The Double Shadow

Rating:
Summary: Weird stories, and Wild cover!!!
Review: A delight to read, especially knowing that Smith wrote this in the late 1920's. Smith is very contemporary in his vision. In fact, "The Willow Landscape" must have influenced Rod Serling and his famous Twilight Zone series. My only complaint is that the book's title made no reference to the fact that it contains six stories, not just "The Double Shadow." The book contains "The Voyage of King Euvoran," "The Maze of the Enchanter," "The Double Shadow," "A Night in Malneant," "The Devotee of Evil," and "The Willow Landscape." Additionally, DiSilvio's cover art is as fantastical as Smith's prose, and sets the scene for "The Voyage of King Euvoran" even more mysteriously than the tale itself. A great artistic keepsake!

Rating:
Summary: A few of Smith's own favorites
Review: The first edition of this book - a drab, stapled booklet issued at the author's expense in 1933 - was an attempt by the poet and prose fantasist Clark Ashton Smith to save a few of his favorite tales from oblivion after submission of these tales had resulted in either rejection or requests for alterations the author was not willing (at that time) to make. "The Maze of the Enchanter" and "The Voyage of King Euvoran" are both vastly superior to the disembowelled versions published years later as "The Maze of Maal Dweb" and "The Quest of the Gazolba". Three of my favorite tales by Smith appear in this book - "The Maze of the Enchanter", "A Night in Malneant", and "The Double Shadow". Of these, only one, the heavily-edited "The Maze of Maal Dweb" - still impressive in plot, if less precise in action and almost devoid of atmosphere- appears in Arkham House's fine retrospective collection of Smith's work, A RENDEZVOUS IN AVEROIGNE. "The Devotee of Evil", an exercise in contemporary horror not dissimilar to such minor, early Lovecraft efforts as "From Beyond", disappoints, otherwise the contents are chilling, evocative, mournful, and sardonic by turns, with Smith's muse shaping the prose so cunningly that word, image, action, atmosphere, and speech all work toward the same otherworldly end.

Wildside Press has not produced the most elegant edition of the book one could imagine. The binding is not sewn, the paper is thin, and half the title - the words "AND OTHER FANTASIES" - appears only inside the book, a detail which may cause some confusion among those not already familiar with Smith's work. Nonetheless, the book appears reasonably durable, the cover art is attractive, the text is laid out stylishly, and random checks for accuracy suggest this is more carefully proofread than are some of this publisher's earlier books. "The Maze of the Enchanter" in all its unexpurgated glory is alone worth the price of this book.