Rating: 
Summary: Destined for a place among the classics of sci fi!
Review: "Playing God",by Sarah Zettel is what sci fi lovers crave. Truly believable characters, a wonderfully complex alien society, a lot of love, a lot of violence, a lot of hard-hiting action, but nothing cliche. This is not fluff!Ms. Zettel obviuosly has a grasp on political science, psychology, and a true vision of future science (the implants, for example).Bravo, Ms Zettel! Please keep these incredible page-turners coming. And may you win a Hugo or Nebula, as you deserve...
Rating:
Summary: Well written and satisfying.
Review: A charming book with a faintly Cherryhish flavor; if you liked "Playing God", then you might like the Foreigner and Chanur series. The way Zettel captures emotions and pins them down to ink and paper is nothing less than a miracle. Very much recommended. --S.L-S.
Rating: 
Summary: A weak "Left Hand" - What a disappointment
Review: A somewhat interesting premise doesn't carry this book. The plot is thin and the characters are superficial. Sci Fi is beyond the point where simply having female protagonists and a female based society, whether human or alien, supports the story, and I thought the story and writing needed lots of help. The conflicts are hackneyed (corporation vs acedemics etc) and not original. I bought this b/c I liked her earlier works, and this is nothing like them.
Rating: 
Summary: First I've read by Zettel, but it won't the last
Review: Although slow-starting, Playing God resolves into a hard-charging actioner by the end. What I liked most about it was the way the action sequences sprung from, and led to, complications. No battle plan, as they say, survives first contact with the enemy, and Zettel has taken this adage to heart. She creates scenes in which first one of the novel's many factions, then another, takes an unexpected and intelligent action that alters the course of the plot in ways that none of the other factions could have predicted. Rather than having the plot run as though by clockwork progression from one scene to the next, Zettel has the plot grow organically from the thicket of conflicting personalities and cultures in the book. This is a less predictable, more interesting way of writing than one usually finds, and also a more difficult one. This intricate plotting is the best feature of Playing God. Other good features include a fascinating and fully realized alien species and a sprightly writing style. There are a few drawbacks to this book. The first quarter of the book is pedestrian, the humans are not characterized in great detail, and the inevitable drawback to the complicated, organic style of plotting Zettel uses is the impossibility of neatly tying up all loose ends. Still, I think the good substantially outweighs the bad. I liked Playing God, and I'll be reading more of Zettel's work.
Rating:
Summary: First I've read by Zettel, but it won't the last
Review: Although slow-starting, Playing God resolves into a hard-charging actioner by the end. What I liked most about it was the way the action sequences sprung from, and led to, complications. No battle plan, as they say, survives first contact with the enemy, and Zettel has taken this adage to heart. She creates scenes in which first one of the novel's many factions, then another, takes an unexpected and intelligent action that alters the course of the plot in ways that none of the other factions could have predicted. Rather than having the plot run as though by clockwork progression from one scene to the next, Zettel has the plot grow organically from the thicket of conflicting personalities and cultures in the book. This is a less predictable, more interesting way of writing than one usually finds, and also a more difficult one. This intricate plotting is the best feature of Playing God. Other good features include a fascinating and fully realized alien species and a sprightly writing style. There are a few drawbacks to this book. The first quarter of the book is pedestrian, the humans are not characterized in great detail, and the inevitable drawback to the complicated, organic style of plotting Zettel uses is the impossibility of neatly tying up all loose ends. Still, I think the good substantially outweighs the bad. I liked Playing God, and I'll be reading more of Zettel's work.
Rating: 
Summary: Good, original, hard sf
Review: Bias alert: Sarah Zettel is a friend of mine (or at least an acquaintance), and I think I can lay claim to having the very first Sarah Zettel autograph (on her first story in Analog). But on to the review. The Dedelphi are a mess. They're a quick-tempered, tribalistic, genetically inbred species who have a murderously narrow definition of "stranger." On top of that, they're violently allergic to humans - not sneezes and itching allergic, but anaphylactic shock allergic. And in one of the many wars on their planet, someone let loose a genetically engineered plague that instead of just killing off the targetting tribe, escaped to the wild, interbred with its natural equivalent, mutated like fruit flies in a nuclear reactor, and began killing indiscriminately. Into this ongoing disaster steps Lynn Nussbaumer, universe-class bioremediator, who accepts a challenging assignment from Bioverse Incorporated. Bioverse has gotten all of the major Dedelphi tribes to agree to a temporary peace (an accomplishment in itself) and to move off their planet into spaceships while humans clean up the place and eliminate the plague once and for all. Nussbaumer's job is to make it all work. To say it's a challenge is a massive understatement: many of the Dedelphi are quick to assume that it's all a plot, that the humans are in league with those walking vermin, (fill in the blank with their worst enemies), to use the program to eliminate their own tribe. Other Dedelphi see it as a golden opportunity to eliminate their enemies. And all this is on top of the incredible logistical challenge of getting an entire sentient species off of their planet for a couple of years. At times one wonders why Nussbaumer doesn't just throw up her hands and leave. Saying much more about the plot would give it away. Let me just say that Nussbaumer not only has her hands full, but she also gains wisdom from the experience. Also, once you reach about page 300 (when the action really takes off), don't expect to be able to put the book down till you're done. I'd also like to praise Zettel's gift for detail. She has a marvelous imagination for the little touches that convince you that "we're not in Kansas any more." Much of the book is written from the viewpoint of the alien Dedelphi, and they are alien indeed: driven to fight at almost a genetic level, and all of the intelligent ones are female. (Apparently, the females' brains fall out--almost literally--when they reach a certain age, and they become male. Since Sarah is happily married, I'm assuming this does not reflect her opinion of men in general.) Anyhow, her characters, alien and human, are very convincing. All in all, this is an exciting, gripping read and one of the best hard sf novels I've read in quite a while.
