indeed for any writer in any genre.

Rating:
Summary: Novel ideas but a traditional message
Review: My reaction to this book seems to be a little different than that of others. Had I not read others' favorable reviews, this book would have frustrated me. The second running commentary about a "modern" family and its neighbors did provide a little humor but mainly just served to interrupt the flow of the main story. I expected some kind of grand ending which would embrace the secondary story and clearly show its meaning and purpose, but the ending did not really accomplish that to my satisfaction. As far as the presentation of homosexual themes in this story, I found nothing very controversial or nontraditional in its presentation. Our "homo sap." protagonist Charlie Johns encounters homosexuality, is confused by its practice, and actually delivers a biting criticism of that kind of lifestyle; he in fact goes so far as to say that over 99% of the men in his world would want to destroy the Ledom just because they accept and practice homosexuality. In an even larger sense, the utopian aspects of Ledom society seem to be overstated by some reviewers and certainly by the guy who wrote the words on the front and back covers of my rather old copy of the book. While Charlie Johns is seemingly very impressed by Ledom society at one point, I didn't really understand why he suddenly felt that way. Moreover, his views quickly change as his guide Philos shows him some of Ledom's secrets. I can't really go into the heart of this matter without giving something away to the future reader, so let me just say that clearly all of the Ledom are not blissfully happy nor do they even claim to be an ideal society.

This book does succeed in delivering a powerful ending. While I expected a late twist, I did not really expect the ending Sturgeon gave me, and this largely made up for the dissatisfaction I felt regarding the secondary "modern life" story. The ending makes this book the classic it is, but the main story is thoroughly enjoyable throughout. A man is somehow snatched from his own world into that of a strange new world inhabited by a small, largely sexless society which purports to keep all its citizens equal, happy, and free. In return for a trip back home, Johns agrees to study the society objectively (objectivity being something the Ledom lack); the new society rather quickly reveals a layer of conflict and isolated unhappiness hidden behind a mask of equality and utopia. Interestingly, Charlie Johns (and the Ledom) learns more about home sap. society than he does Ledom society. In essence, the book serves not as a critique but more of a study of human life, honing in on two issues: sexuality and religion. Sturgeon offers a number of interesting ideas on society, but these seem to me to be ideas only and not prescriptions or even suggestions. To my mind, Sturgeon actually lauds the greatness of human society despite whatever ills it certainly possesses.

Venus Plus X is an important, influential, successful example of social science fiction, proving that science fiction is at its best when it deals with the large, abstract issues of mankind rather than focusing exclusively on the technical aspects and believability of a future or alternative science. You can learn something about yourself by reading this book, and that is a grand accomplishment indeed for any writer in any genre.

Rating:
Summary: Excellent
Review: Not as high-level as some of his other work, but far above the competition. Four stars four a Sturgeon work but Five compared to other writers.

Rating:
Summary: Utopian Tract
Review: Sturgeon's gifts largely desert him when he turns from fantasy with a subversive subtext to an openly preachy, didactic tract, reminiscent of Bellamy's "Looking Backward". In his earlier days, he did not dare reveal his criticisms of contemporary society in quite so overt a manner, and was forced to adopt the more interesting subterfuges of metaphor and allegory - transparent enough, but making the message both acceptable and (more importantly) interesting. To find the ideas of this book as such truly provocative, I think it would be necessary to have read very little.

The story is not so much slow as nonexistent. The purely Utopian sections are interleaved with a more interesting treatment of contemporary (late 1950's) American life, in which the underlying message is presented in Sturgeon's normal ironical manner. This is quite good, but there is too little of it. The Utopian sections begin to come alive around page 188, with just twenty more pages to go, at which point some plot twists enliven matters, finally. It's a pretty rough slog to get that far.

This has, by and large, no more literary value than a religious tract. If one wants to see some provocative ideas about sex, religion, and so on, there is much more entertainment to be found in the philosophical writings of Bertrand Russell, which are lively and unfettered by the Utopian format. Or for imaginative fiction, one will have more luck with dystopias - Brave New World, 1984, Fahrenheit 451 - than with Utopias, which are almost inevitably dull, preachy, didactic affairs.

Sturgeon first tried to write for "the slicks", then found a bit more space for his kind of writing in the F&SF genre. It seems that by 1960 the cultural climate had opened up to the point where he felt he could just say outright what he wanted to, with a minimum of sugar-coating. No doubt this was exhilarating at the time, and he wasn't the only one to get carried away in this manner. (I first read this novel around 1962, and in that context it was readable.)

I think Sturgeon forgot momentarily that the business of the writer is - writing. Still, I'm happy to see the reprint, and interested enough in Sturgeon to enjoy him at his worst. But if you are just making his acquaintance, start with "More than Human".