Rating:
Summary: Good, original, hard sf
Review: Bias alert: Sarah Zettel is a friend of mine (or at least an acquaintance), and I think I can lay claim to having the very first Sarah Zettel autograph (on her first story in Analog). But on to the review. The Dedelphi are a mess. They're a quick-tempered, tribalistic, genetically inbred species who have a murderously narrow definition of "stranger." On top of that, they're violently allergic to humans - not sneezes and itching allergic, but anaphylactic shock allergic. And in one of the many wars on their planet, someone let loose a genetically engineered plague that instead of just killing off the targetting tribe, escaped to the wild, interbred with its natural equivalent, mutated like fruit flies in a nuclear reactor, and began killing indiscriminately. Into this ongoing disaster steps Lynn Nussbaumer, universe-class bioremediator, who accepts a challenging assignment from Bioverse Incorporated. Bioverse has gotten all of the major Dedelphi tribes to agree to a temporary peace (an accomplishment in itself) and to move off their planet into spaceships while humans clean up the place and eliminate the plague once and for all. Nussbaumer's job is to make it all work. To say it's a challenge is a massive understatement: many of the Dedelphi are quick to assume that it's all a plot, that the humans are in league with those walking vermin, (fill in the blank with their worst enemies), to use the program to eliminate their own tribe. Other Dedelphi see it as a golden opportunity to eliminate their enemies. And all this is on top of the incredible logistical challenge of getting an entire sentient species off of their planet for a couple of years. At times one wonders why Nussbaumer doesn't just throw up her hands and leave. Saying much more about the plot would give it away. Let me just say that Nussbaumer not only has her hands full, but she also gains wisdom from the experience. Also, once you reach about page 300 (when the action really takes off), don't expect to be able to put the book down till you're done. I'd also like to praise Zettel's gift for detail. She has a marvelous imagination for the little touches that convince you that "we're not in Kansas any more." Much of the book is written from the viewpoint of the alien Dedelphi, and they are alien indeed: driven to fight at almost a genetic level, and all of the intelligent ones are female. (Apparently, the females' brains fall out--almost literally--when they reach a certain age, and they become male. Since Sarah is happily married, I'm assuming this does not reflect her opinion of men in general.) Anyhow, her characters, alien and human, are very convincing. All in all, this is an exciting, gripping read and one of the best hard sf novels I've read in quite a while.
Rating:
Summary: A weak "Left Hand" - What a disappointment
Review: The ideas in this book are interesting (but the whole gender-changing thing was done much better in Left Hand of Darkness), but that is all this book really has. I had to force myself to read the first 60%, knowing it would pick up and start to get interesting (her other books are like this too), and it did eventually switch into higher gear, but the twists and turns after that didn't make much sense, and the big dramatic idea that the main character has for ending the conflict left me asking, "what was that again? " On the postitive side, the character development of the aliens was really nice. I felt myself feeling a mixture of sympathy and frustration at the way they acted and could imagine being in the human's position and being torn between on one hand wanting to "play god" and impose my ideas of how these stupid barbarians should behave, and on the other just let them kill each other if they couldn't find a better way to survive.
Rating:
Summary: Nice background but not much plot
Review: The ideas in this book are interesting (but the whole gender-changing thing was done much better in Left Hand of Darkness), but that is all this book really has. I had to force myself to read the first 60%, knowing it would pick up and start to get interesting (her other books are like this too), and it did eventually switch into higher gear, but the twists and turns after that didn't make much sense, and the big dramatic idea that the main character has for ending the conflict left me asking, "what was that again? " On the postitive side, the character development of the aliens was really nice. I felt myself feeling a mixture of sympathy and frustration at the way they acted and could imagine being in the human's position and being torn between on one hand wanting to "play god" and impose my ideas of how these stupid barbarians should behave, and on the other just let them kill each other if they couldn't find a better way to survive.
Rating:
Summary: predictable plot, wooden characters, but readable
Review: The world building in this novel is a wonderful piece of work, including the interactions between human and alien. What I did not like, however, were the all too obvious plot and characters that while realistic, are uninspiring. I would wait for the paperback, unless I was dying of curiosity.
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